Portrait In Death

Chapter 11

Hastings hunched at the rickety table in Interview Room C, doing a pretty good job of looking bored. The dribbles of sweat along his temples were the only sign he was feeling the heat.

Eve dropped into the chair across from him, flashed a big, friendly smile. "Hey. Thanks for dropping by."

"Kiss my white, dimpled ass."

"As tempting as that is, I'm afraid I'm not allowed to make such personal contact."

"You kicked my balls, you oughta be able to kiss my ass."

"Rules are rules." She leaned back in her chair, flicked a glance at Peabody. " Peabody, why don't you get our guest some water? It's hot in here."

"I don't mind it hot."

"Me neither. People go all winter bitching and whining about the cold, right, then it heats up and they bitch and whine about that. Never satisfied."

"People bitch and whine about every damn thing." He took the water Peabody offered, downed the contents of the cup in one gulp. "That's why they're assholes."

"How can I argue with that? Well, enough of this cheery small talk. It's time for the formalities. Record on. Dallas, Lieutenant Eve, and Peabody, Officer Delia, in Interview with Hastings, Dirk, regarding Case numbers H-23987 and H-23992." She entered the time and date, and recited the Revised Miranda. "So do you understand your rights and obligations in this matter, Hastings?"

"I get it. Just like I get you pulled me down here, screwed up my day. You screwed up my day yesterday, and I told you what I knew. I cooperated."

"You're a real cooperative individual." She pulled copies of the photos sent to Nadine, tossed them on the table so Kenby Sulu's image lay in front of Hastings. "Keep it up, and tell me what you know about this."

The chair creaked ominously as Hastings shifted his bulk. With two wide fingers he nudged first one, then the other photo closer. "I know I didn't take these. Good images, though, except I'd've cropped this candid different, and punched up the light across the eyes. Kid's got magic eyes, you want to highlight them. Had magic eyes," Hastings corrected staring down at the death photo.

"What were you up to last night, Hastings?"

He kept his gaze on the photos, staring at death posed in a dance. "I worked, I ate, I slept."

"Alone?"

"I'd had enough of people. I took shots of this kid. Dancer. Dance troupe. No, shit, not pros. Students. I took shots of him. What a face. It's the eyes. Good bones, good form, but it's all about the eyes in this face. I took shots of him," he repeated and looked at Eve. "Just like the girl. What the hell's going on?"

"Tell me."

"I don't freaking know!" He shoved back, so violently, so abruptly, that Peabody's hand went to her weapon. Lingered there even when Eve shook her head.

Hastings surged around the room, a big bear in a small cage. "This is crazy, that's what it is. Fucking lunatic. I took that kid's picture… where was it, where was it? Juilliard. Juilliard. Buncha puffed-up drama queens, but it pays the freaking bills. And the kid had that face. So I singled him out for a few shots. When was it? Spring. April, maybe May. How the hell do I know?"

He dropped back in the chair, squeezed his shiny bald head between his hands. "Christ. Christ."

"Did you bring him to your studio?"

"No. Gave him a card though. Told him if he wanted to earn some extra money modeling, to get in touch. He was easy in front of the lens, I remember. Not everybody is. He said maybe he would, and maybe I could do some individual pub shots for him."

"Did he get in touch?"

"No, not with me. Don't know if he called the studio. Lucia handles that crap. I never saw him again."

"Did you work with anyone on the Juilliard shoot?"

"Yeah. I don't know who. Some idiot or other."

"The same idiot or other who was with you when you did the wedding in January, the shots of Rachel Howard?"

"Not likely. They don't stick that long." He managed a thin smile. "I'm temperamental."

"You don't say? Who has access to your disc files?"

"Nobody. Nobody should, but I guess anybody who comes through and knows what they're doing." He moved his shoulders. "I don't pay attention. I neverhad to pay attention."

He shoved the photos back at Eve. "I didn't call a lawyer."

"So noted. Why is that, Hastings?"

"Because this pisses meoff. Plus, I hate lawyers."

"You hate everybody."

"Yeah, that's true." He rubbed his hands over his face, then dropped them on the table. "I didn't kill those kids. That girl with the magic smile, this boy with the magic eyes. I'd never put those lights out." He leaned forward. "Just from an artistic standpoint-what would that smile be like in five years, or those eyes in ten. I'd want to know, to see, to capture. And personally, I don't get murder. Why kill people when you can just ignore them?"

Mirroring his move, she leaned toward him. "What about those lights? Wouldn't you want them for your own? Take them while they're young, innocent. Brilliant. Pull them in, through the lens, into yourself. Then they're always yours."

He stared, blinked twice. "You gotta be rucking kidding me. Where do you get that kind of woo-woo crap?"

Despite the horror of the situation, she let out a laugh. "I like you, Hastings. I'm not sure what that says about me. We're going through your records again, to see if we find the shots you took of Kenby Sulu."

"Why don't you just move in, bring the freaking family? Your pet dog."

"I've got a cat. I've got you scheduled for Truth Testing in about twenty minutes. I'll have an officer escort you to a waiting area."

"That's it?"

"For now, that's it. Do you have any questions or statements you wish to make at this time, on record."

"Yeah, I got a question. I got a prize-winning question for you, Dallas. Am I going to have to wonder who's next? Am I going to have to ask myself whose picture I took who's going to end up dead?"

"I don't have the answer to that. Interview end."

"You believe him." Peabody slid into the car beside Eve. "Even without the Truth Test."

"I believe him. He's connected, but not involved. And he'll know the face of the next target. He'll recognize it." And it would cost him, Eve thought. She'd seen what it was already costing him on that ugly face of his.

"The killer is someone he knows, or at least someone who knows him and his work. Someone who admires it, or envies it… or thinks their own is superior."

She toyed with that angle as she pulled out of the garage. "Somebody who hasn't been able to achieve the same sort of commercial or critical success."

"A competitor."

"Maybe. Or maybe someone who's too artistic, too above commercialism. He wants acknowledgment, otherwise, he'd be keeping the images for himself. But he sends them to the media."

She played back pieces of the text the killer sent to Nadine.

Such light! Such strong light. It coats me. It feeds me. He was brilliant, this clever young man with the dancer's build and the artist's soul. Now he is me. What he was lives forever in me.

Light again, Eve mused, then shadows.

There will be no shadows in them now. No shadows to smother the light. This is my gift to them. Theirs to me. And when it's done, when it's complete, our gift to humanity.

"He wants the world to know what he's doing. Artistically," Eve continued. "Hastings, or at least Hastings's work, is one of his springboards. We question everyone who's worked with or for Hastings over the last year."

Peabody pulled out her pad, keyed in, scrolled down the list. "That's going to take awhile. The guy's not kidding about going through assistants like toilet paper. Then you add in the staff, and turnover in the retail end, the models and stylists, and so on. You want to start at the top?"

"For now. But we start back at the data club. The transmission to Nadine was sent from there, both times. It's a link."

There was a lively lunch crowd jammed at tables and booths, heavy on the students, Eve decided. Lots of them gathered in groups or going solo over data and sandwiches.

She spotted Steve Audrey at the bar, working two-handed to fill orders on trendy iced drinks and coffee. He acknowledged her with a little head bob.

"Summer session has them pouring in midday." He slid something frothy and blue into waiting hands, then wiped his own on the bar rag tucked in his waistband. "Getcha something cold?"

"I wouldn't mind a Blue Meanie." Peabody spoke fast, knowing her lieutenant.

"Coming up." He pumped at levers. "What can I do for you, Lieutenant?"

"Take a break."

"I just came on an hour ago. I'm not due for a break until-"

"Take one now."

He flipped the slush machine, grabbed a glass. "Hold on. Mitz, need you to take over for five. Can't take more than five," he told Eve as he poured the blue slush into a tall, skinny glass for Peabody. "I'll get iced otherwise."

"Five'll do. Is there anyplace in here that's quiet?"

"Not this time of day." He scanned the crowd, used his chin to point. "Grab that privacy booth in the back, to the right. Give me a minute to fill these other orders."

Eve wound through, Peabody, slurping Blue Meanie, in her wake. Students, she noted, treated the club like a safari and came in loaded with bags and satchels.

There was no bag or satchel in Kenby's locker at Lincoln Center.

She stepped over, stepped around, shoved aside, and reached the booth at the same time a pair of college boys in track shirts leaped into the chairs.

They looked up at her and grinned. "You lose. We're younger and faster."

"I'm older and I've got a badge." She flipped it out and grinned back. "Maybe I should have a look through your backpacks, then brighten everyone's day with a quick cavity search."

They scrambled up and away.

"They are fast," Peabody noted.

"Yeah, but I don't need some pussy drink to be mean."

Peabody slurped again. "It's very refreshing, and contrary to its name puts me in a very amenable mood. Or maybe that has something to do with the cavity search McNab and I performed on each other last night."

Eve slapped at the cheek muscle that twitched. "Thank God I haven't had any lunch. I'd have lost it."

"I think it's nice we're both having regular sex. It keeps us in rhythm."

"Shut up, shut up."

"Can't help it. I'm happy."

"I can fix that."

With another frosty drink in his hand, Steve dropped down next to Peabody. He sucked through the straw stuck in the pale green foam. "Okay, we got five." He hit the button that closed the clear bubble around the booth. "Ah." He smiled into the silence as he drew on the straw. "Excellent."

"What do you know about the transmission sent from here this morning?"

His eyes popped open. "Huh? Again?"

"EDD's been here. They impounded the unit, talked to the day manager."

"I just came on an hour ago and had to dive right into the pool. I didn't hear about this. Is somebody else dead?"

Eve took out the photo of Kenby. "Recognize him?"

"Man. I don't know. Man. I think so, maybe. I'm not sure. Should I?"

"Take a breath, Steve."

"Yeah, right. This is brutal." After wiping his mouth with the back of his hand, he looked at the image again. "I think maybe he's been in. Is he like an actor or something?"

"Or something."

"You should ask Shirllee. She goes for the theater and artist types."

"She here?"

"Yeah, she's on. Give me a sec."

He opened the bubble. Noise poured back over them as he slid out and hurried away.

"They got curly fries," Peabody announced, and punched in an order on the menu before Eve could speak. "My blood sugar's dropping."

"That'll be the day."

Steve came back with a tall, skinny brunette. Her hair was done in multiple and equally skinny braids that fell to her waist and were joined at the tips by a black ribbon. She wore a quartet of silver spikes in her right earlobe and a trio of silver studs dripping below her left eye like sparkly tears.

She sat next to Eve and clasped her hands together so the forest of rings on her fingers clanged and clinked. "Stevie said you're a cop."

"Stevie wins a point." Eve hit the privacy button, then nudged the photo in front of Shirllee. "You know him?"

"Hey, that's Twinkletoes. I call him that 'cause he's a dancer. Sure, he comes in a couple times a week. Lunch break usually, or early dinner. But he's been here for the music a few times, weekends. He can really move. What he do?"

"He come in with anybody special?"

"Travels with a theater pack mostly. Picked one out of the herd a couple of times, but he never hung with one girl. He's straight though, 'cause I never saw him moving on another guy."

"Anybody move on him?"

"Not especially. He mostly hangs with people he knows. He tips, too." She shot a knowing look at Steve. "College kids stiff you, but Twinkles here, he always tipped. Brought up right, you ask me. Don't see him getting in trouble. He never made any trouble in here."

"When's the last time he came in?"

"That I saw him?" She pursed lips dyed dead white. "Friday night, I think. Last Friday. We had a totally mag holo-band in. Hard Crash. They're completely juiced. Twinks was in here with a bunch of Juilliards on Friday. You remember, Stevie? He's a fucking dancing machine once he's revved. You were mixing him non-A Sorcerers all night."

"Yeah. Yeah, that's right." Steve looked down at the photo, ran his fingertip around the border. "Sorcerers, no punch. I remember now."

"I gotta get back on." Shirllee reached over, opened the bubble.

"Me, too." Steve looked up from the picture, met Eve's gaze. "Did that help any?"

"Maybe. Appreciate it. Let's go, Peabody."

"But my curly fries just came through."

"Life's full of hard knocks."

As Eve headed out, Peabody scooped the fries into a napkin.

She comforted herself that food eaten on the run had no calories.

When they stepped out, Eve reached over and snatched a fry. "No salt?" The first bite had her wrinkling her nose. "How can you eat these without salt?"

"I didn't have the chance for salt. Life's full of hard knocks," Peabody added in sober tones.

They started at the top of the Portography list. As Eve interviewed potentials she gained an image of Hastings. He was a maniac, he was a genius, he was impossible, he was insane yet compelling-depending on who she spoke with.

She caught one of his former assistants on a location shoot in Greenpeace Park.

The models-one man, one woman-were hyping what Eve was told was active sportswear. To her, they looked as if they were preparing to take a long hike through the desert in the buff-colored skinny tops and shorts, the clunky boots and long-billed caps.

Elsa Ramerez, a tiny woman with short, curly dark hair, tanned limbs, scooted around handing things to the photographer, signalling the rest of the crew, grabbing up bottled water or whatever other task was snapped out at her.

Seeing her day going from too long to endless, Eve stepped forward, laid a hand on the photographer's shoulder.

The thickly built blonde was no Hastings, but she delivered an impressive snarl.

"Take a break," Eve advised and held up her badge.

"We've got all the proper permits. Elsa!"

"Good for you. I'm not here about your permits. Take a break, grab some shade. Otherwise, I can hang you up for twice as long in pretty red tape while I have my trusty aide verify all the permits. Elsa?" Eve crooked a finger. "With me."

"We've only got the location for another hour." Elsa jogged over and was already dragging paperwork out of a satchel. "I've got everything right here."

"Save it. Tell me about Dirk Hastings."

Elsa's sweaty face went stony. "I'm not paying for that window. He threw the bottle atme. Crazy son of a bitch. He can sue me, you can lock me up, but I'm not paying for the broken window."

"You worked for him in February. From…" Eve perused her notes. "… February fourth to February eighteenth."

"Yeah, and I should put in for combat pay." She took a bottle out of the holster she wore on her hip, glugged. "I don't mind hard work-hell, I like it. I don't mind temperament, got one of my own. But life's too short to deal with crazy people."

"Do you recognize this person?" She held out the image of Sulu.

"No. Terrific face. Nice shot. Very nice. What's this about?"

"Did you have access to Hastings's disc files and records when you worked as his assistant?"

"Sure. Part of the gig was filing the shots, or locating one he wanted to finesse. What is this? Is he saying I took something of his? Took his work? That's just crap. Hell, I knew he was crazy, but he wasn't vindictive."

"No, he's not saying you took anything of his. I'm asking if you did."

"I don't take anything that's not mine. And I sure as hell don't put my name on somebody else's work. Shit, even if I was some sleazy bitch, I'd never get away with it. He's got a look. Hastings has a style, the bastard, and anybody with an eye would know."

"Is this his work?"

Elsa glanced at the photo again. "No. It's good, real good, but it's not over the edge into great. This one?" Elsa tapped a finger on her shoulder to indicate the photographer behind her. "She's good. Very competent. Gets the shot, produces the look the client's after. Straight commercial stuff. Hastings can do this blindfolded. But she'd never be able to do his artwork. Maybe you have to be crazy to cross that line. He qualifies."

"He attacked you."

She sighed, shuffled her feet. "Okay, not exactly. I didn't move fast enough when he was in the zone. Didn't anticipate, and yeah, anticipation's part of my job. He yelled, I yelled back. I got a temper, too. He threw the bottle, and okay, so he didn't actually throw it at me. He just winged it through the window. Then he says how I'm paying for it, and starts hurling insults. I walked out, didn't go back. Lucia sent me my pay, in full. She keeps things sane around there. As much as possible."

Eve detoured back to Portography to pigeonhole Lucia.

"I won't say a bad word about Hastings. I'm sure you'll find plenty who will. If he'd listened to me he'd have a lawyer and he'd be suing you for false arrest."

"He hasn't been arrested."

"All the same." She sniffed, then sat at her desk. "The man is a genius, and geniuses don't have to abide by the same rules as the rest of the world."

"Would one of those rules include murder?"

"Accusing Hastings of murder is so ridiculous I won't respond."

"He threw one of his assistants, bodily, into the elevator. Heaved a bottle at another. Threatened to pitch another out of the window. The list goes on."

Her red, red lips bowed up. "There were reasons for all of that. Artists, true artists, have temperaments."

"Okay. Putting Hastings's genius artist temper aside for the moment, what about security on his files, his records, the image discs?"

She shook her head, fluffed at her white hair. "All but nonexistent. He won't listen to me, or anyone about it. He can't remember passcodes and procedure and gets upset when he isn't able to access an image when he wants it."

"So anyone can."

"Well, they have to get up there first."

"Which narrows that down to models, clients, the revolving assistants, the staff, and employees of the retail end."

"Cleaning crew."

"Cleaning crew."

"Maintenance." She shrugged. "They're only allowed in when he's not. They make him edgy. Occasionally he allows students. They have to pay, and aren't allowed to speak."

Eve bit back a sigh. "Do you have a list of the cleaning crew, the maintenance crew, the students."

"Of course. I have a list of everyone."

Back at Central, Eve closed herself in her office. She put up a board. She hung the images of the victims, the texts Nadine had received, the lists of people she'd questioned, and had yet to question. Then she sat down, spread out her notes, and let her mind drift.

She'd re-interviewed Jackson Hooper and Diego Feliciano, and this time their stories were almost identical. Didn't know nor recognize Kenby Sulu, and had been home, alone, on the night in question.

Possible connection between Hooper and Feliciano?

Eve shook her head. She was letting her mind drift too far, she thought, and reined it back.

The killer wanted something from the victims. Their light. Hastings had said he wouldn't put that light out. Was the killer putting it out, or was he transferring it? Into himself.

For what purpose?

Glory, he wanted glory, acknowledgment, acclaim. But that wasn't all.

The victims had been chosen for specific reasons. Youth, vitality, innocence. Both had been bright, of mind, of spirit, of face.

Bright lights.

The killer used the data club to transmit. So he frequented the club. He knew how it worked, knew it drew the college crowd.

Was he one of them, or did he want to be?

Couldn't afford college? Kicked out of college? Taught at college instead of being acknowledged as an artist?

He knew imaging, was skilled in the art. Her mind wandered to Leeanne Browning. Alibied, but alibis could be manufactured.

She added to her notes: Possible connection between Browning and/or Brightstar and Hastings?

Using the computer, she called up a city map, ordered pertinent locations highlighted. The two crime scenes, the two universities, Portography, the parking port, Browning's apartment, Diego's apartment, the club, and the two victims' residences, the two dump sites.

Both victims had been dumped near their place of employment. Why was that?

Where was his place of employment? she wondered. Where did he do his work? This very personal, very important work.

Near the club? He's mobile, but why go too far afield to troll, to hunt, to observe, then to transmit?

Both victims had recognized their killer. She was sure of that. Casual acquaintance, good friend, fellow student, teacher. Someone they'd seen before. Yet they hadn't run in the same circles, known the same people.

Except for Hastings, and the club.

She did a search for imaging studios within a five-block radius of the data club. Tried a cross match with the registered owners to her lists from Lucia and came up goose egg.

She'd have Peabody get an employee list, then crosscheck that.

Rubbing absently at the headache dead center of her forehead, she contacted Peabody in the bull pen. "Get me something from vending, will you? I don't have any credits on me and those damn machines won't take my code anymore."

"It's because you kick them."

"Just get me a damn sandwich."

"Dallas, you're off shift five minutes ago."

"Don't make me come out there," Eve warned and clicked off.

She worked through the change of shift, hearing the rise and fall of it through her open door. She ate at her desk, washing the lousy sandwich down with superior coffee.

She filed her updated report, harassed the lab, left two snippy messages for Morris, then turned to stare at her board again.

He'd already picked the next, and unless she found the connection, the right connection, some other bright light would be extinguished.

She gathered her things and prepared to accomplish at least one of the items on her to-do list. She'd go home and kick Roarke's ass.

The prospect didn't put a spring in her step, but she'd stalled long enough. But as she approached the elevator, she spotted Dr. Mira coming toward her.

"I thought I'd catch you."

"Just," Eve said. "We can go back to my office."

"No, no, you're on your way home, I'd like to do the same. Why don't we walk and talk. Do you mind taking the glides?"

"That's fine. You're done with Hastings?"

"Yes. Fascinating man."

Mira smiled as they stepped on one of the down glides. She managed to look fresh as morning even after a long day. Her suit was cream colored and spotless. Eve couldn't figure out how anyone could wear something that close to white in New York, particularly in or around Central and not have it go gray in an hour. Her hair, the tone and texture of rich sable, was fluffed around her face. She wore pearls.

One of the top profilers in the country, and she wore pearls to work, Eve thought. And smelled faintly, freshly floral-like the tea she liked to drink.

She stepped off the first glide in her neat, feminine pumps, then stepped on the next.

"Irascible," Mira continued. "Contentious, irritable, amusing. And brutally honest."

"So he's clear?"

"In my opinion-and I believe in yours before you sent him to me."

"I figure he might throw somebody off a roof in a tantrum, but he's not the type to sit down and plan cold-bloodedly, or execute in the same fashion."

"No, he's not. He could use some anger therapy, but it would probably be lost on him. I rather like him."

"So do I."

"Your killer has Hastings's arrogance, or its kin, but lacks his confidence, and his spontaneity. And while Hastings is more than content to be alone, the killer is lonely. He needs his images as much for companionship as for art."

"The people in them become his companions?"

"In a way. He's absorbing them-their youth and energy, and by the absorption who they are, who they know. Their friends, their families. He's taking their life force."

"He doesn't abuse them. It's all very neat and tidy. There's no rage. Because they're him or about to become him."

"Very good."

"He preserves their image, showing them at their best. Pretties them up for the camera, poses them in some flattering way. Part of that's the art, right-look what I can do, look how talented I am. But part of it's vanity. We're one now, and I want to look good."

"Interesting. Yes, very possibly. This is a complicated person, and one who sincerely believes he has a right to do what he's doing. Perhaps even an obligation. But he doesn't do it selflessly. It's not a holy mission. He wants credit. He may have been disappointed in his art in the past, feels as though his talent's been overlooked. By Hastings, or someone who preferred Hastings over him. If, as seems logical, he took the initial images of the victims from Hastings records, part of the motivation might be to outdo his competition."

"Or his mentor."

Mira raised her eyebrows as they walked into the garage. "I don't see Hastings as a mentor."

"Neither would he, but the killer might."

"I'll spend some more time on this if you like. I'd need your updated reports."

"I'll make sure you get them. I appreciate it." To buy more time, she walked Mira to her car. "Dr. Mira, you've been married a long time."

They'd come a long way together, Mira thought, for Eve to bring up something personal without prompting. "Yes, I have. Thirty-two years next month."

"Thirty-two. Years."

Mira laughed. "Longer than you've been alive."

"I guess it has its ups and downs."

"It does. Marriage isn't for the weak or the lazy. It's work, and it should be. What would be the point otherwise?"

"I don't mind work." At least, Eve thought, as she tucked her hands in her pockets, when she knew what she was doing. "People back away from each other sometimes, don't they? It doesn't mean they feel any different, just that they need a step back."

"There are times we need to be by ourselves, or work something out on our own, certainly. In any partnership, the individuals require personal time and space."

"Yeah. That makes sense."

"Eve, is something wrong with Roarke?"

"I don't know." It spilled out before she could bite it back. "I'm being stupid, that's all. He wasn't acting like himself one night, and I'm blowing it into a BFD. But, damn it, I know how he looks at me, I know the tones of his voice, his body language. And it was off. It was all off. So he was having a bad day, why can't I let it go at that?"

"Because you love him, so you worry about him."

"We didn't leave things on an easy level last night, then he never came to bed. I got called in early this morning, left him a memo. But I haven't heard from him all day. He all but threw me out of his office last night, and I haven't heard from him all day. That's not right. That's not Roarke."

"And you didn't contact him at all today?"

"No. Damn it, it was his turn."

"Agreed," Mira said with a warm smile. "And you gave him his personal time and space." She leaned forward, surprised Eve with a light kiss to the cheek. "Now go home and pry it out of him. You'll both feel better."

"Okay. Right. Thanks. I feel stupid."

"No, sweetheart. You feel married."