Days of Blood & Starlight

18 A Risen

Coming up on the silent village, the slave caravan thought nothing of a sky winged by blood daubs. The anomaly would have been an absence of blood daubs; in this work, carrion birds were a given. Usually, however, the carrion was of the beast variety.

Not so now.

The dead were strung up on the aqueduct: eight seraphim with their wings fanned wide. From a distance, they seemed to be smiling. Up close, it was an ugliness to shock even a slaver. Their faces…

“What did this?” someone choked out, though the answer was writ plain before them. In sweeping letters, in blood, a message was painted on a keystone of the aqueduct.

From the ashes, it read, we are arisen.

They panicked and dispatched messengers for Astrae. Being ill-defended, they didn’t delay to cut down their soldiers but hurried on, driving their chimaera chattel with whips. A marked change had come over the captives at the sight of the dead—a brightness, a keen and shifting eagerness. The blood scrawl was not the only message; the smiles were a message, too.

The corners of the dead angels’ mouths had been carefully slit, widened into rictus grins. The slavers knew exactly what it meant and so did the slaves, and all eyes grew sharp—some with fear; others, anticipation.

Night came and the caravan made camp, posted guards. The dark was pocked by small sounds: a scurry, a snap. The guards’ hands were hot on their hilts; their blood jumped, eyes darted.

And then the slaves began to sing.

This had not happened on any previous night. The slavers were accustomed to whimpers from the huddle of captives, not song, and they didn’t like it. The beasts’ voices were raw as wounds, forceful and primal and unafraid. When the seraphim tried to silence them, a tail lashed forth from the huddle and knocked a guard off his feet.

And then, between one leap of the campfire’s flame and the next, they came. Nightmares. Saviors. They came from above, and the slavers’ first confused thought was that reinforcements had arrived, but these were no seraphim. Wings and screaming, spike horns, antlers, lashing tails and hunched ursine shoulders. Bristles, claws.

Swords and teeth.

No angel survived.

Freed slaves melted away into the landscape, dragging the swords and axes—and yes, the whips—of their captors. They would be less easily subdued in the future.

All fell still. Here, too, a message was scribed in the blood of slaughter—the same words as would be found at many such scenes in the days to come.

We are arisen, it read. It is your turn to die.