THE LIKENESS OF JULIE Richard Matheson

October

Eddy Foster had never noticed the girl in his English class until that day.

It wasn't because she sat behind him. Any number of times, he'd glanced around while Professor Euston was writing on the blackboard or reading to them from College Literature. Any number of times, he'd seen her as he left or entered the classroom. Occasionally, he'd passed her in the hallways or on the campus. Once, she'd even touched him on the shoulder during class and handed him a pencil which had fallen from his pocket.

Still, he'd never noticed her the way he noticed other girls. First of all, she had no figure — or if she did she kept it hidden under loose-fitting clothes. Second, she wasn't pretty and she looked too young. Third, her voice was faint and high-pitched.

Which made it curious that he should notice her that day. All through class, he'd been thinking about the redhead in the first row. In the theatre of his mind he'd staged her — and himself — through an endless carnal play. He was just raining the curtain on another act when he heard the voice behind him.

"Professor?" it asked.

"Yes, Miss Eldridge."

Eddy glanced across his shoulder as Miss Eldridge asked a question about Beowulf. He saw the plainness of her little girl's face, heard her faltering voice, noticed the loose yellow sweater she was wearing. And, as he watched, the thought came suddenly to him.

Take her.

Eddy turned back quickly, his heartbeat jolting as if he'd spoken the words aloud. He repressed a grin. What a screwy idea that was. Take her? With no figure? With that kid's face of hers?

That was when he realized it was her face which had given him the idea. The very childishness of it seemed to needle him perversely.

There was a noise behind him. Eddy glanced back. The girl had dropped her pen and was bending down to get it. Eddy felt a crawling tingle in his flesh as he saw the strain of her bust against the tautening sweater. Maybe she had a figure after all. That was more exciting yet. A child afraid to show her ripening body. The notion struck dark fire in Eddy's mind.

Eldridge, Julie, read the yearbook. St. Louis, Arts & Sciences.

As he'd expected, she belonged to no sorority or organizations. He looked at her photograph and she seemed to spring alive in his imagination — shy, withdrawn, existing in a shell of warped repressions.

He had to have her.

Why? He asked himself the question endlessly but no logical answer ever came. Still, visions of her were never long out of his mind — the two of them locked in a cabin at the Hiway Motel, the wall heater crowding their lungs with oven air while they rioted in each other's flesh; he and this degraded innocent.

The bell had rung and, as the students left the classroom, Julie dropped her books.

"Here, let me pick them up," said Eddy.

"Oh." She stood motionless while he collected them. From the corners of his eyes, he saw the ivory smoothness of her legs. He shuddered and stood with the books.

"Here," he said.

"Thank you." Her eyes lowered and the faintest of color touched her cheeks. She wasn't so bad-looking, Eddy thought. And she did have a figure. Not much of one, but a figure.

"What is it we're supposed to read for tomorrow?" he heard himself asking.

"The — 'Wife of Bath's Tale,' isn't it?" she asked.

"Oh, is that it?" Ask her for a date, he thought.

"Yes, I think so."

He nodded. Ask her now, he thought.

"Well," said Julie. She began to turn away.

Eddy smiled remotely at her and felt his stomach muscles trembling.

"Be seeing you," he said.


He stood in the darkness staring at her window. Inside the room, the light went on as Julie came back from the bathroom. She wore a terrycloth robe and was carrying a towel, a washcloth, and a plastic soap box. Eddy watched her put the washcloth and soap box on her bureau and sit down on the bed. He stood there rigidly, watching her with eyes that did not blink. What was he doing here? he thought. If anybody caught him, he'd be arrested. He had to leave.

Julie stood. She undid the sash at her waist and the bathrobe supped to the floor. Eddy froze. He parted his lips, sucking at the damp air. She had the body of a woman — full-hipped with breasts that both jutted and hung. And with that pretty child's face —

Eddy felt hot breath forcing out between his lips. He muttered, "Julie, Julie, Julie —»

Julie turned away to dress.


The idea was insane. He knew it, but he couldn't get away from it. No matter how he tried to think of something else, it kept returning.

He'd invite her to a drive-in movie, drug her Coke there, take her to the Hiway Motel. To guarantee his safety afterward, he'd take photographs of her and threaten to send them to her parents if she said anything.

The idea was insane. He knew it, but he couldn't fight it. He had to do it now — now when she was still a stranger to him; an unknown female with a child's face and a woman's body. That was what he wanted; not an individual.

No! It was insane! He cut his English class twice in succession. He drove home for the weekend. He saw a lot of movies. He read magazines and took long walks. He could beat this thing.


"Miss Eldridge?"

Julie stopped. As she turned to face him, the sun made ripples on her hair. She looked very pretty, Eddy thought.

"Can I walk with you?" he asked.

"All right," she said.

They walked along the campus path.

"I was wondering," said Eddy, "if you'd like to go to the drive-in movie Friday night." He was startled at the calmness of his voice.

"Oh," said Julie. She glanced at him shyly. "What's playing?" she asked.

He told her.

"That sounds very nice," she said.

Eddy swallowed. "Good," he answered. "What time shall I pick you up?"

He wondered later if it made her curious that he didn't ask her where she lived.


There was a light burning on the porch of the house she roomed in. Eddy pushed the bell and waited, watching two moths flutter around the light. After several moments, Julie opened the door. She looked almost beautiful, he thought. He'd never seen her dressed so well.

"Hello," she said.

"Hi," he answered. "Ready to go?"

"I'll get my coat." She went down the hall and into her room. In there, she'd stood naked that night, her body glowing in the light. Eddy pressed his teeth together. He'd be all right. She'd never tell anyone when she saw the photographs he was going to take.

Julie came back down the hallway and they went out to the car. Eddy opened the door for her.

"Thank you," she murmured. As she sat down, Eddy caught a glimpse of stockinged knees before she pulled her skirt down. He slammed the door and walked around the car. His throat felt parched.

Ten minutes later, he nosed the car onto an empty ramp in the last row of the drive-in theatre and cut the engine. He reached outside and lifted the speaker off its pole and hooked it over the window. There was a cartoon playing.

"You want some popcorn and Coke?" he asked, feeling a sudden bolt of dread that she might say no.

"Yes. Thank you," Julie said.

"I'll be right back." Eddy pushed out of the car and started for the snack bar. His legs were shaking.

He waited in the milling crowd of students, seeing only his thoughts. Again and again, he shut the cabin door and locked it, pulled the shades down, turned on all the lights, switched on the wall heater. Again and again, he walked over to where Julie lay stupefied and helpless on the bed.

"Yours?" said the attendant.

Eddy started. "Uh — two popcorns and a large and a small Coke," he said.

He felt himself begin to shiver convulsively. He couldn't do it. He might go to jail the rest of his life. He paid the man mechanically and moved off with the cardboard tray. The photographs, you idiot, he thought. They're your protection. He felt angry desire shudder through his body. Nothing was going to stop him. On the way back to the car, he emptied the contents of the packet into the small Coke.

Julie was sitting quietly when he opened the door and slid back in. The feature had begun.

"Here's your Coke," he said. He handed her the small cup with her box of popcorn.

"Thank you," said Julie.

Eddy sat watching the picture. He felt his heart thud slowly like a beaten drum. He felt bugs of perspiration running down his back and sides. The popcorn was dry and tasteless. He kept drinking Coke to wet his throat. Soon now, he thought. He pressed his lips together and stared at the screen. He heard Julie eating popcorn, he heard her drinking Coke.

The thoughts were coming faster now: the door locked, the shades drawn, the room a bright-lit oven as they twisted on the bed together. Now they were doing things that Eddy almost never thought; that damned angel's face of hers. It made the mind seek out every black avenue it could find.

Eddy glanced over at Julie. He felt his hands retract so suddenly that he spilled Coke on his trousers. Her empty cup had fallen to the floor, the box of popcorn turned over on her lap. Her head was lying on the seat back and, for one hideous moment, Eddy thought she was dead.

Then she inhaled raspingly and turned her head toward him. He saw her tongue move, dark and sluggish on her lips.

Suddenly, he was deadly calm again. He picked the speaker off the window and hung it up outside. He threw out the cups and boxes. He started the engine and backed out into the aisle. He turned on his parking lights and drove out of the theatre.

Hiway Motel. The sign blinked off and on a quarter of a mile away. For a second, Eddy thought he read No Vacancy and he made a frightened sound. Then he saw that he was wrong. He was still trembling as he circled the car around the drive and parked to one side of the office.

Bracing himself, he went inside and rang the bell. He was very calm and the man didn't say a word to him. He had Eddy fill out the registration card and gave him the key.

Eddy pulled his car in to the breezeway beside the cabin. He put his camera in the room, then went out and looked around. There was no one in sight. He ran to the car and opened the door. He carried Julie to the cabin door, his shoes crunching quickly on the gravel. He carried her into the dark room and dropped her on the bed.

Then it was his dream coming true. The door was locked. He moved around the room on quivering legs, pulling down the shades. He turned on the wall heater. He found the light switch by the door and pushed it up. He turned on all the lamps and pulled their shades off. He dropped one of them and it rolled across the rug. He left it there. He went over to where Julie lay.

In falling to the bed, her skirt had pulled up to her thighs. He could see the tops of her stockings and the garter buttons fastened to them. Swallowing, Eddy sat down and drew her up into a sitting position. He took her sweater off. Shakily, he reached around her and unhooked her bra; her breasts slipped free. Quickly, he unzipped her skirt and pulled it down.

In seconds, she was naked. Eddy propped her against the pillows, posing her. Dear God, the body on her. Eddy closed his eyes and shuddered. No, he thought, this is the important part. First get the photographs and you'll be safe. She can't do anything to you then, she'll be too scared. He stood up, tensely, and got his camera. He set the dials. He got her centered on the viewer. Then he spoke.

"Open your eyes," he said.

Julie did.


He was at her house before six the next morning, moving up the alley cautiously and into the yard outside her window. He hadn't slept all night. His eyes felt dry and hot.

Julie was on her bed exactly as he'd placed her. He looked at her a moment, his heartbeat slow and heavy. Then he raked a nail across the screen. "Julie," he said.

She murmured indistinctly and turned onto her side. She faced him now.

"Julie."

Her eyes fluttered open. She stared at him dazedly.

"Who's that?" she asked.

"Eddy. Let me in."

"Eddy?"

Suddenly, she caught her breath and shrank back and he knew that she remembered.

"Let me in or you're in trouble," he muttered. He could feel his legs begin to shake.

Julie lay motionless a few seconds, eyes fixed on his. Then she pushed to her feet and weaved unsteadily toward the door. Eddy turned for the alley. He strode down it nervously and started up the porch steps as she came outside.

"What do you want?" she whispered. She looked exciting, half asleep, her clothes and hair all mussed. "Inside," he said.

Julie stiffened. "No."

"All right, come on," he said, taking her hand roughly. "We'll talk in my car."

She walked with him to the car and, as he slid in beside her, he saw that she was shivering.

"I'll turn on the heater," he said. It sounded stupidly inane. He was here to threaten her, not comfort. Angrily, he started the engine and drove away from the curb.

"Where are we going?" Julie asked.

He didn't know at first. Then, suddenly, he thought of the place outside of town where dating students always parked. It would be deserted at this hour. Eddy felt a swollen tingling in his body and he pressed down on the accelerator. Sixteen minutes later, the car was standing in the silent woods. A pale mist hung across the ground and seemed to lap at the doors.

Julie wasn't shivering now; the inside of the car was hot.

"What is it?" she asked, faintly.

Impulsively, Eddy reached into his inside coat pocket and pulled out the photographs. He threw them on her lap.

Julie didn't make a sound. She just stared down at the photographs with frozen eyes, her fingers twitching as she held them.

"Just in case you're thinking of calling the police," Eddy faltered. He clenched his teeth. Tell her! he thought savagery. In a dull, harsh voice, he told her everything he'd done the night before. Julie's face grew pale and rigid as she listened. Her hands pressed tautly at each other. Outside, the mist appeared to rise around the windows like a chalky fluid. It surrounded them.

"You want money?" Julie whispered.

"Take off your clothes," he said. It wasn't his voice, it occurred to him. The sound of it was too malignant, too inhuman.

Then Julie whimpered and Eddy felt a surge of blinding fury boil upward in him. He jerked his hand back, saw it flail out in a blur of movement, heard the sound of it striking her on the mouth, felt the sting across his knuckles.

"Take them off!" His voice was deafening in the stifling closeness of the car. Eddy blinked and gasped for breath. He stared dizzily at Julie as, sobbing, she began to take her clothes off. There was a thread of blood trickling from a corner of her mouth. No, don't, he heard a voice beg in his mind. Don't do this. It faded quickly as he reached for her with alien hands.

When he got home at ten that morning there was blood and skin under his nails. The sight of it made him violently ill. He lay trembling on his bed, lips quivering, eyes staring at the ceiling. I'm through, he thought. He had the photographs. He didn't have to see her any more. It would destroy him if he saw her any more. Already, his brain felt like rotting sponge, so bloated with corruption that the pressure of his skull caused endless overflow into his thoughts. Trying to sleep, he thought, instead, about the bruises on her lovely body, the ragged scratches, and the bite marks. He heard her screaming in his mind.

He would not see her any more.


December

Julie opened her eyes and saw tiny falling shadows on the wall. She turned her head and looked out through the window. It was beginning to snow. The whiteness of it reminded her of the morning Eddy had first shown her the photographs.

The photographs. That was what had woken her. She closed her eyes and concentrated. They were burning. She could see the prints and negatives scattered on the bottom of a large enamel pan — the kind used for developing film. Bright flames crackled on them and enamel was smudging.

Julie held her breath. She pushed her mental gaze further — to scan the room that was lit by the flaming enamel pan — until it came to rest upon the broken thing that dangled and swayed, suspended from the closet hook.

She sighed. It hadn't lasted very long. That was the trouble with a mind like Eddy's. The very weakness which made it vulnerable to her soon broke it down. Julie opened her eyes, her ugly child's face puckered in a smile. Well, there were others.

She stretched her scrawny body languidly. Posing at the window, the drugged Coke, the motel photographs — these were getting dull by how although that place in the woods was wonderful. Especially in the early morning with the mist outside, the car like an oven. That she'd keep for a while; and the violence of course. The rest would have to go. She'd think of something better next time.


Philip Harrison had never noticed the girl in his Physics class until that day —

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