Part Two. KILGRAM CHASE

CHAPTER ELEVEN

London, November 1988

On Thursday morning at nine-thirty I flew to London on the Concorde.

Andrew had insisted that I take the supersonic flight because it was so fast, only three and a half hours long, reasoning that since I was going for just a few days, it would give us more time together. He had overcome my objections with the assurance that his office was paying for my very expensive ticket.

I quickly discovered it was a terrific way to fly. I had hardly had a chance to eat a snack, relax, and read my Colette when we were landing at Heathrow. Another good thing about flying Concorde was the way the luggage came off the plane and onto the carousel so quickly. The porter I found was soon stacking my cases on his trolley and whizzing me through customs. As we came out into the terminal I was still blinking at the efficiency and speed with which everything had moved.

I looked around for Andrew and saw him before he saw me. He was standing just beyond the barrier, looking handsome and dashing with a trenchcoat thrown nonchalantly over his shoulders. He wore a gray pinstripe suit, a pale blue shirt, and a plain gray silk tie, and as always he was immaculate, not only in his clothes, but from the top of his well-groomed head to the tip of his highly polished brown shoes.

A rush of excitement hit me at the sight of him. It always did when we had been apart. He was the only man I had ever loved, the only man I would ever want.

Suddenly he saw me, and his face broke into smiles. I raised my hand in greeting, smiled back, and hurried forward as he moved toward me. A split second later he was holding me in his arms, hugging me to him and kissing me. As I clung to him I thought how extraordinary it was that less than four hours after leaving Kennedy I was standing here on English soil, embracing my husband.

We drew apart finally, and I said, "My bags are on the trolley," looking over my shoulder as I spoke.

Andrew glanced at the porter and nodded.

"'Evening, guv'nor," the porter said. "Got a car waiting, have you?"

"Yes, in the parking area just outside this building," Andrew told him.

"Right ho!" The porter went trundling ahead of us, pushing the trolley. We walked after him.

Andrew turned to me and lifted a brow. "You've come for the duration, have you?"

"Duration?"

"Of my stay. You've certainly brought enough luggage."

I laughed. "Only two cases and a makeup bag."

"Rather large cases, though," Andrew murmured, half smiling.

I threw my husband a flirtatious look and said, "But I'll stay if you want me to."

"Will you really, darling?" His face lit up, and there was a sudden eagerness in his eyes, excitement in his manner.

Instantly I regretted teasing him and explained in a more serious tone, "I'd love to stay longer than we'd planned, Andrew, but you know I can't. I've got to go back on Monday."

"Why?"

"I can't leave the children for longer than a weekend."

"'Course you can, darling. The twins'll be fine. They've got Jenny and your mother, and Sarah to watch over them."

"Sarah's working during the week," I pointed out.

"Your mother isn't, and Jenny is very reliable. They're as safe as houses with her."

"But we agreed I'd only come here for the weekend," I reminded him. I stopped. Staring hard at him, I said, "I shouldn't have risen to the bait just now, and I shouldn't have teased you, said I'd stay longer. Honestly, it's just not possible. I'd feel uneasy, Andrew."

Suddenly he looked awfully glum, but he made no further comment. We walked on in silence.

Making a snap decision, I stopped again, turned to him, and said, "Look, I'll stay on until Tuesday, honey. I think that'll be all right. Okay? Is that okay with you?"

Smiling, he nodded and exclaimed, "Mal, that's great, just great!" Then taking hold of my elbow firmly, he hurried me forward.

We went through the glass doors of the terminal, crossed the road, and entered the parking area where the porter was already waiting with my suitcases on the trolley.

I shivered. It was a damp November night and quite cold, typical English winter weather.

A dark green Rolls-Royce moved slowly toward us and braked. A uniformed chauffeur jumped out, nodded to me, and said, "Good evening, madam," and went to help the porter load the bags into the trunk before I even had a chance to acknowledge him.

Turning to the porter, I said, "Thanks for helping me," and walked over to the Rolls. Andrew tipped him and followed me. Bundling me into the car, Andrew then stepped in behind me and closed the door. Immediately he took me in his arms and gave me a long kiss, then pulling away, he said, "It's so good to have you here, Mal."

"I know. It's the same for me," I answered. "Wonderful to be here with you."

The chauffeur got in and turned on the ignition. A few seconds later we were leaving the airport buildings behind and heading out onto the main road in the direction of London.

As the car sped along, I glanced at my husband. My eyes lingered on his face, and I saw, on closer examination, that he looked much more tired than I had realized. There were dark smudges under his eyes, and in repose, his face appeared unexpectedly weary. A general air of fatigue enveloped him.

Frowning, I said, "You've had a much rougher time than you've told me, haven't you?"

Andrew gave a quick nod, squeezed my hand, and inclined his head in the direction of the driver, obviously not wanting to speak in front of him. He murmured, sotto voce, "I'll tell you later."

"All right." Opening my bag, I took out two envelopes with Dad printed across their fronts in uneven, wobbly, childlike letters. Handing them to Andrew, I said, "Lissa and Jamie have each written you a card."

Looking pleased, he put on his horn-rimmed glasses, opened the envelopes, and began to read.

I leaned back against the soft cream leather of my seat and stared out the window. It was just six-thirty, and dark, so there was not much to see. The road was slick with rain, and the traffic at this hour was heavy. But the Rolls-Royce rolled steadily along at a good speed, and I knew that in spite of the rain, which was now falling in torrents, we would arrive at Claridge's in an hour, or thereabouts.

Later that evening, after I had called Jenny in New York, unpacked, showered, redone my makeup, and changed my clothes, Andrew took me to dinner at the Connaught Hotel.

"For sentimental reasons, Mal darling," he said as we walked from Claridge's to the other hotel, which was situated on Carlos Place.

It was still cold and damp, but the heavy downpour had long since ceased, and I was glad to get a little air after being cooped up on the plane. Anyway, I always liked to walk in London, especially in Mayfair around the dinner hour.

The traffic was far lighter and the streets were much less crowded; in fact, they were almost empty at this time of day. There was something charming and beautiful about this lovely old part of London. Certain streets in Mayfair were still residential, although some of the elegant Georgian mansions had been turned into offices; nonetheless, the section was very special to me, and it held many fond memories of my courtship.

Once we were settled at our table in the restaurant of the Connaught, Andrew ordered a glass of white wine for me and a very dry martini for himself. As we waited for the drinks to materialize, he started to talk about the London office of Blau, Ames, Braddock and Suskind, and without any prompting from me.

"I think I got over here just in the nick of time," he explained, leaning across the table, pinning me with his eyes. "The place is in a mess, as I sort of indicated to you on the phone the other night. It's been badly managed for the last few years. Joe Braddock's son-in-law doesn't know his ass from his elbow, and Jack Underwood and I will have to do a lot of fancy footwork in order to keep it afloat."

I was incredulous. It had always been a financially successful operation. Until recently, apparently. Startled, I exclaimed, "Do you mean you might have to close the London office?"

He nodded emphatically. "Yep, I sure do. Malcolm Stainley's one of the biggest dummies I've ever met. I don't know what got into Joe. Giving him the European end to run was more than foolhardy. It was criminal. And it is the European end, not merely the London office, since most of our French, German, and Continental business is handled and billed out of here."

"Nepotism, of course," I said. "That's why Malcolm is where he is." Then I asked, "But what exactly did he do, Andrew?"

"He made one hell of a mess, that's for sure," Andrew muttered, falling silent as the waiter arrived with our drinks.

After we had clinked glasses, Andrew went on, "The trouble with Malcolm Stainley is that he hasn't got a clue about people. He can't keep staff, for one thing, and in my opinion that's because he pits people against one another. Anyway, morale is at rock bottom here, and everyone hates his guts. Then again, he's a bit of a cheapskate, so he's always trying to save money-in the wrong ways. For instance, he hires second-rate talent instead of going for the best and the brightest. In consequence, we lose out on a lot of bids we make to potential clients, because the presentations are lousy." Andrew shook his head. "He's shown very flawed judgment on many different levels."

"But what's the solution? After all, Malcolm is married to Joe's daughter, and Ellen likes living in London. So you can bet Joe isn't going to remove her husband, or fire him. At least, that's the way I read it."

Andrew looked thoughtful as he sat and sipped his martini without responding.

Finally, he said, "No, I don't suppose Joe is going to do anything about Malcolm, so Jack and I will have to render the bugger helpless and take his power away to boot."

"And how do you plan to do that?" I asked, raising a brow.

"Appoint someone else to run the London office, get it on the straight and narrow."

"But Joe may not agree to that. And Malcolm surely won't," I ventured.

Andrew gave me a small, very knowing smile. "Joe will agree to certain things, Mal. Jack, Harvey Colton, and I have been talking retirement to him, and in no uncertain terms, these last few months, and he will agree to do what we propose. In order to stay on with the agency himself. He loathes the idea of retiring, as I thought you'd realized."

I nodded but made no comment. Joe Braddock was close to senile, in my opinion, and should have been put out to pasture eons ago.

Andrew continued, "You're right, of course, in that Joe won't like seeing his son-in-law demoted or displaced. And neither will Malcolm the Great himself. He'd put up one hell of a bloody fight, no two ways about it, if we said we wanted him to go. So we're not going to do that. Instead we're going to kick him upstairs, give him a fancy title." Andrew paused dramatically, then finished, "And we'll tie his hands. Manacle them, if necessary." He grinned at me conspiratorially. "That leaves the way open for a new, hands-on guy who'll pull the company out of the mire, get it back on course. And lead it to financial security. We hope."

"Do you have someone in mind?" I wondered out loud.

"Jack and Harvey wanted me to take it on. However, I said thanks but no thanks. Frankly, Mal, I didn't want to uproot us all, take the kids out of Trinity, move to London for a couple of years. Because that's what it would mean. It's going to take two, maybe even three years to pull this operation around."

"Oh," I said, staring at him. "But I wouldn't have minded living in London for two or three years, Andrew, really I wouldn't. If you haven't already hired someone else yet, why don't you take the position after all?"

He shook his head. "No way, Mal, it's not my cup of tea, cleaning up somebody else's mess. Besides which, Harvey, Jack, and I have been streamlining the New York operation. I want to keep on doing that, it's very important to me." Narrowing those brilliantly blue eyes at me, he said softly, "Oh, hell, darling, you're disappointed, aren't you?"

"No, I'm not," I protested, although he had read my thoughts very accurately.

"I know you, Mallory Keswick,". my husband said in the quietest of voices. "And I think you are disappointed…just a little bit."

"Well, yes," I admitted. Then I gave him a reassuring smile. "But I'm not important in this instance. It's your decision. After all, it is your career, and you're the one it affects the most. Whatever you decide about where you work, be it agency or city or country, it'll be okay with me, I promise you."

"Thanks for that. I just don't want to live in England," he answered, "but then you've always known this. I love Manhattan and working on Madison Avenue. The rhythm of the city excites and invigorates me, and I love my job. Not only that, I'd miss Indian Meadows, and so would you."

"That's true, I would. So who have you hired? Or haven't you found anyone yet?"

"Jack Underwood. He's going to move over here and tackle the job. In fact, he's flying in next Wednesday so that we can go over things together before I leave. He'll stay on, as of this coming week, and assume the running of the British company immediately. It's going to be a permanent move for him. At least, he'll be here for a few years. I'm going to miss him."

"So you and Harvey will have to cope on your own in New York?"

"That we will. And we do have our jobs cut out for us. But we both believe we can bring the agency back to its former standing. Although it has been losing ground a bit, we're still big in certain areas of advertising, and we have a roster of good and very loyal old clients."

Reaching out, I took hold of his hand, which rested on the table. "I haven't seen you looking so tired for a long time, darling. I guess it has been pretty rough whilst you've been here in London. Much rougher than you've let on to me."

"Mal, that's true to a certain extent." He sighed under his breath. "And I have to admit that very long hours and a disgruntled staff have had their debilitating effect, no two ways about it." Then he winked, taking me by surprise, and in a lighter, gayer tone, he added, "But now you're here, my darling. We're going to have a lovely weekend together, and we're not going to discuss business. Not at all. Agreed?"

"I agree to anything you say or want."

A dark brow lifted, and he laughed a deep-throated laugh. He said, "Let's order another drink, and then we'll look at the menu."

CHAPTER TWELVE

It was gray and overcast on Friday morning, and as I left Claridge's Hotel, heading toward Berkeley Square, I glanced up at the sky. It was leaden and presaged rain, which Andrew had predicted before he had left for the office earlier.

Instead of walking to Diana's, which I liked to do, I hailed a cab and got in. Just in time, too. It began to drizzle as I slammed the door and gave the cabbie the address. English weather, I thought glumly, staring out the taxi window. It's always raining. But one didn't come to England for the weather; there were other, more important reasons lo be here. I had always loved England and the English, and London was my most favorite city in the entire world. I loved it even more than my hometown, New York.

I settled back against the cab seat, glad to be here. On second thought, it could hail and snow and storm for all I cared. The weather was quite irrelevant to me.

My mother-in-law's antique shop was located at the far end of the King's Road, and as the cab flew along Knights-bridge, heading in that direction, I made a mental note to go to Harrods and Harvey Nichols later in the day, to do some of my Christmas shopping. Since we would be spending the holidays with Diana, I could have gifts for her, the children, and Andrew shipped directly to her house in Yorkshire. Certainly it would save me the trouble of bringing everything with me from New York in December. The stores would probably gift wrap them, too.

Andrew had kept it a secret from his mother that I was joining him in London for a long weekend; when I had announced my presence to her on the phone last night, she had reacted in her usual way. She was full of excitement, so very pleased to hear my voice, and she had immediately asked me to have lunch with her today.

Once we arrived at the shop, I paid off the cabbie and stood outside in the street, gazing at the beautiful things which graced the window of Diana Howard Keswick Antiques.

I feasted my eyes on a pair of elegant bronze doré candlesticks, French, probably from the eighteenth century, which stood on a handsome console table with a marble top and an intricately carved wood base, also eighteenth-century French, I was quite sure of that.

After a few moments, I looked beyond these rare and priceless objects, peering inside as best I could. I could just make out Diana standing at the back of the shop near her desk, talking to a man who was obviously a customer. She was gesturing with her hands in that most expressive way she had, and then she turned to point out a Flemish tapestry, which was hanging on the wall behind her. They stood looking at it together.

Opening the door, I went inside.

I couldn't help thinking how marvelous she looked this morning. She was wearing a bright red wool suit, simple, tailored, elegant, and her double-stranded pearl choker. Both the vivid color and the milky sheen of the pearls were perfect foils for her glossy brown hair and tawny-gold complexion.

It particularly pleased me that she was wearing red today, since I had painted her in a scarlet silk shirt and the same choker, which she usually wore and which was her trademark, in a sense. Observing her, I was instantly reassured that I had captured the essence of her on my canvas-her warmth and beauty and an inner grace that seemed to radiate from her. I hoped Andrew was going to like my portrait of his mother, which Sarah says is one of the best things I've ever done.

The moment Diana saw me she excused herself and hurried forward, a wide smile lighting up her face, her pale gray-blue eyes reflecting the same kind of eagerness and joy which I usually associate with Andrew. He always has that same happy, anticipatory look when he is seeing me for the first time after we've been apart; it is spontaneous and so very loving.

"Darling, you're here!" Diana cried, grasping my arm. "I can't believe it, and it's such a lovely surprise. I'm so happy to see you!"

My smile was as affectionate as hers, and my happiness as keenly felt. "Hello, Diana. You're the best thing London has to offer, aside from your son, of course."

She laughed gaily, in that special warm and welcoming way of hers, and we quickly embraced. Then she led me forward.

"Mal, I'd like to introduce Robin McAllister," she said. "Robin, this is my daughter-in-law, Mallory Keswick."

The man, who was tall, handsome, distinguished, and elegantly dressed, inclined his head politely. He shook my hand. "I'm pleased to meet you, Mrs. Keswick," he said.

"And I'm happy to meet you, Mr. McAllister," I responded.

Diana said, "Mal, dear, would you please excuse me for a moment or two? I wish to show Mr. McAllister a painting downstairs. I won't be very long, then we can get off to lunch."

"Don't worry about me," I said, "I'll just wander around the shop. I can see at a glance that you have some wonderful things. As you usually do."

Before my mother-in-law had a chance to say anything else, I strolled to the other side of her establishment, my eyes roving around, taking everything in.

I loved antiques, and Diana invariably had some of the best and most beautiful available in London, many of them garnered from the great houses of Europe. She traveled extensively on the Continent, looking for all kinds of treasures, but mostly she specialized in eighteenth- and nineteenth-century French furniture, decorative objects, porcelain, and paintings, although she did carry a few English Georgian and Regency pieces as well. However, her impeccable credentials and reputation as a dealer came from her immense knowledge of fine French furniture, which was where her great expertise lay. But like every antiquarian of some importance and distinction, Diana was extremely learned in other areas, well versed in a variety of different design periods from many countries.

I noticed that she was currently showing a collection of Biedermeier furniture in the special-display area of the shop, and even from this distance I could see that it was superb. I was instantly drawn down to the far end of the store, near the staircase leading to the upper floors. Here a small raised platform held the furniture, which was roped off.

I stood looking at the German pieces in awe, admiring the rich, gleaming woods and the incredible craftsmanship. I was especially taken by a circular dining table made of various light-colored woods, most likely fruitwoods, and inlaid with ebony. This was a combination often used in Biedermeier designs at the turn of the century, when the furniture was at the height of its popularity.

What I wouldn't give for a table like that, I thought. But quite aside from the fact that it probably cost the earth-I was positive it did-I had nowhere to put it. Not only that, Indian Meadows was furnished with a mixture of antique English and French country furniture, and although Biedermeier was versatile and plain enough to blend with almost any period or style, it wasn't quite right for us, either for our country home or our Manhattan apartment. Pity, though, I muttered under my breath as I walked on.

Pausing in front of an eighteenth-century French trumeau, which was hanging on a side wall, I admired its beautifully carved wood frame and painted decorative scene set in the top of the frame, wondering what mantelpiece it had hung over, and in which great house? A chateau in the Loire, I had no doubt. Then I took a peek at myself in its cloudy antique mirror.

My reflection dismayed me. I decided I looked a bit too pale and tired, almost wan under the mass of red hair, but nonetheless quite smart in my dark delphinium-blue wool coat and dress. No wonder I'm looking tired, I suddenly thought, recalling last night. Andrew and I had been very carried away with each other. A small smile slid onto my face, and I glanced down at the floor, remembering. My husband and I hadn't been able to get enough of each other, and despite his tiredness in general, his fatigue over dinner, he had been imbued with an amazing vitality, a rush of energy the moment we had climbed into bed. If we hadn't made another baby last night, I couldn't imagine when we ever would.

"Hello, Mallory, how are you?" a voice said, and I gave a little start and swung around swiftly. I found myself staring into the smiling face of Jane Patterson, Diana's personal assistant.

Taking a step forward, I gave her a quick hug. "How are you, Jane?"

"I couldn't be better," she said, "and you're obviously in the best of health and thriving." nodded and told her I was.

She inquired about the twins. I asked about her daughter, Serena. We stood chatting amiably for several seconds.

Out of the corner of my eye, I became aware of sudden movement. I saw Mr. McAllister striding toward the door. He nodded to us curtly as he went out into the street. Right behind him came Diana, hurrying forward on her high heels, throwing a red wool cape around her shoulders with a flourish as she headed in our direction.

"Shall we go, Mal?" she said to me briskly.

Turning to her assistant, my mother-in-law added, "Percy says he'll be happy to hold down the fort whilst you go to lunch, Janey. I should be back around three."

"No problem, Diana," Jane murmured.

She and I said our good-byes.

Diana rushed out into the street, put up her umbrella, and stood on the edge of the sidewalk enthusiastically flagging a cab, ignoring the rain.

Diana took me to the Savoy Hotel in the Strand for lunch.

Even though it was a bit far from her shop, she knew it was one of my favorite places, and she wanted to please me, as she usually did. I protested. Knowing how busy she was, I tried to persuade her to go somewhere closer, but she wouldn't hear of it. She could be as stubborn as her son at times.

We sat at a window table overlooking the Thames in the main restaurant, which I have always preferred to the famous Grill Room where Fleet Street editors, politicians, and theatrical celebrities frequently lunch and dine. It was quieter in here, more leisurely, and anyway, I could never resist this particular view of London. It was superb.

I gazed out the window. There was a mistiness in the air, and the sky was still a strange metallic color, but the heavy, slashing rain had stopped finally. Even the light had begun to change, now casting a pearly haze over the river and the ancient buildings, bathing them in a gauzy softness that seemed suddenly to make them shimmer; the winter sun was finally breaking through the somber clouds. Light on moving water, Turner light, I said to myself, thinking, as I so often did, of my favorite painter.

I lolled back in my chair. I was relaxed and happy, filled with the most extraordinary contentment. How lucky I was-to be in London with my husband, to be here with Diana at the Savoy having lunch, to have my beautiful children. I might even be pregnant again. My life was charmed. I was blessed.

I sipped my wine and smiled at Diana. And she smiled back, reached out, squeezed my hand.

"Andrew's so lucky to have found you, and I'm so lucky to have you, Mal. The daughter I always wanted. You're the best, you know, the very best."

"And so are you, Diana. I was just thinking how lucky I am."

She nodded. "I believe we're both rather fortunate." She sipped her wine, continued, "I was so sorry not to be able to come to your mother's wedding. It was simply the worst time for me. I had made my plans such a long time before she invited me. I had to go to a sale in Aix-en-Provence, and then on to Venice. I just couldn't get out of my commitments."

"It was all right, Diana, Mom understood, honestly she did. To tell you the truth, I think she was relieved to keep it small. That's unusual for her, I must admit, since she's such a social animal, but she seemed glad to have just a few people. Us, and David's son and daughter-in-law and grandson. Oh, and Sarah and her mother, of course. Mom's been close to Aunt Pansy ever since Sarah and I were little kids, babies. She didn't even invite her mother, Grandmother Adelia, but then I don't believe she was up to it anyway. She's getting a bit senile, poor thing. Such a pity. She used to be so vital."

"She's very old now, isn't she?"

"Ninety-one."

"Oh, my goodness, that is old."

"I wouldn't mind living to that age," I said, "as long as I had all my marbles."

Diana laughed, and so did I.

I said, "David Nelson's a nice man, by the way. I've gotten to know him a bit better over the past few months, and he's very genuine. He really does care for Mom."

"I'm glad Jessica finally got married. She's been so lonely for so very long. Marrying David is the wisest thing she could've done."

I looked across the table at Diana, studying her for a second. And then before I could stop myself, I blurted out, "And you must be very lonely too, Diana. After all, you're alone."

"I think most women, no, let me correct myself, most people who are on their own get extremely lonely at different times in their daily lives," she said, smiling faintly.

There was a slight pause, and I saw a look of sadness creep into her eyes before she said slowly, "In a way, loneliness is another kind of death…" She did not finish her sentence, merely sat gazing at me.

I was lost for words myself, feeling her wistfulness, her sense of loss and regret more profoundly than I ever had before. She touched me deeply.

A silence fell between us. We sipped our wine, looked out the window, and quietly ignored each other for a moment or two, lost in our own thoughts.

Quite unexpectedly, I had a terrible urge to ask her about my father, to tell her what Andrew and I had concocted about the two of them this past summer. Yes, I will ask her, I made up my mind. But when I turned my face to focus on her, I lost my nerve. I didn't dare say a word to her. Not because she intimidated me, which she didn't, but because she was essentially such a private person. I could not intrude on her privacy, nor could I probe into her personal life.

She caught my eye and flashed me the most brilliant of smiles. She said cheerfully, "But my loneliness doesn't last very long, Mal, only an hour or two, and it only hits me every now and then. Let's face it, I'm very fortunate to have the business. It keeps me fully occupied night and day-traveling abroad, going to auctions and sales on the Continent, taking clients and would-be clients to lunch and dinner, seeing and entertaining foreign dealers, not to mention running the shop. I never seem to have a moment to spare these days. I'm always flying off to France or Italy or Spain. Or somewhere or other."

"And haven't you ever met someone delicious on your travels?" I asked. "A suave, sophisticated Frenchman? Or a lyrical, romantic Italian? Or perhaps a dashing, passionate Spaniard?" I couldn't resist teasing her.

Giggling like a schoolgirl, her eyes as merry as I've ever seen them, she shook her head. " 'Fraid not, Mal," she said, then lifted her glass to her mouth and took a sip of the wine, a very good Montrachet. She knew her French wines.

At this moment the waiter appeared with our first course. Diana had ordered leek-and-potato soup, "to fight the chill in the air," she had said to me a short while before as we studied the menus.

I had selected oysters, and a dozen of the Savoy 's best Colchesters were staring up at me temptingly. They looked delectable. My mouth watered. I said to Diana, "Whenever I'm here in London, I manage to make a pig of myself with all of the wonderful fish, I love it so much. And I'm afraid I'm about to become Miss Piggy again."

"It's the best fish in the world, at least I think so; and don't forget, it's not fattening."

"As if you had to worry," I murmured. I had always admired Diana's sleek figure. Not that I was fat, but she was very slender and shapely for her age.

Pushing my small, sharp fork onto the shell and underneath a plump, succulent oyster, I lifted it up and plopped it into my mouth. Instantly, I could taste the salt of the sea and seaweed and the sea itself in that little morsel, all of those tastes rolling around in my mouth at the same time. It was refreshing and delicious. As the oyster slid down my throat, I reached for another without pause, and then another, unable to resist. I was going to have to restrain myself, or I would bolt them all down in the space of a few minutes.

Out of the blue, Diana said, "I wonder if your father will get married, now that he's free to do so?"

My eyes came up from my plate of oysters, and I gaped at her. Putting my fork down, I sat back in the chair, my eyes leveled at her. I felt a tight little frown knotting the bridge of my nose.

Finding my voice eventually, I said slowly, "He'd have to have… someone… someone in his life… someone to marry, wouldn't he?" I discovered I could not continue. I leaned against my chair, too nervous to say another word. I wanted Diana to tell me, to break the news about her and Daddy. I felt awkward, tongue-tied, and therefore I couldn't probe.

"Oh, but he does have somebody," she said, and that brilliant smile of hers played on her pretty mouth again.

"He does?"

"Why, of course. Whatever makes you think that a man like your father could be alone? He's far too dependent a creature for that." She stopped short, staring hard at me. She must have noticed the expression on my face.

I sat there still somewhat dumbfounded, staring back at her stupidly. I had been rendered mute.

Diana frowned. "I thought you knew… I thought your mother had told you years ago…" Once again, her voice trailed off.

"Told me what?" I asked in a tight voice.

"Oh, dear," Diana muttered, almost to herself. "What have I done now? Gone and put my foot in it, I suspect."

"No, you haven't, Diana, truly you haven't!" I protested, eager to hear more. "What did you mean? What did you think my mother had told me?"

She took a deep breath. "That there have been other women in his life. I mean after your mother and he agreed to separate, all those years ago when you were eighteen, when you went off to Radcliffe. Jess once told me about his-affairs, relationships, whatever you wish to call them. I simply assumed that she had confided in you when you grew older. Especially after your marriage."

"No, she didn't. I must admit, though, that I've thought about his life, lately, anyway. Thought about him… having other women, I mean."

Diana nodded.

"And there's someone now, isn't there? Someone special in my father's life."

Again she nodded, as though she did not trust herself to speak, the way I had felt a few minutes before. I could certainly understand why.

Taking a deep breath, I said in a rush, "It's you, isn't it, Diana? Just as Andrew and I have suspected for months now."

My mother-in-law looked as if she'd been struck in the face, stared at me in absolute amazement, and then she burst out laughing. She continued to laugh so much tears came into her eyes. Only by exercising enormous control did she manage to finally stop. Reaching for her bag, she took out a lacy handkerchief and dabbed her eyes.

"Oh, do excuse me, Mal darling," she said after a moment, still gasping slightly. "I'm sorry to behave this way, but that's the funniest thing I've heard in a long time. Your father and I? Good Lord, no. I'm much too practical and down-to-earth, far too sane for Edward. He needs someone a lot more helpless and sweeter than I. He needs a woman who is romantic, idealistic, and fey. Yes, fey is a very good word with which to describe Gwenny."

"Gwenny! Who's Gwenny?"

"Gwendolyn Reece-Jones. She's a great friend of mine, a theatrical designer, and when she's not up here in London designing sets and scenery and all that sort of thing for plays and shows in the West End, she lives in a sixteenth-century manor house in the Welsh Marshes. She's imaginative and charming and funny and dear, and yes, very, very fey."

"And she's Daddy's girlfriend?"

"Correct. She's been good for him, too." Diana cleared her throat and after a pause added, "And I'm afraid I introduced them, for my sins."

"Is it serious?"

"Gwenny is serious, I know that for a fact. She's positively dotty over him. Very much in love." Diana sat back, her head held on one side; a thoughtful look spread itself across her face. "I think Edward's serious about her, but I couldn't say definitely. That's why I wondered aloud if he would marry. Perhaps. Hard to say, really."

"Has he known her long?"

"Oh, about four years, thereabouts."

"I see."

After a moment, Diana asked, "Tell me something. What on earth made you and Andrew think I was involved with your father? That's a most preposterous idea, and in many ways, I might add."

I told her then about Andrew finding the letter in the summer. I explained how the two of us had speculated about them, had analyzed the way they behaved when they were together, concluded how different they were when in each other's company. And in consequence of all this had assumed they were having an affair.

Diana had the good grace to chuckle. "If you think I act differently when I'm around Edward, you're perfectly correct. I do. I suppose I'm more of a woman, my own woman, less of a mother, less of a grandmother. I'm more myself in certain ways. What I mean by this is that I'm like I am when I'm alone, when I'm not with you and Andrew and the twins. I behave in a very natural way with him. You see, there's something in your father's personality that makes every woman feel… good, and-"

"Except for Mom," I cut in.

"Touché, darling," she said. "And as I was saying, he has that knack, that ability, to make a woman feel her best-attractive, feminine, and desirable. Edward can, make a woman believe she's special, wanted, when he's around her, even if he's not particularly interested in her for himself. And he's very flirtatious, says flattering things. It's hard to explain, really. I will say this: Your father's very much a woman's man, not a man's man at all. He adores women, admires them, respects them, and I guess that is part of it." She leaned across the table and finished, "It's all about attitude, Mal. His attitude."

"Will he marry… Gwenny? What's your opinion, Diana?"

"I told you, I don't know." She pursed her lips, looking thoughtful again, but only for a fraction of a second. "If he's smart, he will. She's made him happy, that I do know."

"I wonder if he'll bring her out in the open, now that Mom's divorced him and married someone else?"

Diana threw me an odd look. "He's not made much of a secret about Gwenny in the past. In fact, no secret at all. At least, not here in London. He probably didn't mention Gwenny to you because he didn't want to hurt your feelings."

"Maybe."

"I'm sure that's the case," Diana said in her firmest tone.

It occurred to me that she was suddenly out to defend my father. He didn't need any defense, as far as I was concerned. I had always loved him, and I still did. After all, his marital battles with my mother were old hat. I had grown up with them. Besides which, I was the one who had always thought they should have divorced years ago. I had never understood their behavior.

Clearing my throat, I asked, "Did he ever bring Gwenny to the States? To New York?"

"Not to New York, as far as I know. However, I believe she was with him when he gave those archaeological lectures at U.C.L.A. last year."

"How old is she?"

"About fifty-three or fifty-four, not much more than that."

"Has she ever been married? Tell me something about her, Diana."

Diana nodded. "Of course. It's not at all unnatural for you to be curious. But there's not much to tell. She was married. To Laurence Wilton, the actor. As you probably know, he died about twelve years ago. No children. She's a rather nice woman, and she's very interested in archaeology, anthropology, art, and architecture. She shares many common bonds with your father. I think you'd approve of Gwenny."

"I wish he'd trusted me enough to tell me about her," I muttered, dropping my eyes. I ate the rest of my oysters in silence.

Diana dipped her spoon into the soup and took a few mouthfuls. "I'm afraid I've let this grow cold," she murmured.

"Let's get you some more," I suggested, and swiveling in my chair, I endeavored to catch the waiter's eye.

"No, no," Diana demurred. "This is fine, really. It hasn't lost its taste. It's like… vichyssoise now, and it's still very good."

I nodded and took a long swallow of the white wine.

My mother-in-law's eyes rested on me, and she studied me for a while. Eventually, she said in a low, concerned voice, "You know, your father has always been a very discreet man, from all that I've heard, and from everything I know about him personally. He's never flaunted his… lady friends. And you must always remember that old habits die hard. With everyone. Edward is a gentleman, and so he's discreet. He doesn't know any other way to be. I am quite certain that he thought he was doing the right thing in not telling you about Gwenny. Or introducing you to her. And there's something else. I'm sure he didn't want to upset you."

"I guess so," I agreed, but I was a bit miffed with my father all of a sudden.

I turned my head and looked out the window, staring at the hazy gray sky but not really seeing it. I was disappointed he had not understood that I could handle it, had not understood that I would have understood everything, understood about Gwendolyn Recce-Jones and his need at this time in his life to have a bit of happiness. I was thirty-three years old, married and a mother, for God's sake. I was a mature, adult young woman, not a little girl anymore.

CHAPTER THIRTEEN

The suite at Claridge's was not all that large, but it was very comfortable, and the sitting room was one of the most charming I've ever seen, redolent of the Victorian period.

What made it so unusual and special was the fireplace that really worked and the baby grand that stood regally in a corner near the tall, soaring windows. These were dressed with plum-colored velvet draperies, handsomely swagged and tasseled, and they punctuated the soft, dove-gray brocade walls, while an oriental carpet spread rich, jewel-toned colors underfoot.

A big, squashy sofa covered in plum silk and matching armchairs, along with an antique coffee table, were arranged in from of the white marble fireplace; here, an eye-catching chinoiserie mirror hung over the mantel and made a glittering backdrop for a gilt-and-marble French chiming clock with cupids reclining on each side of its face.

Adding to the turn-of-the-century mood created by the elegant background were such things as a Victorian desk, a china cabinet filled with antique porcelain plates, and various small occasional tables made of mahogany. In fact, so authentic was the decorative scheme I felt as if I had been whisked back into another era.

Vases of flowers, a bowl of fruit, a tray of drinks, newspapers and magazines all helped to make the room seem even more homey and inviting. It was especially cozy this November night, with the fire burning merrily in the grate and the pink silk-shaded lamps turned on.

A television set stood in a corner on one side of the fireplace; I turned it on and sat down on the sofa to watch the evening news. But it was the tail end of it, with sports coming up, and within a few minutes I became bored and restless.

Turning it off, I wandered through into the bedroom, asking myself when Andrew would manage to get away from the office. We had spoken earlier, in the late afternoon just after I had returned from a visit to the Tate, and he had told me that he had booked a table at Harry's Bar for dinner. But he had not indicated what time the reservation was for, nor had he said when he would return to the hotel.

To while away a little time, I read several chapters of my Colette, and then, realizing it was almost eight, I undressed, put on a robe, and went into the bathroom. After cleaning off my makeup, I redid my face and brushed my hair. I had just finished coiling it up into a French twist on the back of my head when I heard a key in the door. I rushed into the sitting room, a happy and expectant look on my face.

Andrew was hanging up his trenchcoat in the small vestibule of the suite. Turning around, he saw me. "Hi," he said. He lifted his briefcase off the floor and took a step forward.

I found myself staring at him intently. I saw at once that he was totally exhausted. I was appalled. The dark smudges under his eyes seemed more pronounced than ever tonight, and his face was drawn, much paler than usual.

Hurrying to him, I hugged him tightly, then taking hold of his arm, I led him into the room. But he paused by the fireplace, stepped away from me, and put the briefcase on a nearby chair. After leaning toward the fire and warming his hands, he straightened and propped himself against the mantelpiece.

Looking at him closely, I asked, "Don't you feel well?"

"Tired. Bone bloody tired."

"We don't have to go out to dinner," I volunteered. "We could have room service."

He gave me a peculiar, rather cold look. "I don't care whether we go out to dinner or not. What I do care about, though, is dragging myself up to Yorkshire. What I should say is that I'm certainly not going to trail up there to my mother's." He said this in a snappish tone that was most unlike him. "I've just had her on the phone, railing on about my working too hard, and insisting we go up there tomorrow. So that I can have a rest, she said. Is that what the two of you were concocting at lunch today?"

"We hardly spoke about it!" I exclaimed a bit heatedly. "In fact, Diana only mentioned it to me in passing."

"Well, she didn't to me!" he snorted, glaring. "She gave me a bloody lecture. She also said you wanted to go, that I was not being fair, making you stay in town for the weekend-"

"Andrew," I interjected sharply, "I don't care whether we go or not!" I could tell he was not only tired but angry, and I had an awful sinking feeling it was with me, as well as with his mother.

"I'm glad to hear you feel that way, because we can't go. It's out of the question altogether. I have to work tomorrow, and Sunday as well, most probably."

"Oh," I said, at a loss.

"And what does that mean?"

"Nothing, just oh. However, if you have to work this weekend, why did you ask me to fly over here? Just to sit in this suite waiting for you? I might as well have stayed in New York with the twins, or taken them out to Indian Meadows."

Instead of answering me, he ran his hand through his hair somewhat distractedly, then rubbed his eyes. "It's been one hellish day," he grumbled in the same belligerent voice. "Malcolm Stainley's been behaving like an idiot. Which he is, of course… goes without saying. He's also a bastard, the worst. And full of himself, has an ego the size of a house. Ego." Andrew compressed his lips. "Ego always gets in the way, and it gets more people into trouble than I care to think about," he muttered in a voice so quiet now it was barely audible.

I said nothing.

Suddenly straightening his shoulders, he glanced across at me. "I stumbled on yet another of Stainley's messes this afternoon, and it may take a bit of time to clear up. There's a possibility I'll have to stay in London for an extra week."

"I thought Jack Underwood was coming over on Wednesday," I said. "To take over from you."

"He may need help. My help."

I opened my mouth to protest and promptly closed it. I sat down heavily on the sofa, and after a moment I said, "Why don't I call Harry's Bar and cancel our reservation? Obviously you're in no mood to go out to dinner."

"And you are. So we'll go."

"Andrew, please. You're being so argumentative, and I don't know why." I bit my lip, feeling unexpected tears pricking the back of my eyes. Impatiently, I pushed them away, swallowed hard, and said, as steadily as possible, "I just want to do what you want. I only want to please you."

"I need a drink," he mumbled and marched over to the console table that stood between two of the high, graceful windows.

I watched him as he poured himself a neat scotch, noticing the taut set of his shoulders, the way he held himself. He gulped it down in two swallows and poured another one for himself, this time adding ice and a drop of water from the glass jug. Then without a word to me of any kind, he walked across the room and went into the bedroom, carrying his drink.

I stared after him speechless.

It had been a long time since I'd seen him in such a contrary and difficult mood. Because my feelings were hurt, because I felt he had been terribly unjust, I jumped up and ran after him. I was furious.

He was standing near the bed, where he had thrown his jacket, and was loosening his tie. Hearing me come into the room, he pivoted swiftly, stood glaring at me.

I said, "I realize you've had a bad day, and I'm sorry for that. God knows, you of all people don't deserve it. But you're not going to take it out on me! I won't let you! I haven't done anything wrong!"

"It's a bad couple of weeks I've had, not merely a bad day," he shot back, adding with ill grace, "I'm going to take a bath," and so saying began to unbutton his shirt.

"And stick your head under the water and keep it there! For several hours!" I shouted, my temper flying to the surface. I turned on my heels abruptly and flounced out, banging the door after me with a resounding crash. The crystal chandelier in the sitting room rattled and swayed slightly, but I didn't care. I had had such a wonderful day, and he had just ruined it, in the space of only a few seconds. I was trembling inside and angrier than I had been in a very long time.

A split second later the bedroom door was wrenched open, almost violently, and Andrew strode over to me, where I was standing by the piano.

Grabbing hold of me by the shoulders, he held me tightly and looked into my eyes. "I'm sorry, so very sorry, Mal. I did take it out on you, and that was wrong of me, very unfair. There's no excuse for it, really there isn't. The problem is, my mother got my goat tonight. Railing on about going up to spend the weekend with her, complaining she's seen nothing of me whilst I've been in London. That's true, of course, and she means well, but-" He shook his head. "I guess my nerves are pretty raw tonight."

He searched my face.

When I said not one kindly word nor showed a glimmer of friendliness, he murmured in a low, weary voice, "Forgive me, Puss?"

His tiredness was a most palpable thing; all of my anger dissipated as rapidly as it had erupted. "There's nothing to forgive, silly."

Smiling now, his eyes as soft and loving as they usually were, he kissed the tip of my nose. "Oh, Puss, whatever would I do without you?"

"And me you?" I asked.

Lifting my hand, I touched his cheek gently. "Listen, tough guy, let me cancel the dinner reservation, order a good bottle of wine and your favorite soul food, and we can stay here, have supper in front of the fire. Just the two of us. All cozy and warm and loving. So, what do you say?"

"I say okay, you've got a date."

"Good. Now, come on," I bustled. "Let's get you into a nice hot tub. You can soak for a while in some of my bubbly stuff. It's got pine oil in it, and it'll relax your muscles."

"Join me?" he asked, lifting a brow, giving me a suggestive look.

"No!"

He laughed for the first time since he had come in, and so did I.

"No hanky-panky tonight, Andrew Keswick. You're far too tired."

"Afraid so, even for you, Puss."

The dinner was perfect. And so was the evening, as it turned out.

Whilst Andrew soaked his weary bones in a tub filled to the brim with the hottest water and a generous portion of my pine bubble bath, I ordered supper from room service.

Wanting to pamper and spoil him, make him feel better, I chose all of his favorite things: Morecombe Bay potted shrimps, baby chops from a rack of lamb with mint sauce, mashed potatoes, haricots verts, and carrots. I selected a wonderful red wine, Chateau Lafite-Rothschild, and to hell with the price. For dessert I picked bread pudding. I wasn't particularly fond of this, but Andrew loved it; it was a favorite of his from boarding school days, and I knew he would enjoy it tonight.

Refreshed, relaxed, and replete with food and wine, my husband was in a much mellower mood by eleven o'clock. Nevertheless, he still took me by surprise when he said suddenly, "Okay! We're going to Yorkshire tomorrow after all, Puss-Puss."

I was lolling against him on the sofa, vaguely watching the television news, and I sat up with a jerk and stared at him.

"But I thought you had to go to the office tomorrow!" I exclaimed. "I thought you had another mess to sort out."

"That's true, yes. But I don't think I can really sort it out by myself. I need Jack as a sounding board. It's financial, which is where his expertise lies. And look, I can take some paperwork with me, clear some of it up on the way to Ma's."

"Are you sure, darling?"

"I'm positive."

"You're not doing it for me, are you? Because you don't want me sitting around the hotel waiting for you? That's not it, is it?"

"I'm doing it for both of us, Mal. And for my mother. Anyway, I think it'll do me good to get away for forty-eight hours. It'll give me a better perspective about everything. And quite frankly, I need to get out of that office, stand away from the situation and take stock of everything."

"If you're really sure…" I knew I sounded hesitant, but I couldn't help myself.

"I want to do this," Andrew reassured me. "Scout's honor."

"Shall we go on the train?"

He shook his head. "No, I don't think so. I'd like to leave early, about six-thirty, so that we miss the worst of the traffic on the motorway. If we set off then, we'll get to Ma's in the middle of the morning, in time for lunch. I can even work on my papers on Saturday afternoon. We can relax all day Sunday and drive back with my mother early on Monday morning."

"But how are we going to get there tomorrow? We don't have a car, and your mother left earlier this evening. She told me she wanted to be on the road by eight at the latest."

"Yes, I know that. But there's no problem, we're in a hotel, remember, and one of the best in the world." He pushed himself to his feet and walked over to the desk. "I'm going to call the hall porter right now and ask him to have a car and driver outside for us tomorrow morning at six-thirty. How does that sound?"

"Wonderful," I answered and smiled at him. "And your mother's going to be delighted to have us for the weekend."

"Whether your father marries Gwenny Reece-Jones or not doesn't affect you much, does it, Mal?" Andrew asked as he switched off the bedside light and pulled the bedcovers over him.

I was silent for a moment, and then I said, "No, not really. I just want him to be happy, that's all."

"She's very nice."

"I thought you couldn't remember her."

"I couldn't at first. But she's started to come into focus in the past few hours, and I've got a really good picture of her now. Ma's known her for donkey's years. Gwenny"s older sister Gladys was at Oxford with my mother, and that's the connection. When I was little we used to go and stay with the family. I vaguely remember an old house that was quite beautiful, in the Welsh Marshes."

"Your mother mentioned it to me earlier. But go on, you said you had a good picture of her. What's she look like?"

"Tall, slender. Dark, like a lot of the Welsh are, with a rather lovely face, a gentle face, and I can visualize pretty eyes, hazel, I think, big and soulful. But she wore odd clothes."

"What do you mean?"

"Long floaty skirts and boots and peasant blouses, trailing scarves, dangling earrings, and flowing capes." I heard him laugh in the darkness, and then he went on in an amused voice, "Looking back, I think she was a cross between a gypsy, a Russian peasant, and a hippie. I mean in her appearance. And she was most eccentric, as only the British can be. But don't get me wrong, she was awfully sweet. I'm sure she still is."

"Yes, and talented, at least, so your mother said."

"Mal?"

"Yes, honey?"

"Don't sound so grudging about Gwenny. I know you're irritated because your father didn't confide in you, but I'm sure it was only because he didn't want to embarrass you or upset you. Ma's right about that."

"I guess so. And I didn't mean to sound grudging. I'm glad Dad has Gwenny. I hope I get to meet her soon. After all, Dad might be in Mexico next year for six months. So no doubt he'll come to New York more often if he's based there."

"Is he going to accept the invitation from U.C.L.A. to be part of the dig in Yaxuna?"

"Possibly. After all, he's had an interest in the Mayan civilization for a long time, as you well know, and I think he'll be glad to get away from the Middle East. He wrote in his last letter that he'd had it out there."

"I can't say I blame him."

"I hope he goes to Mexico. I hope he marries Gwenny, and that they spend a lot of time with us. It'll be nice for the twins to get to know their grandfather better, and I'm sure Gwenny will be a good sport. I got that impression from your mother, anyway-that she's fun, I mean. Listen, Andrew, Dad might come to Yorkshire for the Christmas vacation. Anyway, Diana said she was going to phone Gwenny and invite them. That would be nice, don't you think?"

Andrew did not respond, and I realized that he had fallen asleep. He was breathing evenly but deeply, and this did not surprise me at all, since he was so exhausted. It was a miracle he hadn't fallen asleep over supper.

I lay next to him in the darkness, thinking about my father and Gwenny, hoping they were happy. One thing I was certain of, in this uncertain world, was that my mother was happy with David Nelson. In the beginning I'd had a few misgivings about him, inasmuch as he was a criminal lawyer of some standing and celebrity; he had always sounded too street-smart, too tough and slick in the past. But what a lovely man he had turned out to be, and not in the least like my original impression. Charming without being smarmy, intellectual without being pompous, and brilliant without being a show-off. He had a good sense of humor, but-most important, I had discovered he was a kind and compassionate man, blessed with a great deal of understanding and insight into people. He adored my mother, and she adored him; that was good enough for me.

I fell asleep with a smile on my face, thinking how nice it was that my mother had started a whole new life at the age of sixty-one.

CHAPTER FOURTEEN

Yorkshire, November 1988

Andrew worked on his papers all the way to Yorkshire.

Lulled by the warmth and the motion of the car, I dozed on and off as we headed north on the motorway. I roused myself fully at one point, sat up straighter against the seat, and glanced at my watch. I saw that it was almost nine-thirty. This surprised me, and I said to Andrew, "We've been on the road well over three and a half hours. We must be in Yorkshire already, aren't we?"

"That we are, Puss," he answered, looking up from the folder on his lap, giving me a half smile. "And you've slept most of the way. In any case, we left Harrogate behind a while ago.".

I swung my head and stared out the car window. I saw that it was a pristine morning, clear and sunny, the sky a high-flung canopy of palest blue and white above the undulating pastoral dales. And as I continued to look out of the window, thinking what a great day it was, I experienced a sudden rush of anticipation and excitement knowing that we would soon be with Diana at her lovely old house just outside West Tanfield.

Ever since our marriage, Andrew and I had come to England at least once a year for a holiday, and we had never left without making a trip to Yorkshire. So, not unnaturally, I was happy we were coming for the week end. During the last ten years I had grown to love this beautiful, sprawling county, the largest in England, with its bucolic green dales, vast, empty moors, soaring fells, ancient cathedrals, and dramatic ruins of medieval abbeys. It was a rich corner of the north, blessed with immense tracts of fertile, arable land and great industrial wealth, and it boasted more castles and stately homes than any other county in the whole of Britain. Also, I had developed a deep affection and respect for the canny, down-to-earth folk who lived here, and whose pragmatism, dry wit, and hospitality were legendary.

Wensleydale and the valley of the Ure, which we were presently driving through, was the area I knew best, since this was where the Keswick ancestral home was located. The house had been in the family for over four hundred years; even though Michael and Diana had settled in London after their youthful marriage straight out of university, they had spent almost every weekend there with Michael's parents, and all of the main annual holidays as well.

Andrew had been born in the house, as had most of the other Keswicks who had gone before him. "My mother made sure my actual birth took place in Yorkshire, not only because of the Keswick tradition, but because of cricket," Andrew had told me somewhat cryptically, on my first trip to West Tanfield when we had come to England on our honeymoon.

I had asked him what he meant about cricket, and he had chuckled, then explained, "Cricket is Yorkshire 's game, Mal. My father and grandfather wanted me to be birthed in the county, because only men actually born within the boundaries of Yorkshire can play cricket for it. They had high expectations of me, hoped and prayed I might turn out to be another Len Hutton or a Freddy Trueman. You see, Dad and Grandpa were cricket addicts."

Since I knew nothing about cricket, that most British of British games, Andrew had gone on to explain that Hutton and Trueman were world-famous Yorkshire cricketeers who had played for England and had been national champions, if not, indeed, national heroes.

As it happened, Andrew loved cricket and had played it at boarding school. "But I was never inspired, only an average batsman. I just didn't have the talent," he had confided to me on another occasion, a warm summer day the following year when he had taken me to Lords to watch my first test match.

Continuing to gaze out the window, I spotted the shining tower of Ripon Cathedral outlined dramatically against the distant blue horizon. The cathedral was one of the most extraordinary edifices I have ever seen. Founded in the year 650, it was imposingly beautiful, awe-inspiring. Andrew was christened there, and it was in the cathedral that his parents were married. Now the sight of its great tower told me that we were about thirty minutes away from Andrew's family home.

"I'm hungry," Andrew said, interrupting my thoughts. "I hope old Parky has a good breakfast waiting for us. I could eat a horse."

"I'm not surprised." I laughed. "I'm pretty hungry myself, we left London so early. And I hope the hall porter phoned your mother, as you asked him to do. I'd hate to arrive unexpected."

"Good Lord, Mal, you ought to know better than that by now. I'd stake my life on the hall porters at Claridge's; they're the salt of the earth, and very reliable."

"True. Still, perhaps we ought to have stopped on the way up, called her ourselves."

"Not necessary, my sweet," he murmured. "And it wouldn't matter if we did arrive unannounced. We're going to my mother's, for God's sake."

I said nothing, simply nodded, then I reached for my handbag. Taking out my compact, I powdered my nose and put on a little lipstick. Settling back, I glanced out the window once more to see that we were passing through the marketplace in Ripon. Here, every night at nine o'clock, the horn blower blew his horn at each corner of the neat little square, sounding the ancient curfew, wearing a period costume that came from an era of long ago. It was a centuries-old tradition, which the English, and most especially the locals, took in their stride, but one that an American like me found quite amazing-and extremely quaint.

Within seconds we had left the center of town behind. The driver pointed the car in the direction of Middleham, following Andrew's explicit instructions, and soon we were out in the open countryside again, making for West Tanfield. This was situated between Ripon and Middleham, but closer to the latter, a place renowned for its stables and the breeding and training of great racehorses; it was also a treasure trove of history, had been known as "the Windsor of the North" at the time of the Plantagenet kings, Edward IV and Richard III.

We continued to barrel along, following the winding country lanes and roads, narrow and a bit precarious under the shadow of those lonely, windswept moors. This morning they looked somber and implacable. In August and September they took on a wholly different aspect, resembling a sea of purple as wave upon wave of heather rippled under the perpetual wind; they were a breathtaking sight.

"We're almost there," I murmured half to myself as the car rolled over the old stone bridge which spanned the River Ure and led into the main street of West Tanfield. It was a typical dales village-charming, picturesque, and very, very old.

I glanced to my left to see the familiar view, a line of pretty stone cottages with red-tiled roofs standing on the banks of the Ure, their green sloping lawns running down to the edge of the river. And behind them, poised against the pale wintry sky, were the old Norman church and the Marmion Tower next to it, both surrounded by ancient oaks and ash and a scattering of evergreens.

I reached over and squeezed Andrew's hand. I knew how much he loved this place.

He smiled at me and began to straighten his papers, quickly putting them back into his briefcase and closing it.

"Did you get a lot done?" I asked him.

"Yes, I did, and probably more than I would have in that damned office. I'm glad Ma put the screws on me yesterday, that I finally made up my mind we should spend the weekend with her. It'll do us both good."

"Yes, it will, and maybe we can go riding tomorrow."

"That's a good thought, Mal. We'll zip up to Middleham and join the stable boys and grooms on the gallops when they're exercising the racehorses. If you don't mind getting up very early again."

"I'm always up early, aren't I?" I laughed. "But Andrew, how stupid I am. I'd forgotten-we don't have our riding gear with us."

"Don't worry about that. I know I've got some historic old stuff at Ma's from years ago. I'm sure it's gungy, but it'll do, and my mother will lend you a pair of her boots and old jeans or riding breeches. And she's got masses of warm jackets, harbours, green Wellies, stuff like that. So we'll manage."

"Yes, it'll be fine." I studied him carefully and asked, "Does it feel good to be home?"

A small frown creased his smooth, wide brow as he returned my steady gaze. "These days, home for me is wherever you are, Mal. You and the twins." He leaned into me, kissed my cheek, and added, "But yes, it does feel good to be back in Yorkshire, to come back to my birthplace. I suppose everybody must feel that way-that atavistic pull. It's only natural, isn't it?"

"Yes," I agreed, and turning away from him, I looked straight ahead, peering over the driver's shoulder and out the front window of the car. We had left the village behind a good ten minutes ago and had taken the road which led up to the moors of Coverdale and the high fells. Following a bend in the road, we turned a corner. Now I could see them straight ahead, the high stone wall and the wrought-iron gates which opened onto the long winding driveway leading up to Diana's house.

CHAPTER FIFTEEN

We drove through the gates and progressed up the driveway rather slowly, since there were sheep and fallow deer wandering around the grounds, and the latter were skittish.

Far in the distance, I got just the merest glimpse of the house, of its tall chimneys poking up into the sky.

Its name was Kilgram Chase. It had always been called that, ever since its beginnings. Built in 1563, five years after Elizabeth I ascended to the throne, it was typically Tudor in style. A solid, stone house, it was square in shape yet graceful and with many windows, high chimneys, pitched gables, and a square tower built onto each of its four corners. In every crenellated tower there were only two mullioned windows, but these were huge and soaring, set one above the other, creating a highly dramatic effect and filling the tower rooms with extraordinary light.

Kilgram Chase stood in a large expanse of parkland, its green sweep of lawns and grazing pastures encircling the house, stretching up from the iron gates we had just left behind. Surrounding the edge of the park on three sides, to form a semicircular shape behind it, were dense woods, and rising up above these woods were the moors and, higher still, the great fells. Thus the house, the park, and the woods were cupped in a valley that protected them from the wind and weather in the winter months and, in times past, from political enemies and marauders, since the only access to the house and its park was through the front gates.

The first time I came here I had naturally been intrigued by Andrew's childhood home. Diana had given me the grand tour, told me everything I wanted to know about the house and the family. She was proud of Kilgram Chase and an expert on its history.

Its unusual name came, in part, from the man who had built it 425 years ago, a Yorkshire warrior knight called Sir John Kilgram. A close friend of Robert Dudley, the Earl of Leicester, he was a member of Queen Elizabeth's loyal faction, and one of the new men, as they were called, in palace politics. Kilgram had been given the great park and woods by Queen Elizabeth's royal decree for special services to the Crown. But long before Elizabeth Tudor's reign, when the Plantagenets had ruled, it had been a chase, that is, a stretch of open land where wild animals roamed and could be hunted by the local gentry. Later it was owned by the monks of nearby Fountains Abbey; they lost it when Elizabeth 's father, King Henry VIII, confiscated all lands owned by the church. After the dissolution of the monasteries it became the property of the Crown.

The house and its park had come to the Keswicks quite legally, through a marriage which took place in the summer of 1589. Sir John had an only child, a daughter named Jane, and when she married Daniel Keswick, the son of a local squire, he gave them Kilgram Chase as part of her dowry. It had been in the family's possession ever since, passed down from generation to generation. One day it would belong to Andrew, and then to Jamie, and Jamie's son, if he had one.

Diana called it a typical country manor and constantly protested that for all of its prestige and historical significance, it was by no means a grand house anymore, and this was true. Architecturally, it was extremely well designed, skillfully planned, even somewhat compact for this type of Tudor manor, and in comparison to some of the great homes of Yorkshire, it was small. Despite its size, for a long time now Diana had found it difficult to run, in many respects. Not the least of it was the cost in time and money for its overall upkeep. For these reasons she lived in only two wings and kept two closed most of the year.

The house was maintained with the help of Joe and Edith Parkinson, who had lived and worked at Kilgram Chase for over thirty years. With their daughter, Hilary Broadbent, they took care of all the interiors, in both the open and closed wings, and did the laundry and cooking. Joe was also the handyman; he did a certain amount of outdoor work as well, looking after Diana's two horses and the sheep and mucking out the stables.

Hilary's husband, Ben, and his brother Wilf were the two gardeners responsible for the grounds; they mowed the many lawns, tended the flower beds, pruned the trees in the orchard, cleaned the pond once a year, and made sure the walled rose garden remained the great beauty spot it had been for hundreds of years.

Roses were my favorite flowers, and I had always gravitated to this particular garden at Kilgram Chase. But I did not plan to visit it this trip; I knew it could only be bereft, without color or life, just as everything at Indian Meadows was brown and faded. It was a bleak period for a gardener like me, these cold, cheerless months when the earth was hard as iron, the air sharp with frost, and all growing things lay dormant and still.

Glancing out the car window, I noticed that many of the giant oaks, which stood sentinel at intervals along the driveway, were already shedding their leaves, now that it was November and the first chill of winter had settled in. Everything was dying. Winter was a time of death in gardens and in the countryside; quite unexpectedly I felt melancholy, and I filled up with sadness. Shivering, I hunched further into my coat, pulling it tightly around me. But the death of the land in winter only meant its rebirth in the spring, I reminded myself, attempting to shake off this curious sense of sadness which had enveloped me. I shivered again. Some poor ghost just walked over my grave, I thought.

And in less than a moment it was gone, the sadness, for suddenly there was the house, rising up in front of us in all its glory. Kilgram Chase. It stood there under the shadow of the moors, proud and everlasting as it had been for four centuries, seemingly untouched by time. My heart lifted at the sight of the lovely old manor. Its pale stones gleamed golden in the clear morning air, and the many mullioned windows shone brightly in the sunlight. I lifted my eyes, saw smoke puffing out of the chimneys, curling up like strands of gray-blue ribbon thrown carelessly into that silky, shining sky.

How welcoming it looked in all its mellowness and charm-my husband's ancestral home, the place where he had grown up.

The car had hardly come to a standstill in front of the house when the great oak door flew open and Diana appeared. She ran down the steps; her smile was wide, her face glowing with happiness at the sight of us alighting.

"Hi, Ma," Andrew cried, waving to her.

I rushed toward her and hugged her close. "Diana!"

"Aren't you the best girl in the whole wide world," she greeted me, "getting this obstinate son of mine to come up here after all."

Laughing, I pulled away from her and shook my head. "Not me, I didn't persuade him, Diana. He had a change of heart on his own accord. Late last night, far too late to call you. And we left so early this morning, at six, we didn't want to disturb you. That's why we asked the hall porter to phone. He did, didn't he?"

"Yes, darling." Turning to her son, she embraced him and went on, "As long as you're both here, that's all that matters. We'll have a nice cozy weekend together, and I know Parky plans to spoil you both."

Andrew grinned at her. "We expected nothing less." Leaning closer, he said, "Before I let the car go, should I ask the driver to come back for us tomorrow night? Or can we cadge a lift to town with you on Monday morning?"

"Of course you can. Anyway, it's hardly worth coming up here, if you don't stay through Sunday night. And I'll be glad to have your company and Mal's on the way back to London. In fact, you can drive part of the way, Andrew dear."

"You bet," he said, "and thanks, Ma. There's just one thing: We'll have to leave here fairly early on Monday morning. About six-thirty. Is that all right?"

"I usually set out about that time," Diana answered.

Andrew nodded and hurried off to speak to the driver.

Diana took hold of my arm and drew me toward the stone steps leading up to the front door. Joe Parkinson was hovering at the top of them. He came striding down.

"Morning, Mrs. Andrew," he said, giving me a big smile. "It's lovely to have you back, by gum it is."

"Thank you, Joe, I'm really glad we could come up for the weekend."

"I'll just get along, help Mr. Andrew with the luggage." And so saying Joe moved down the steps, calling out, "Nay, Mr. Andrew, I'll do that. Let me handle them there suitcases." glanced back over my shoulder and saw Andrew and Joe shaking hands, greeting each other affectionately. Andrew had been eight years old when the Parkinsons had come to work at Kilgram Chase. Joe had taught him so much about the countryside and nature, and they had always been firm friends. As Andrew said, Joe was the salt of the earth, a real Yorkshireman through and through, hardworking, canny, wise, and loyal.

"It's a raw morning," Diana said, shivering and pulling her cardigan around her. "Come on, let's go in and have a cup of tea."

Waiting for us in the small entrance hall were Edith Parkinson, Joe's wife, whom Andrew had called Parky since childhood, and her daughter, Hilary. Both women welcomed me warmly, and I returned their greetings.

Parky said, "If only the little ones were with you, Mrs. Andrew, they'd be a sight for sore eyes."

Smiling at her, I said, "Don't forget, they'll be here next month for Christmas, Parky. In fact, we're planning on staying through the New Year. Mr. Andrew promised."

"That's just wonderful," Parky exclaimed, beaming at me. "I can't wait to see the wee bairns." Glancing at Diana, she added, "We'll have to have a big Christmas tree this year, Mrs. Keswick, and maybe Joe'll play Santa Claus, get dressed up in his red Santa suit and whiskers, like he does for the Sunday school class at the church."

"Yes, that's a marvelous idea," Diana agreed. Taking my coat, she hung it up in the hall closet. "Now, let's go into the kitchen, Mal. Parky"s been busy for the last hour whipping up all sorts of things. Andrew's favorites, of course."

The kitchen at Kilgram Chase was as old as the house itself, and it had altered little over the years. Painted cool white, it was long in shape. The ceiling was low and intersected with dark wood beams. The floor was still covered with the original flagstones, so ancient they were worn in places by the steps of centuries, steps which had gone from the fireplace to the window and across to the door, and back and forth, time and time again, so that deep grooves now scored the stones.

The fireplace at the far end of the kitchen was high to the ceiling and wide, made of local brick and stone and braced with old wood beams to match the ceiling. It had a great, raised hearth, an overhanging mantel shelf, and old-fashioned baking ovens set in the wall next to the actual fireplace. The ovens had not been used for years and years; long ago Diana had installed a wonderful Aga, that marvelous English cooking stove I would give my eyeteeth for. I agreed with her that this was the best stove in the world, and it also helped to keep the rather large kitchen warm the year round. It was welcome, since the kitchen with its thick old walls and stone floor was always cool even in the summer months.

A butler's pantry, which opened off the kitchen, had been updated and remodeled by Diana, so that it better served her and Parky. She had put in a double-sized refrigerator, two dishwashers, and countertops for food preparation; above the counters were lots of cabinets for storing china as well as all of those practical items that made the wheels of a kitchen turn.

A series of mullioned casement windows opened onto a view of the back lawns, the pond, and the ever-present moors reaching up to touch the edge of the sky. Opposite the window wall an antique Welsh dresser took pride of place, and this lovely old piece was filled to overflowing with willow-patterned china of blue and white. Nearby, in the center of the room, there was an old-fashioned country table with a deal top and stumpy legs, where Andrew and I now sat. A green Majolica jug filled to the brim with branches of bittersweet stood on the table, and I couldn't help thinking how perfect it looked.

Marching along the mantel shelf was a diverse collection of wood and brass candlesticks in the barley-twist style bearing white beeswax candles, and underneath the mantel were all kinds of horse brass that glittered and winked in the bright firelight. And everywhere there was the sparkle of copper in such things as jelly and fish molds and pots and pans all hanging from a rack on the ceiling, and in ladles, spoons, and measuring scoops on a side table.

I had always loved this kitchen, thought it one of the most welcoming I had ever seen; it was not only cheerful in its ambience but comfortable as well. As Diana said, it was the hub of the house, a room you could easily live in.

Diana was over by the Aga stove making a pot of tea; she carried this over to the table but suggested we let it stand for a few moments.

"Aye, that's right, Mrs. Andrew, don't pour it yet, it has to mash," Parky instructed.

"Yes, Parky," I said dutifully and smiled at Andrew. She had been telling me this for ten years.

Pervading the air in the kitchen was the tantalizing smell of bacon sizzling on top of the Aga and the mouthwatering aroma of freshly baked bread just out of the oven. Parky had left the loaves and tea cakes to cool for a few minutes on one of the countertops, and the mere smell made me salivate.

Swinging around to face us, Parky said, "In case you haven't guessed, I'm going to make bacon butties. Your favorites, Mr. Andrew." She smiled at him fondly before turning back to her task of lifting the bacon out of the frying pan and onto a large platter. Parky had mothered him as a little boy, and he had been like a second child to her in some respects.

"What a treat, Parky," Andrew exclaimed, and added to me, "You've got to make them for me, Mal, when we're home at Indian Meadows."

Diana joined us at the table and poured the steaming hot tea into high blue-and-white cups, and a moment later Parky was beside her, serving the bacon butties. These were thick slices of the warm new bread, spread with butter and with rashers of the fried bacon between the slices-hot bacon sandwiches, really.

"Here goes my cholesterol!" Andrew groaned cheerfully, "But oh, God, how wonderful!" he added after taking the first bite.

"I know, they're sinful," Diana said, laughing, then cautioned, "But don't eat too many, Parky's making fish cakes and parsley sauce for lunch."

"With chips," Parky cut in. "To be followed by another of your favorites. Treacle pudding."

"Oh, God, Parky, I think I've just died and gone to heaven," he exclaimed, laughing, enjoying Parky and the fuss she was making over him. He had always had a soft spot for her.

"But, darling, it is heaven here," Diana said, smiling at him lovingly. "Or had you forgotten?"

Andrew shook his head, kissed her warmly on the cheek. "No, Ma, I hadn't forgotten. Not only that, I'm here with three of my four favorite women."

"And who's the fourth?" I asked swiftly, staring.

"Why, my daughter, of course," he answered, winking at me.

CHAPTER SIXTEEN

I found the books on Saturday afternoon. And quite a find they were.

After lunch Diana drove off to West Tanfield to do some errands; she asked me to go with her, but I declined, preferring instead to stay at Kilgram Chase with Andrew, only to discover that he wanted to work.

"I must go over the rest of this stuff," he explained apologetically, holding up his briefcase. "I'm sorry, Mal."

"It's okay," I said, although I was disappointed he was going to be poring over the papers in Diana's office for the rest of the afternoon, rather than going out for a walk with me.

"I won't be long, about an hour and a half, two hours at the most." He shook his head as he paused on the threshold of the office. "Some of it's rather complicated, that lousy financial stuff I mentioned to you in London. I could use Jack's nimble brain. He's much better than I am when it comes to figures."

"Maybe I could help you," I suggested.

He smiled at me ruefully. "I'm afraid you can't, darling. Look, you don't mind if I work, do you? At least for a while. We'll go for a walk later, just before tea."

"That's great, don't worry," I said, giving him a quick peck on the cheek. I walked off in the direction of the library, which had always fascinated me. I loved to poke around in there, looking for literary treasures or family memorabilia. Unfortunately, I'd never come across anything remotely interesting or out of the ordinary.

Like the kitchen, the library had not changed much in four hundred years, except, perhaps, for the acquisition of more and more books by the Keswicks over the centuries. And it seemed to me that they never threw anything away. It was larger than most of the other rooms at Kilgram Chase, since it was situated in one of the square towers, the one on the northeast corner of the house, overlooking the moors.

The coffered ceiling was over thirty feet high, balanced by the huge window set in the middle of the center wall, a beautiful window of unusual dimensions and shape which filled the room with the most extraordinary light at all times of the day. Paneled in light oak, the library had floor-to-ceiling bookshelves throughout, and these held many thousands of volumes, most of them very old. A handsomely built fireplace of local limestone was set in the wall facing the window, and around this had been arranged several comfortable chairs, an oak coffee table, and a Knole sofa. Directly behind the sofa stood a library table, also of carved oak, and on this were stacked the latest magazines, many of them to do with antiques, as well as today's Times, an assortment of other national and local newspapers, and a few current novels.

I did a cursory check of everything on the table, but there was nothing of particular interest to me, and so I began to wander around the room, my eyes scanning the lower shelves where everything was in easy reach. But, of course, because these shelves were readily accessible to me, I had looked at almost every book countless times before. There was nothing new.

Suddenly realizing it was cool in the library, and shivering slightly, I went over to the fireplace, pulled out the damper, and put a light to the paper and chips of wood under the logs in the grate. Within minutes I had a good blaze going, and soon the logs had caught and the fire was roaring up the chimney.

Glancing around, I saw the set of polished mahogany library steps at the other side of the room, and I pulled these over to the fireplace wall. On either side of the fire there were shelves rising to the ceiling, and since I wanted to stay warm, I decided to investigate these first.

Climbing up, I examined a series of books covered with dark green leather that I'd never noticed before, undoubtedly because they were placed so high. Much to my disappointment most of them were old atlases and maps of Yorkshire and other counties.

Leaning my head back, I looked up, scanned a higher shelf immediately above me, and spotted a large-sized volume bound in purple leather. The royal color of the binding intrigued me, and I climbed a bit farther, until I stood on the top step. I stretched my arm, endeavoring to reach the book; I had no idea what it was, but naturally, because it was beyond my reach, I wanted to look at it.

I tried once more but lost my balance and almost fell. I clutched frantically at the nearest shelf and managed to steady myself. I took a deep breath; my heart was suddenly pounding hard. That had been a close call. After a few seconds, when I recovered, I made a slow descent, moving carefully, having no wish to fall off the library steps. And once I was on the floor, I let out a sigh of relief. Hurrying out, I went in search of Joe.

I found him in the kitchen talking to Parky, and after explaining what I wanted, I returned to the library.

Within a few minutes he came in carrying one of the very tall stepladders he kept in his workshop.

"That is a big one, Joe," I said, eyeing it.

He nodded. "Aye, it is that, Mrs. Andrew. I need it for cleaning the chandeliers. And doing some of the windows. I've got a brush with an expanding handle, o'course, but t'brush isn't always long enough, you knows. Windows in the tower rooms, like the library here, are right high, for example, and difficult to get to, by gum they are. Now, then, where exactly do you want this ladder, Mrs. Andrew?"

"Here, Joe, please. I would like to look at that book on the shelf up there." I pointed to the shelf in question.

Joe followed my gaze. "What's it called?"

"I don't know, but it's the purple leather one. Next to the one with the torn, moldy-looking binding."

Almost immediately I realized he wasn't quite focused on the shelf I meant, and so I said, "Don't worry, Joe, I'll go up and get it. Just hold the ladder steady for me." As I spoke, I moved closer to him.

"Nay, Mrs. Andrew, I can't let you climb up there! Goodness me, no! What if you had a fall? Mr. Andrew would be right vexed with me, that he would, and so would Mrs. Keswick. The whole house would be in an uproar, you can bet your last shilling on that." He shook his head vehemently. "Oh, no, no, no, you can't go up there. I'll bring the book down for you. Now, just let me get on the ladder, and then you can direct me to the volume you mean."

"All right," I said, knowing it was no use arguing with Joe. I had tried to do so in the past without success. He was very stubborn, and once he had made up his mind, it was hard to persuade him or to coerce him into doing anything against his wishes. Obviously he thought I was incapable of climbing that ladder, and I wasn't going to make a fuss about it. After all, I'd almost had a mishap on the library steps.

After showing him where to place the ladder immediately behind the shelf, I pointed to the book once more.

"I see it!" he exclaimed, and went up the steps with amazing speed and sureness of foot. Of course he was able to reach it without any problem, since he was taller than I and had much longer arms.

"What is it, Joe?" I asked as he opened it.

"It looks like a ledger. An accounts book, for carpentry items. It says, nails one halfpenny, and there are a few other things mentioned, but there's nowt much else in it." he said, leafing through the ledger. "It's got a date in it. 1892. By gum, almost a hundred years ago!"

"Interesting. What's next to it?"

"Looks like another ledger. This one's got a cloth cover." He turned the pages, then glanced down at me. "Definitely a ledger, only one entry. It says fresh fish two pennies. No nothing else in it, and no date."

"And that torn book, which is still on the shelf? The moldy-looking one. What's that, Joe?"

He took it down. After a second or two spent scanning it, he said, "Well, this one looks like a diary, aye, summat like that."

"Diary? Do you mean it's handwritten?"

"Aye, it is, Mrs. Andrew."

"Could you bring it, Joe, along with the other two, please? The two ledgers. I'd like to take a look at them."

"Right-oh, Mrs. Andrew."

There was a long refectory table in front of the big mullioned window, with a porcelain bowl of flowers in the center and, at either end, a high-backed chair covered in green cut velvet.

I went over to this table, pulled one of the chairs closer to it, and sat down.

Joe brought me the books and put them in front of me.

"Thanks, Joe," I said.

"I'll leave the ladder, shall I, Mrs. Andrew?"

"Yes, do. You can put the books back for me later. After I've studied them. I'll come and find you when I'm ready."

He nodded and went to the door, where he stopped abruptly and swung around to face me.

"Don't start climbing up that there ladder! If you want summat else, another book brought down, come and get me, Mrs. Andrew."

"I will, Joe. I promise."

I looked inside the two ledgers first and quickly laid these on one side. There was nothing much of interest in either of them. But the diary intrigued me, and now I opened this book with its tan leather binding, torn and a bit frayed on the spine. The endpapers were of a feather design, a kind of paisley pattern in shades of brown and ochre, rust and beige, with just the merest hint of blue.

Turning the first few pages, which were blank, I came to a handwritten frontispiece.

Slowly I began to read, filled with growing anticipation and excitement.

I, Clarissa Keswick, wife of Robin Keswick and Mistress of Kilgram Chase, discovered this day the diary and private household book penned by my dear Husband's ancestor, one Lettice, born 1640 died 1683. Fortuitously I stumbled upon her private book in the library here at Kilgram Chase, when my dear Husband asked me to fetch for him a copy of that great tragedy Hamlet by William Shakespeare. The words of Lettice Keswick were interesting to me and so I bethought myself to copy them in order to preserve them. This is done for the future generations of this family who will follow me and mine.

I started my work on this tenth day of August in the year 1893 in the glorious and prosperous reign of our great Queen and Empress of India Victoria Regina. God Bless Her Gracious Majesty and Long May She Reign.

Clarissa was a Keswick family name, one we had chosen for our own daughter, and there had been several Clarissas before ours was born six years ago. The Victorian Clarissa whose elegant copperplate handwriting I was now reading had been one of the earlier ones.

Elated by my discovery and eager to read more, I turned the first page, and once again I was staring at a frontispiece, the words set out in the center.

Lettice Keswick

Her Book

Kilgram Chase

Yorkshire

Flipping this page, I read the first words of Lettice's diary, so carefully copied by the Victorian Clarissa nearly a hundred years ago.

I, Lettice Keswick, begin this diary on the twenty-fifth day of May in the Year of Our Lord 1660 A.D. On this very day all England rejoices and is glad and light of heart. Our Sovereign, Charles Stuart, returned from Exile and at Dover his feet have trod again on English soil this day.

The Monarchy will be restored forthwith. He will be crowned King'Charles II and the foul and bloody execution of his father is avenged in part.

Death to the traitors who led his father to the block.

On this day in Yorkshire and o'er all the land did cathedral and church bells ring forth in praise of our gracious Sovereign, restored to us as if by a great Miracle. And bonfires burned tonight and messengers rode the length and breadth of England to spread the good and glorious news.

My dear Husband, Lord and Master Francis, did lead us all in prayer this day, servants and family together, in the blue tower and we gave our grateful thanks to the dear Lord Our Cod for His Goodness and Mercy. Our true Monarch is safe. We are all reborn.

I write my words late this night, well nigh past midnight, by the light of my tallow candle. It was this night that my beloved Husband Francis came to me and took me to him in bodily love and we loved each other well. Perhaps this joyful night I have conceived, God willing, and from our great happiness and love will be born another child. So does my Lord and Husband pray, as do I, and God willing it will be a son and a male heir at last, to carry on the pride of the Keswicks. I pray that it is. I pray.

It is growing late. My candle splutters. My Husband sleeps. Outside the May moon rides high across a dark shy. It is very late. I hear my Husband stir. I must put down my pen and snuff my candle, step over to the bed to sleep, to share his dreams. This I will do. I will pick up my pen tomorrow and I will continue.

I went on reading avidly, my eyes moving swiftly across page after page. I was eager to know more, fascinated by Lettice Keswick's jottings about her life in Yorkshire in the seventeenth century.

There were several more short sections, dated the end of June; then she moved on to cover a few days in July and August. Once more she was writing about her everyday life and her doings. She wrote of her two little daughters, Rachel and Viola, her life as a country squire's wife and the lady of the manor. The last entry for August was a joyful notation that she was at last pregnant and hopeful it was with a son.

I paused for a moment and gazed out the window reflectively. Nothing has changed since time immemorial. We all harbor the same dreams and hopes and desires as those who have gone before us. Here I was, reading about Lettice's desire for another child in 1660, and this was mine and Andrew's dream at the moment, now in 1988. I smiled to myself thinking how very little really changed in life, and, dropping my eyes, I continued to read.

The diary as such stopped quite abruptly. I experienced a genuine sense of disappointment, even irritation, so taken was I by Lettice Keswick's words.

But she had digressed, writing pages of household hints, which I merely glanced at, then listing all sorts of recipes-recipes for making potpourri and pomanders from dried flowers, herbs, and certain fruits and spices. There were instructions on how to make beeswax candles and soap; copious notes about herbs-sweet-smelling herbs for freshening rooms and closets, others for making ointments to treat various ailments, still others to add flavor to the cooking pot.

Her next section was devoted to preserves. Now came Lettice's recipes for rhubarb-and-gooseberry jam, quince jelly, bilberry jelly, lemon curd, mincemeat and sweet apple chutney. Once again I simply scanned these and moved on.

Finally the diary of her daily life began anew, the dates of entry running through October to December. I was completely engrossed as I read about winter life at Kilgram Chase, the various family activities, her needlework and embroidery, her husband's hunting and shooting skills, his expertise with horses. She wrote about the winter solstice, the weather, and her difficult pregnancy.

But before she continued with her daily doings into the new year of 1661, she had indulged in another domestic diversion, writing endless pages about the making of pies, puddings, and pastries, elderberry and nettle wine, even ale.

The diary was a veritable treasure trove, in a variety of ways. Unfortunately, I did not have time to read it scrupulously and in its entirety. At least not now. So I scanned, speed-read the rest of it, still admiring Clarissa's wonderful copperplate handwriting. Not once did it falter; her script was impeccable, a work of art.

As I swiftly turned the pages, I saw that Lettice Keswick's diary covered the early months of 1661 and finished in the spring. She spoke of the birth of her son, Miles, in the April of that year, after a long and difficult labor, and she wrote about her husband's birthday in May.

The very last page was dated May 29. There were no more entries, because there were no more pages left in the book. She had filled it.

Again, I found myself feeling disappointed. Until it struck me that the diary had only ended because the book she was writing in was full. Surely Lettice had continued her diary, for she was a natural writer with an easy, flowing style, almost conversational, and a great eye for detail. There must be another volume somewhere here in this library, and Clarissa must have found it and copied it. Just as I wanted to know more, so must she have been riddled with curiosity.

Jumping up, I headed for the ladder, in my anxiety totally ignoring Joe's warnings about climbing it. I did just that, in fact, until I came to the second-to-last step from the top. I did not dare climb higher, for fear of having an accident.

But I was quite high enough, it seemed. I stood immediately below the shelf from which Joe had taken the ledgers and the diary, and it was easy for me to read the titles of the books which remained. There were two novels by Thomas Hardy, three by the Brontes, and six by Charles Dickens, as well as a volume of sonnets by Shakespeare. But nothing else, just a gap on the shelf where the ledgers and Clarissa's copy of the diary had been.

Liking the look of the book of sonnets, which had a gorgeous red binding with gold lettering, I took this off the shelf. It was then that I saw it. A small, thick book with a black leather cover, which lay just behind the Bronte novels against the back of the shelf. For a moment I thought it was a Bible, but when I looked at it I saw that it had a totally plain front. Certainly no gold lettering proclaimed its title.

Balancing myself carefully at the top of the stepladder, I opened the black book. With a little thrill and a rush of excitement, I recognized it at once. It was the original Lettice diary, written in her own hand, the one Clarissa had so carefully copied in 1893. I poked around behind the Bronte, Hardy, and Dickens volumes, but there was nothing else there.

Holding the diary tightly in one hand, I edged my way down the stepladder and hurried over to the table in front of the window. Sitting down, I opened Lettice Keswick's original diary.

I stared at it in awe, turning the pages slowly, carefully, afraid that I might damage it if I handled it roughly.

The diary was over three hundred years old, but to my amazement it was undamaged. Some pages felt slightly brittle, but not very many, and there were tiny worm-holes here and there. But for the most part, it was wonderfully intact.

What a miracle it was that it had lasted all this time. But then, no one had known of its existence, and so no one had handled it. Except for Clarissa, of course, who had found it, copied it, and presumably put it back for safety's sake. Then again, the temperature in the library remained the same, year in, year out, exactly as it had for centuries, I was certain. It was always cool and dry; there was no dampness, and certainly the heat from the fire would not cause any damage to any of the old books. It barely warmed the room. No wonder, then, that the seventeenth-century diary had been so well preserved.

The original, written by Lettice herself, was penned in a spidery, rather elaborate script, typical of the century in which she had lived, but her writing was clear and legible. And I discovered, to my delight, that the original diary contained something unique: exquisite little pen-and-ink drawings and watercolors of flowers, fruit, and herbs, and vignettes of Lettice's gardens here at Kilgram Chase, which illustrated the diary throughout.

It was obvious to me that I had stumbled upon a small treasure. Of course, it was of no real value and probably of little interest to anyone except the Keswicks, and I couldn't wait to show it to Diana and Andrew.

Glancing at my watch, I realized that the last hour and a half had sped by. It was almost four o'clock.

Rising, I left the library and went down the corridor to Diana's office. I peeked in. Andrew's grim expression as he spoke on the phone registered most forcibly. He was no doubt talking to Jack Underwood in New York. He sounded angry in that quiet, controlled way of his, and he wasn't even aware that I had cracked open the door. I closed it softly, deeming it wiser to leave him in peace to attend to his business.

I really did need a breath of fresh air now, having been in the house since our arrival that morning, and after the long drive north in the car. In the nearby mud-room I sat down on the bench, took off my shoes, pulled on a pair of Diana's green Wellington boots, and lifted a barbor off the peg. I loved these fleece-lined waterproof jackets that are so snug and can be worn in all kinds of weather. In each pocket I found a woolen glove. After putting these on, I took a red wool scarf off the coat stand, threw it around my neck, and went out through the side door.

It was chilly. The morning sun had long ago disappeared, leaving a sky that was a faded, pale blue, almost without color.

The smell of autumn assailed me: dampness, rotting leaves, and wood smoke, acrid on the air. Somewhere, not far away, one of the gardeners had a bonfire going. It was that time of year, when dead plants and roots, dried leaves, and garden debris in general went into the flames; I had just had my own winter bonfire last weekend at Indian Meadows.

As I turned the corner of the house, I practically stumbled over Wilf, the gardener, who was shoveling dead leaves and roots into a pile, obviously fodder for the fire.

He glanced up when he heard my sharp exclamation.

"Aw, it's you, Mrs. Andrew." He touched his cloth cap and grinned at me. "How you be doing then?" He rested his filthy hands on top of the shovel and stood gaping at me, staring right through me.

"Fine, thank you. And how are you feeling these days, Wilf?"

"Can't complain. Me rheumatism's a bit of a bother, but there's nowt much else wrong with me. I don't expect to be kicking up t'daisies in yon cemetry for a long time." He laughed. It sounded like a cackle.

"I'm glad to hear it." I nodded and hurried away, heading for the pond. There was something odd about Wilf Broadbent. He always seemed to have a baleful glint in his eye when he talked to me. I thought he might be a bit touched. Andrew said he was just gormless, using the Yorkshire word for dumb, stupid. Diana laughed at us when we discussed Wilf. She believed him to be the salt of the earth.

Four brown ducks swam away as I approached the water.

I stood watching them paddling as fast as they could to the far bank, absently wondering if it would freeze by Christmas. The twins so longed to skate on this pond, just as their father had done when he was a little boy. But I didn't think it would be cold enough to freeze; it was a decent-sized body of water.

I set off to walk around the pond, my mind focusing on Lettice and Clarissa, those two other Keswick women who had been the brides of Keswick men, and who had lived out their entire lives here. If only walls could talk to me, what marvelous secrets they would reveal, what tales they could tell.

On the other hand, the diary had talked, hadn't it? Only for a short while, but still, it had spoken to me of a time past, given me a bit of the family history.

Even Clarissa's frontispiece, short as it was, and her act of copying it so meticulously had told me quite a lot about her. She must have been a good woman, conscientious, God-fearing, a typical Victorian, but obviously an intelligent and caring person. Certainly she had cared about the diary, had understood what it meant to the family. Also, she had had the foresight to realize that the original might not survive the passage of time; and she had considered it important enough to preserve it for posterity. Of course she lacked artistic talent because she had not copied the drawings or watercolors, but that wasn't so important.

And what did the diary tell me about the diarist herself?

First and foremost that Lettice was a born writer, articulate and with a thorough knowledge of the language and an understanding of its beauty. It was at her fingertips, and she had made excellent use of it. The illustrations indicated that she had been artistically inclined, the household hints and recipes proclaimed her to have been a good housekeeper and cook, not to mention an excellent herbalist and wine-maker. Her many references to her husband and children revealed that she had been a loving wife and mother, and lastly, I decided that she had had a political turn of mind. There were innumerable references to Parliament in her diary, and acerbic comments, and certainly she had been a dyed-in-the-wool royalist, elated, no, overjoyed when Charles II returned to England to accept the throne.

It struck me again that there must be another volume of her diary somewhere in that vast library. A truly natural writer such as Lettice Keswick would not stop just like that, with such terrible abruptness. But how to find it amongst those thousands of books lining the hundreds of shelves?

There was no time for me to look for it now, not today or tomorrow. Perhaps when we came back for Christmas I could have a stab at it. The effort would be worth it. After all, in my opinion the diary was a little jewel. I knew Diana would be intrigued by it and so would Andrew, if I could ever tear him away from that briefcase and those wretched papers. I couldn't imagine what that awful Malcolm Stainley had done, unless he had been cooking the books, God forbid. If he had, Andrew would go for the jugular, and Jack wouldn't be far behind, wielding a very sharp knife, figuratively speaking.

As I walked up the wide path carved out between the expanse of green lawns, I saw a car approaching the house. It was moving at a snail's pace up the driveway between the giant oaks, and it was not Diana returning, I knew that. This was not her car.

Within a few seconds the car and I had drawn closer. I saw that it was a pale blue Jaguar.

Was Diana expecting a visitor? It was odd that she hadn't mentioned it, if she were. She usually told us if someone was coming to tea, warned us, really, in case we felt we had to escape. Usually Andrew did, since her guests for this truly English ritual were people like the woman who ran the church institute, the vicar and his wife, the head of the garden club, or some such local character.

The car slowed, then came to a standstill at the bottom of the stone steps. I strode across the terrace to the top of the steps and stood looking down expectantly.

The door of the Jaguar finally opened. A woman alighted.

She was tall and slender, with a mass of dark, wavy hair that tumbled around a rather narrow but attractive face. Her eyes were dark, intense, and her generous mouth was a slash of bright red lipstick.

At first glance, her clothes looked like a gypsy's odd assortment, but as my eyes swept over her swiftly, I realized there was a degree of coordination about them. At least as far as the colors were concerned. She wore a long, full, green wool skirt, topped by a short bomber jacket made of red, green, purple, and yellow patches. Joseph's coat of many colors. Or so it seemed to me. Long scarves of yellow, purple, and red were wrapped around her neck and trailed down her back. Her boots were red, her handbag yellow.

I did not have to be introduced to this colorful woman.

I knew exactly who she was.

Gwendolyn Reece-Jones in person.

My father's mistress.

CHAPTER SEVENTEEN

We stared hard at each other, she and I. And for a split second neither of us spoke.

I was aware from the expression in her eyes that she knew who I was, had recognized me as Edward Jordan's daughter, but I doubted that she would acknowledge this. Certainly she would not confide her relationship with my father or even say that they were friends. I knew this instinctively.

She spoke first.

Moving closer to the bottom step, she said, "I'm looking for Mrs. Keswick. Rude. To come without calling first. Tried. Your phone's been engaged for a long time. Is Mrs. Keswick in?"

I shook my head. "No, I'm afraid she isn't, she went off to do a few errands. But she should be back any moment. Would you like to come in and wait for her?"

Gwenny bit her lip, and an anxious expression crossed her angular face. "Don't want to impose."

"I'm sure Diana won't be long. I know she'd be very upset if she missed you."

"Frightfully kind. Yes, well, er, thank you. Perhaps I will hang around for a few minutes." She began to mount the steps. Drawing level to me, she held out her hand. "Gwendolyn Reece-Jones."

"Mallory Keswick," I answered, shaking her hand. Immediately I swung around, stepped up to the front door, opened it, and ushered her into the small entrance foyer. "Can I take your jacket?" I asked politely.

"Just the scarves, thank you," she replied, unraveling the three of them from around her neck.

After hanging these in the coat closet, I took her into the parlor next door to the dining room. This was a small, comfortable room, rather cozy, with a Victorian feeling to it, a sort of den, which we used all the time. It was there we watched television and usually had afternoon tea and drinks in the evening.

Parky had turned on the lamps and started the fire. This burned merrily in the grate, and the room looked inviting.

"Please make yourself comfortable," I said. "If you'll excuse me, I'll go and take off my boots and tell Andrew you're here. He'll come and join us. If he's off the phone."

"No rush. Take your time." She reached for the current issue of Country Life which lay on the tufted ottoman and sat down in an armchair next to the fire.

Once I had shed Diana's barbour and Wellingtons and put on my shoes in the mudroom, I went in search of my husband. Andrew was still on the phone in Diana's office, but this time when I opened the door he saw me, smiled, and raised an eyebrow questioningly.

"We have a visitor," I said rolling my eyes to the ceiling.

"Just a minute, Jack," he murmured into the receiver and looked across at me, frowning slightly.

"Who is it?" he asked.

"You'd never guess in a million years, so I'm going to tell you. Gwendolyn Reece-Jones. She's here looking for your mother. She tried to phone first, but she couldn't get through." I laughed. "For obvious reasons."

"Gwenny!" he exclaimed. "I'll be damned! Since Ma isn't back yet, offer her tea, and I'll join you in a few minutes. I'm just finishing up with Jack."

I nodded. "Give him my best."

"I will."

As I turned away I heard him say, "That was Mal, she sends her love. Well, that's about it, old buddy. Just wanted to run all this by you."

Parky was in the kitchen putting cups and saucers on a large tray; she glanced up as I walked across the floor and hovered next to the table where she was working.

"Hi, Parky," I murmured. "You'll have to add another cup and saucer. A friend of Mrs. Keswick's has just arrived. Miss Gwendolyn Reece-Jones. I'm sure you know her. Anyway, she'll be having tea with us."'

"Oh." Parky pursed her lips. "Miss Reece-Jones can't have been expected, or Mrs. Keswick would have told me before she went out. She's very precise about things like that, Mrs. Keswick is."

"She wasn't expected, Parky."

"A bit rude, if you ask me," Parky sniffed, "dropping in like that." She marched into the pantry and came back with an extra cup and saucer. "Most people telephone first."

"She did try to get through," I explained, hiding a smile, amused at Parky's irritation. But then, she was a stickler for good manners; I always remembered that about her. For a reason I didn't quite understand, I felt I had to defend Gwenny, so I now added, "Mr. Andrew's been on the phone to New York for well over an hour, Parky, that's why Miss Reece-Jones was unable to get us."

"Hurrumph," was all Parky said as she went on fussing with the teapot and the other things she needed for afternoon tea. But after a few seconds she threw me a warm smile, and leaning closer, she said, "I've made a luvely caraway-seed cake for tea, Mr. Andrew's favorite. And nursery sandwiches. He did enjoy them when he was little. Four sorts today. Tomato, cucumber, watercress, and egg salad. Homemade scones, too, with homemade strawberry jam and Cornish cream."'

"Goodness, we're not going to want any dinner!" I exclaimed, before I could stop myself. "So much food, Parky."

"But it's what I always serve, Mrs. Andrew, and I've been doing so for thirty years," she announced, taking a step back and staring at me. She looked slightly put out.

Realizing that I might have hurt her feelings unintentionally, I said quickly, "The tea sounds wonderful. I just know Mr. Andrew is going to enjoy it, and so will I. Why, my mouth's watering already."

Mollified, she beamed. "In any case, dinner's a simple meal tonight, Mrs. Andrew. Just Morecombe Bay potted shrimps, cottage pie, and a green salad."

"No dessert?" I teased.

Taking me quite seriously, she cried, "Oh, yes! I always make a dessert for Mr. Andrew. You know how he loves them. But I haven't decided which one to make yet-English trifle or custard flan."

"It'll be delicious, whatever it is," I muttered and hurried to the door. "I'll go and keep Miss Reece-Jones company. By the way, Parky, did Mrs. Keswick say what time she'd be back?"

"She's never later than a quarter to five for tea. Never."

"As soon as she arrives perhaps you can serve it," I suggested.

"I will that. And I expect Mr. Andrew'll be needing a bit of sustenance by then, working all afternoon the way he has, poor thing. On a Saturday too."

"Yes," I agreed and slipped out.

Gwenny Reece-Jones was leafing through the magazine when I returned to the parlor. "Andrew will join us in a minute," I told her, closing the door behind me. "And Diana's expected back imminently, so I hope you'll join us for tea, Miss Reece-Jones."

"How nice. Love to."

"Good."

As if she felt she needed to explain her sudden and unexpected arrival, she. cleared her throat and said, "Working in Leeds. Doing A Midsummer Night's Dream. At the Theatre Royal. Sets. I design sets."

"Diana told me you were a theatrical designer."

"Oh." She looked momentarily taken aback. "Came over to Kilburn today. Know it, do you?"

"I think so. Isn't that the place where there's a giant-sized horse carved into the side of the hill?"

"Correct. On the face of Roulston Scar. Wanted to order a hall table from the Robert Thompson workshop. The great Yorkshire furniture maker and carver. Dead now. His grandsons run the workshop. Continue his work. Thought it a good idea to stop on my way back to Leeds. Say hello to Diana."

"I'm glad you did. As a matter of fact, Diana mentioned you to me only the other day."

"She did?"

I took a deep breath and plunged in. "She told me that you know my father, Edward Jordan, that you're a friend of his. A very good friend."

Startled, Gwenny gaped at me. A bright pink flush spread up from her neck to flood her face. "Good friends, yes," she admitted. She glanced away swiftly and stared into the fire.

I had a terrible feeling that I had embarrassed her, which I hadn't meant to do at all. I simply wanted to have everything out in the open. I said quickly, "I'm glad you and Daddy are friends. I worry about him, worry that he's lonely. It's comforting to know he has some companionship when he's in London, Miss Reece-Jones."

"Call me Gwenny," she said and bestowed a huge smile on me.

I thought I detected a look of relief on her face as I smiled back at her.

At this moment the door flew open and Andrew came in. "Hello, Miss Reece-Jones, remember me?" he said, grinning from ear to ear. "You used to bounce me on your knee when I was a little boy." He strode over to her and shook her hand.

"Never forgot you." She laughed, staring up at him, affection softening her face. "Mischievous." She glanced across at me. "Mischievous boy."

Before I could make any kind of comment, the door opened again, and Diana walked in, obviously not at all surprised to see Gwendolyn Reece-Jones sitting in her parlor. Undoubtedly she had seen the car in the drive.

"Hello, Gwenny dear," Diana said, crossing the room to the fireplace.

Gwenny jumped up and the two women embraced, then Gwenny said, "Rather rude. Dropping in like this. Wanted to say hello."

"Please don't apologize, it's lovely to see you," Diana said in a warm voice. "You must stay for tea. I'll just pop into the kitchen and tell Parky to bring it in. Excuse me for a moment."

"I'll come with you," I exclaimed, moving toward the door. "To help."

Diana looked at me curiously but made no comment, and we left the parlor together.

Of course later in the evening, after Gwendolyn Reece-Jones left and went on her way to Leeds, we held a little postmortem on her. It was only natural, I suppose, given the circumstances.

"She has such an odd way of speaking," I said to Diana, shaking my head. "It's sort of staccato."

"I know, she talks in little sharp bursts, and she has a predilection for using one-word sentences. But she's a good sort, awfully kind and considerate, and she doesn't have a bad word for anybody, or a bad bone in her body, for that matter," Diana answered.

"I liked her very much," I murmured.

"And she liked you," Diana replied. "Furthermore, she was rather relieved that you know about her relationship with your father."

"I hope I didn't embarrass her, I just wanted to level with her, let her know I knew." I gave Diana one of my piercing looks. "Did she say anything when you went out to the car with her, Diana?"

"Only that you'd taken her by surprise when you'd mentioned Edward, and what a lovely young woman you were, so pretty. She was very admiring of your beautiful red hair."

"I thought she was rather attractive, too, and I can just see her and Daddy together. I approve; she is very nice."

"But as eccentric as hell!" Andrew exclaimed. "A genuine character. And whenever I hear the name Gwendolyn, I think of scarves. She's always worn masses of them, rain or shine, all kinds of weather, and as far as I remember they've been made of every type of fabric. Gwenny's a regular Isadora Duncan, if you ask me." He laughed and stood up. "Would you like another glass of wine, Ma?"

"Not at the moment, darling," Diana said, "I've still got half of this one left."

"I think I will," he said and walked across the parlor to the skirted table in the corner, where Parky had put a tray holding a bottle of white wine in an ice bucket and a syphon of soda water. "How about you, Mal?"

"I'm fine, Andrew, and listen, you two, before we have supper I want to show you my finds."

"Finds? What do you mean?" Andrew asked, turning around and smiling at me fondly.

"I was poking around in the library this afternoon, and I found a diary by one of your ancestors, Lettice Keswick, which she wrote in the seventeenth century. Actually, what I found was a copy of the original, and it was in the most beautiful copperplate handwriting. It was done by Clarissa Keswick, who copied it in 1893 in order to preserve it."

"Good Lord! So that's what you were doing all afternoon, digging around amongst those moldy old books. Better you than me, my love." Andrew squeezed my shoulder as he came back to the fireplace, bent over me, and kissed the top of my head. "And trust you to come across something unusual."

Diana cut in, "But you said finds, Mal, in the plural. What else did you unearth?" She had a puzzled expression in her eyes as she looked at me across the room.

"I actually found the real diary, as well as Clarissa's copy of it," I said, and I went on to explain what I had done earlier in the day. Then, standing up, walking toward the door, I finished, "Let me go and get them; they're in the library. Once you see both books, you'll understand what I'm talking about."

Firelight danced on the walls and across the ceiling, filling our bedroom with a rosy glow. There was no other light in the room, and I felt relaxed, drowsy, encased in a cocoon of warmth and love as I lay within the circle of Andrew's arms.

Earlier, a high wind had blown up, and now I could hear it howling over the moors. In the distance was the sound of thunder, and lightning flashed spasmodically, illuminating the bedroom with a bright white brilliance for a moment or two.

I shivered slightly, despite the warmth of the bed, and put my arm around my husband, drew closer to him. "I'm glad we're not out in that. Quite a storm's blown up since we came upstairs."

He chuckled. "Yes, it has, and we're in the best place, you and I. Snug as two bugs in a rug. But you know what? When I was little I always wanted to be out in it, in the rain and the wind and the hail, don't ask me why. I just loved storms. Maybe the inherent drama of such dreadful weather appealed to something in me. And once, when I was about seven, my father told me that it was our ancestors in their armor crashing about up there in the heavens, that their ghosts were riding out to conquer their enemies, as they had done centuries ago. I'm certain that must've sparked my imagination when I was a kid."

"And did you go out in the storm when you were a boy?"

"Sometimes I managed to sneak out of the house, but not if Ma could help it. She was always a bit overprotective."

"What mother isn't? Anyway, I don't blame her; storms can be dangerous. People have been struck by lightning-"

"Like I was, when I first met you!" he interrupted, putting his hand under my chin and turning my face to his. He kissed me softly, tenderly on the mouth, then broke away. "The French call it a coup de foudre, that instantaneous falling in love just like that." He snapped his thumb and a finger together. "In other words, struck by lightning."

I smiled against his chest. "I know what it means."

There was a small silence. We were content to lie together like this, so at peace with each other.

After a few minutes I said, "It's been such a lovely weekend, Andrew, I'm glad we came to Yorkshire, aren't you?"

"I am, and anyway, it's not over yet. We still have Sunday here. We can go riding tomorrow morning if you like, up on the gallops as I promised. And then we can' take it easy for the rest of the day, be lazy. We'll have a good Sunday lunch, read the newspapers, watch television."

"You're not going to do any work?" I asked, my voice rising a fraction in my surprise.

"Certainly not. Anyway, I've done as much as I can. Now I've got to wait for Jack to come in from New York next week."

"I have a feeling you've discovered something about Malcolm Stainley, something awful."

When he was silent, I went on, "Something… unpleasant, unsavory, perhaps?"

His answer was simply a long, drawn-out sigh.

"What is it? What's he done?" I pressed, riddled with curiosity. I turned my face to look at his in the firelight, but it betrayed nothing.

"I don't want to go into it now, darling, honestly I don't." He sighed again. "But always remember: Beware of guys selling snake oil."

"He's crooked, Andrew! That's what you mean, isn't it?"

Pushing himself up on one elbow, he bent over me, smoothed the hair away from my face, and kissed me full on the mouth. Then he stopped and stared deeply into my eyes. "I don't want to discuss it. I've got other, more important things on my mind right now."

"Such as what?" I teased.

"You know what, Mrs. Keswick," he murmured, a half smile playing around his mouth.

I looked up into his face, that beloved face which was so dear to me. His expression was intense, and his extraordinary blue eyes had turned darker, almost navy in the firelight; they overpowered me.

"You," he said at last. "I've got you on my mind. I love you so much, Mal. You're my whole reason for being."

"I love you, too." I stroked his face. "Make love to me."

Bending over me, he brought his mouth down to mine and kissed me for a long time, gently at first. But his desire overtook him, and his kisses became wilder, more passionate.

"Oh, Mal, oh, my darling," he said between his hot kisses. Then pulling the bedcovers away, he slipped off the straps of my nightgown and released my breasts, stroking them. "Oh, look at you, darling, you're so beautiful, my beautiful wife." Lowering his head, he kissed my nipples, and his hand slid down my thigh, along the silky length of my nightgown until he caught the hem of it in his fingers. He raised it to my waist, began to kiss my stomach, then my inner thighs. And all the while his hand stroked my body in long caresses, and I trembled under his touch.

Eventually, his mouth came to rest at the center of me, and I felt myself stiffen with pleasure. I was swept along, lost in my love for him. He came and knelt between my legs and brought me cresting to a climax, then he stopped suddenly and slid inside me, filling me. We clung together, and as always we became one.

The fire had burned low, and the shadows had lengthened across the bedroom walls. Outside, the wind howled and rain slashed violently against the panes of glass. It was a wild November night here at the edge of the moors, and growing wilder, by the sound of it.

Andrew stirred against me and murmured, "Shall I put another log on the fire?"

"Not unless you're cold."

"I'm fine. And we should let the fire die out anyway."

Sitting up, I climbed out of bed, padded over to the window, and pulled the cord to close the draperies, shutting out the storm. As I walked back, I said, "That was nice of your mother, wasn't it?"

"Inviting Gwenny for Christmas, you mean?"

"Yes." I got into bed, pulled the covers over me, and snuggled up to Andrew. "I hope she'll come, and that she'll bring Daddy with her. That way it'll be a real family occasion."

"I don't think your father could stay away. And the twins are going to love it here. It's going to be a wonderful Christmas, Mal. The best."

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