It’s nearly dawn by the time we arrive home and pull into the garage. I’ve been on the phone to the private airline I’d put on standby, to charter a flight out of here once I knew the outcome with Amber’s treatment.
After parking, I kill the engine and close the garage. “We’ll still make the meeting with the detective back in the States if we leave this evening. That gives us a few hours to sleep.”
She nods. “That’s good.” She sits there a minute and there is a sudden tension crackling off her that tells me everything that has happened tonight has come full circle to this moment.
She reaches for the car door and I grab her arm. “What just happened?”
“This isn’t going to work, Chris. I can’t marry you.”
It doesn’t matter that she doesn’t make eye contact, and that I know she doesn’t mean it. The words still punch me in the chest. “Look at me and say that again,” I order.
“No. Let go of me.” She reaches for the door again, and when I refuse to let her go, she whirls on me. “You will always see her when you look at me—and that means you can never really let me see you.”
“Baby, that’s the whole point in us coming here. For you to see me.”
“There’s fear in your eyes, Chris. And that fear means . . . that you’ll leave again. And I’ll”—her voice cracks—“I’ll have forgotten how to be alone again. I can’t do that and survive.”
There it is. The thing that undoes her. It’s her fear, like losing her is mine. “Come here,” I order, and pull her toward me.
“What? No. I . . . What are you doing, Chris? There isn’t room.”
I lift her over the column between us. “Right here,” I instruct, shifting her legs to my sides and settling her body over my hips.
Her hands flatten on my shoulders. “I don’t fit.”
“You fit perfectly.” I frame her face with my hands, trap her with a stare. “We fit perfectly, Sara. And baby, you make me stronger. Before Dylan died, I thought I had things under control, but I didn’t. When you showed up at the club, I wanted you. I wanted you badly.”
“But you shoved me away.”
“I wasn’t myself, Sara. I didn’t know where I’d take you, or what I’d do. Not to the whip; I’d never ever take you there. I just . . . I’d never touched anyone when I was like that. That’s why I left. I didn’t want you to see some monster and hate me.”
“That’s the problem, Chris—that you can’t let me in. You won’t.”
“I will. After Dylan, I’d decided I was okay. It was one slip, but I’d be fine. It wasn’t going to happen again. Then Ava attacked you, and Sara, it happened again.”
“You went to the whip?”
“No, but I wanted it in a bad way. The idea of losing you tore me up. That’s when I knew I had to bring you here. And while I can’t predict what sets me off, every year since the shooting, I struggle on the anniversary of my mother’s death. It’s not logical, but it’s some sort of trigger. I lock myself in the castle, away from the whip, but it’s never easy. I thought we’d go through that together. And I needed to go through that and let you judge me if you would, before Amber and Tristan started planting ideas in your head.”
“But you seemed fine at the castle.”
“I was. I woke up next to you that morning and I was at peace in a way I haven’t been in years. Knowing that, I let denial kick into full gear and saw us riding off into the sunset.”
“And this Amber thing made you decide you were some sort of monster again?”
“Guilt was already eating me alive, making me worry about what monster was going to jump out of the closet to destroy you. Amber just made it happen now instead of later. Tonight you got to witness who I am and was, and what I’m capable of creating in someone else. Seeing Amber at her worst scared the shit out of me. I love you too much to hurt you.”
“I understand holding back until you’re ready to share something that feels traumatic, Chris. I was ashamed over Michael, and I needed you to know about him and accept me afterward, but I wasn’t sure how to tell you. I had a lot of guilt over that—and he, like Amber, forced my hand. But we’re over that hump, and I don’t see Michael in you. I don’t know if you can do the same with me. Shutting me out will gut me. I can’t call you my husband and then wake up alone.”
I pull her closer, one breath from the kiss I crave. “Husband. I like how that sounds, and even more how it feels.”
“Me, too,” she whispers. “That’s why it hurts so much to be kept at a distance.”
“I can’t promise you I’m not going to protect you. It’s who I am. But now everything is out in the open. Now we can deal with it.” I rest my forehead on hers. “Whatever it takes, Sara, I’ll do it.”
“You can’t leave—no matter how bad you are.” She leans back to stare at me, flattening her hand on my chest. “You have to promise me that.”
“I promise,” I say, pulling her mouth to mine. “Wife.”
She smiles against my lips. “Husband.”
I kiss her, a hot possessive claiming kiss that says she belongs with me. Sara melts into me, sliding her hands under my shirt, her fingers warming my skin. I lean the seat back, lowering her on top of me, touching her. I can never touch her enough, tugging down her dress to discover her naked breasts.
“You’re not wearing a bra,” I murmur roughly, nipping her ear and teasing her nipple with my fingers.
She moans and covers my hand with hers. “Stop. We can’t do this here.”
“I’m reminding you that you’re mine.” I tug her dress up her hips, cupping her bare backside, tracing the thin strip of silk along her cheeks. “And you are mine.” Palming her breasts, I lean in to suck on her.
She presses her hands to the ceiling. “Chris. We can’t have sex in the 911. It’s too small.”
I lower my seat flat and mold her to me, my hand going under her dress to caress her backside. “I say it’s not. Let’s find out who’s right.”
“You’re crazy,” she whispers.
“Maybe.” I press her against the thick ridge of my cock. “But I really need to be inside you.” I kiss her and she moans again.
“Now you’re making me a crazy woman,” she says.
“I like crazy,” I assure her and reach between us to unzip my pants. “Help me pull these down?” She stares at me for a long moment and I press, “I’m dying here. I need to be inside you.”
She blinks, and then reaches for my pants as she erupts into laughter.
A frenzy of tugging and pulling on clothing erupts between us, until finally, I’m buried inside her and our eyes lock, the humor fading, heat simmering.
Her fingers trace my lips. “No in-between, Chris. You told me that. And I’m telling you that now.”
“No in-between, baby.”
I’m all in with Sara—and we’re about to find out where that leads us.