The Growing

Quietly, Kirsten makes up the couch with a pair of blankets she finds in cabinet and turns out the lights. Asi manages to wedge himself onto the cushions beside her, his great head lowered onto his paws. Kirsten stares past him into the dying embers on the hearth, watching as their red glow fades and turns finally to ash. She has the uncomfortable feeling that something vital is hovering just beyond her understanding. She cannot come at it through reason, try as she will. Over and over she turns the question in her mind, looking for even the slightest intellectual purchase. But the answer lies elsewhere, and she does not know how to approach it.

When only ashes remain on the hearth, she sleeps.

CHAPTER NINE

DAWN SLOWLY MAKES itself visible through the slats of the blinds as she sits, huddled on the lumpy couch, a cup of slowly chilling coffee in her hands and a threadbare military blanket draped over her shoulders. That the coffee is real, and therefore quite welcome, is of little comfort to her this morning—a morning on which she can count upon the fingers of one hand how many hours of sleep she has gotten, and still have enough fingers left to bowl a strike in any smoky ten-pin alley in town.

Sensitive as always to her moods, Asi whines and lifts his massive head from where it is resting in her lap. His head cocks, his eyes giving forth a look so human and so caring that, for a moment, her chest tightens and her eyes sting. But only for a moment.

Smiling at him to show she is fine, she once again lapses into thoughts that have chased each other round and round like a dog its tail for the better part of eight hours. Thoughts that on the face of things make no sense. Just random snatches of words and images glued together without any order or logic that her scientist’s mind can comprehend, rather like a ransom note made from letters and pictures cut out of ladies’ magazines.

“God, I could use a cigarette right about now.” Her voice, hoarse from exhaustion, nonetheless conveys her sentiment perfectly. Though shut of the addiction for five years now, sometimes the urges come at her like a mugger waiting in a blind alley, and right now the mugger is twelve feet tall. And fanged.

She sits quietly, waiting for it to pass, then wonders why she even bothers fighting it. It’s not as if cigarettes cost anything anymore, and after spending the better part of the last one hundred hours literally staring death in the face, the dangers of smoking have lost, so to speak, their power to scare.

She snorts softly. “Sure. I’ll just go into the commissary or whatever they’re calling it these days, grab a few cartons and smoke myself sick.” Raising her coffee cup, she toasts the morning. “Happy days, huh?”

With a small whine, and a louder groan, Asi heaves himself up off the floor and trots, tail wagging wildly, over to the door of the bedroom. A moment later, the door opens and Koda and Maggie, dressed identically in pristine white jumpsuits, step into the living-room, their shoulders brushing casually together. For reasons she can’t fathom, the sight tugs at Kirsten in a most unpleasant way, and she finds she can breathe more easily only when the Colonel has absented herself from the tableau, moving on into the kitchen while the Lakota woman stays behind to scratch a positively ecstatic Azimov behind the ears.

Kirsten takes in the scene as the noises her dog is emitting sound like something heard on a rent-by-the-hour motel’s coin operated television set, and she can’t help but watch wonderingly as graceful, long fingers magically hit every single perfect spot on her normally standoffish canine companion.

As if sensing the rapt attention, Koda looks up from her pleasurable task, and their eyes meet and lock. Kirsten feels the fiery heat of the blush that crawls upward across her skin; embarrassed at being caught staring, embarrassed at the noises her dog is making, embarrassed, most of all, by her attitude of the night before.

It suddenly seems okay, somehow, despite the embarrassment and, if she goes deep enough within to admit it, her remorse. Things seem…possible. As if the chasm between them could be healed as simply as an “I’m sorry” or a “good morning”.

Part of her knows this is true, knows it would take no more than that, and her mouth opens, more ready to say those simple words than she’s ever been ready for anything in her life.

Maggie returns, two cups of steaming coffee in her hands, and the moment is broken like a child’s brightly colored party balloon that drifts too close to the fireplace.

Kirsten turns resentful eyes to the intruder and is met with a friendly smile and a salute from a coffee mug. “Thanks for brewing this.”

“No problem,” Kirsten manages before levering herself up off the couch and giving them the most civil nod she can. “If you don’t mind, now that you’re both up, I’ll shower and get ready for my day.”

“Not at all,” Maggie replies, completely unfazed by Kirsten’s grumpiness. “We won’t be here when you get out. We’re taking down a prison up north.” Her smile turns conspiratorial. “If we’re lucky, we’ll bring back a working droid for you.”

“That’s a very dangerous thing to do.”

Maggie actually laughs at this, though what she could possibly find funny in the situation is something Kristen can’t begin to fathom. “Of course it is. That’s why I’m a soldier.” With a wink and another coffee-cup salute, the young Air Force colonel turns away, leaving Kirsten flat-footed and speechless in the middle of the living room.

Asimov simply whines, tosses himself on the floor, and covers his snout with his massive paws.

2

The compound huddles low against the snow, its walls seeming to rise out of the drifts piled against them in a seamless extension of the frozen earth. The central building appears to be both Administration and cell block, its colorless concrete block façade broken only by ranks of steel louvers over the high, narrow windows. None of them is open to the fading light. Even those closest to the heavy metal door, which must have been offices or reception rooms for the Corrections Corporation of the Northwest personnel, are shuttered tightly. Coil upon coil of concertina wire tops the eight-foot walls which surround exercise yard and parking lots. Here and there the low sun strikes off its razor edges; the barbs take the light in bursts of flame. The frigid air lies over the jail and its snowy matrix like glass, trapping the evening for all time in its clarity: the rising dark in the east, bands of gold and crimson fading in the west; the land and the double handful of humans crouched in a streambed long since gone to ice to the south.

“How many?” Allen’s voice is no more than a raspy whisper. The heat of their bodies will give them away well before they become audible to sensors at the jail, but habit dies hard.

“Metalheads?” Andrews consults his readouts again. “Colonel, I’m getting only a dozen for sure. There are a couple blips that might be double—say fifteen, max.”

Koda frowns. “That’s not many for a jail this size. There were more than that at Mandan—twice that. Will that thing pick them up if they’re deactivated or on standby?”

“It should, Ma’am.” Andrews points to the LED display, which is broken down into a series of arcane number strings. “It reads off their metal mass, specifically the titanium. It doesn’t pick up their transmissions.”

Allen gives a wry grin. “Yeah. The first models kept picking up filing cabinets and calling them military droids. Goddam near got a couple Marine units fried the first time we used them in Baghdad. The troops steered clear of the “droids” and ran smack into the Republican Guard instead.”

“Okay,” says Koda. With a frozen sycamore twig, she rapidly sketches out the plan of the jail, courtesy of an overflight by one of the gunships that await their signal a couple miles off. “Show us where they are.”

Glancing back and forth between his readout and the diagram, Andrews positions their enemies. Ten in the building, apparently stationed at doors and along corridors; two in what may be the kitchen. The others seem to be a moving patrol, working the perimeter in mathematically precise rounds at equally precise intervals. “With a bit of luck,” he says, “these will be less sophisticated models than we encountered at Minot, with fewer built-in logic branches and more stereotyped responses. No boidroids, no ‘creative’ types with psuedo-HumIntel capacities.”

Allen nods. “Johnson.”

“Ma’am!”

“You’re smallest; there’s a chance you’ll read as a large dog or a deer on their heat sensors. When I give the word, and the patrols are here and here”—Allen jabs the diagram with her white-gloved finger—“you scramble out there and set the charge on the east gate. Then get back around to the south side. Give yourself thirty seconds. Andrews.”

“Colonel?”

”Give me your droid reader. Rivers, you take him and half a dozen others and get through that gate when it blows. Make lots of noise; you’re partly a diversion. While they’re busy with you, I’ll take the rest in through the front. Meet in the middle. Everybody got it?”

Koda nods, and with Andrews and the rest of her troops behind her, begins to move upstream—what would be upstream if the water were not frozen blue to the bottom—under the shelter of the bank. Crawling on hands and knees where the overhang is high enough, humping seal-fashion on knees and elbows where it is not, she breaks trail through the snow for them. White snow, white Arctic camo from head to foot, white breath hovering in clouds about them. White faces, even her own, smeared with grease paint where the ski mask does not cover the skin around the eyes.

White is the color of the North, and in the North there is death. A shiver passes over her that has nothing to do with the temperature. As she looks up, the shadow of an owl passes overhead, great wings spread on the silent air. Without thought, Koda brings a hand to her medicine pouch where it hangs about her neck. Lelah sica. The white owl, Hinhan ska, is an unpropitious sign. Ina Maka, she breathes silently, Mother of us all. Do not let me lead my people into death.

Behind her she hears a muffled curse as someone catches his foot in a root of one of the centuries-old sycamores that line the stream. Someone else sets too much weight on a branch invisible beneath the snow, and she turns to see Larke pitch forward abruptly as it snaps, only to be caught by his belt by the man behind him. No harm done. Koda slows as the creek leads them in a wide curve around to the east of the compound, the light growing dimmer here where night already spreads across the horizon. Peering above the stream bank, she can just see the outline of the wide metal gates that control vehicular traffic in and out of the prison. For several meters in front of it, shallower snow lies in a wide, straight band that must mark the driveway.

Andrews nods as she points to it, and gives a thumbs up. “Gotcha.”

“Straight in when—“ Koda breaks off as the com unit at her waist vibrates and buzzes softly. She thumbs it on. “Rivers.”

“Allen. It’s time.” The unit clicks off abruptly.

“. . . the time comes,” Koda continues. “Johnson! Now!”

The woman flings herself up over the stream bank in a gymnast’s clean vault and is on her feet and streaking for the gate before Koda finishes the order. She covers the hundred yards in seconds, plants the charge and sprints for the corner. Thirty interminable seconds later, the plasique goes off with a whump and the clang of metal against metal as the lock blows away from the heavy steel panels.

“Let’s go!”

Koda swings up out of the gully and is running full out even as the echoes of the explosion reverberate against the high walls of the compound. Andrews is beside her, the rest in a tight knot behind. They crash into the gate and keep going. The panels swing back to reveal an empty yard perhaps fifty meters square, the snow stained with grey sludge along the mathematically straight path the sentry droid has followed as it makes its circuit of the wall. A number of trucks are pulled up beneath a carport to one side of the central building, all white except for the CCNW logo of Justice’s scales enclosed within a wreath of laurel leaves. The building itself is white and featureless, its blankness relieved only by the steel-blind windows, its single story sprawling off from its original axis in half a dozen ill-proportioned wings.

The loading bay is at the end of the carport, close but difficult because of its double-door airlock construction. Koda opts for the kitchen entrance instead, cutting across the open space from gate to carport, then hugging the cell-block wall as she leads her unit through the deepening shadows around one wing and across a second yard to another.

”What the fuck?” Andrews mutters. “Where the hell are they?”

“There,” says Koda as they turn the corner of the second wing.

Six droids stand in a perfectly straight line across the service entrance to the prison. All are armed with Uzis and M-16’s.

Bracing her rifle at waist level, Koda stitches a row of holes neatly as her mother’s sewing machine across the middle of one of the droids. It drops its weapon, and Koda raises her own her shoulder to fire straight into its optics, large and luminous in the half-light. Her squad fires beside her in a storm of gunfire. She hears a scream from somewhere to the right but cannot take her attention off her targets long enough to see who is hit. “Grenades!” she yells, plucking one from her belt, pitching forward and rolling in the snow, coming back up with a perfect overhand lob into the middle of the four droids still standing. It explodes like lightning struck too near, but the smell is of gunpowder and hot metal, not the clean ozone of the walking thunder. Two more grenades arc down upon the droids, then two more again, and the step before the kitchen door stands clear except for shrapnel and shards of Lexan, fragments of printed circuits and twisted copper wire scattered over the snow.

“Larke’s hit, Ma’am.”

Andrews, his own sleeve streaked crimson, kneels beside the Corporal where he lies in the in the open yard, a wide scarlet stain seeping through the snow beneath him like the bloom of some exotic flower. The layers of his battle dress are soaked with it. Larke is conscious, but his lips are ashen with pain as much as cold. His wry smile, isolated by the bone-white of his ski mask, seems to Koda the macabre grinning of a skull. “Just a flesh wound, Ma’am.”

Unbidden, her hand goes again to the medicine pouch about her neck, but she says crisply, “Reese. Martinez. Get him up the steps and into the building. As they move to comply, assisted rather too eagerly by the Lieutenant, she adds, “Andrews.”

“It’s only a graze, Ma’am. Just took off a bit of skin.” He pulls down the frayed edge of the tear in his jacket to expose a long, narrow scrape. “Really.”

“You’ll live,” Koda concedes, stepping over the jagged fragments of metal and plastic that are all that remain of their enemies. The entrance, as expected, leads into a large institutional kitchen. Pots and pans hover just above their heads, suspended from the ceiling by stainless steel hooks. Choppers and graters occupy the countertops, together with piles of bowls and spoons. On the stove a huge tub of rice boils energetically, foam overflowing its sides to sizzle on the burner beneath. Its smell recalls her grandmother’s washdays, the stiffly starched blouses and shirts into which she and her brothers had been buttoned every school day of every year until their high school graduations. “Because you must always look better and do better.” Prison uniforms, she and Phoenix had called them.

Reese and Martinez set Larke down on a large central worktable, with his pack under the calf of his injured leg and a stack of clean dishtowels to hand. Quickly but gently, Koda cuts the fabric away from the wound, which lies about a hand’s breadth down from the groin. She folds a pair of towels into a compress and slips it under the exit wound. From the open door she can hear the muffled rattle of gunfire and men shouting. “Andrews,” she says, “Take everyone but Martinez and start moving up the central hall. I’ll be right behind you.”

To Larke she says, “You know what ‘flesh wound’ really means? Severed tendons. Ripped muscle. Shredded veins. Still, you got off fairly light.” She slaps another compress into place on the entry wound and bears down hard on the torn flesh.

Larke gasps, turning even paler. “Oh Lord, Ma’am. You wouldn’t take advantage of a guy when he’s down, would you?”

The attempt at a joke is the best sign from the wounded man yet. “Nope,” says Koda, maintaining pressure with one hand and swinging her rifle back down to the ready with the other. “Martinez is going to do that.” As Martinez’ hand replaces hers, she says, “Press down as hard as you can. Change towels when they get soaked. We’ll be back for you.”

“Got it, Ma’am.”

Koda sprints down the branching hallway, following the increasingly sharp reports of automatic weapons, their own arms and the droids’. As she runs, she can hear the beginning of resistance from the cells she passes, prisoners shouting encouragement to their jailers’ unseen enemies, the sparse metal furniture of the prison banging against walls and doors. Somewhere up ahead the shouting becomes a chant, reverberating rhythmically in the narrow passageways, taking strength from the beat of steel on steel within the cells.

Kill the droids! Kill the droids! Kill the droids!

As she turns a sharp corner, Koda almost slams into Andrews, skews off to the right and slides in beside him and the rest of the unit where they hunker behind a improvised barricade of overturned desks. The space before them is an open intersection where three hallways meet. Two droids, their heads blown to fragments, lie frozen in a bizarre mechanical rigor mortis, joints still bent at elbow and knee. Another form sprawls between them, an enormous charred red hole where its right ribs should be and no arm or shoulder at all. The blood beneath it has already begun to congeal with the cold.

“Johnson?”

“Yeah. She went down just as we got here. The droids are over there—“ Andrews points toward a corridor to the right. “—and they’ve got a fifty-caliber. The Colonel and the rest are around the corner to our left. They’ve got a couple injured, but she doesn’t want to call in the gunships yet. We’d lose too many civilians if we did.”

“Damn. We need to get behind them.”

“There’s another entrance over on the other side; we might be able to get through there.”

Koda shakes her head. “That would take too long. There’s a quicker way.”

“Yeah?”

Koda points upward, toward the acoustic ceiling tiles. “You’re not claustrophobic, are you?”

Andrews’ bright blue eyes take on a sparkle in the midst of his featureless ski mask. “No, Ma’am! Lead the way.”

Koda drags a chair over to a spot beneath a light fixture, climbs up onto it and begins tossing down the large tiles. Wiring runs thickly tangled under the first two; the darkness behind the third glints with the lights’ reflection off the aluminum sheathing of the HVAC ducts. The fourth gives access to the crawl space. “Paydirt,” she observes, turns on her flashlight and pulls herself up and into ceiling and its snarl of pipes and wires.

The going is incredibly slow. The prison is carefully built, and the wire ends she can see are all properly capped. One exception, though, will fry them and the mission with them. Koda squirms forward on her elbows, avoiding as much of the brightly colored strands as she can, lifting her weight gingerly over pipes they cannot afford to break. Behind her she half senses, half hears, her soldiers, some of them slithering along with the ease of rattlesnakes, others with about as much finesse as a bear raiding a dumpster.

“Shhhhh, dammit.”

Reese, two behind her, tries to quiet the others. With the droid’s sensors, though, they cannot be quiet enough. Andrews knows it, too. “We need more cover, Ma’am.”

“Right,” she says. By dead reckoning, they should be over a cell facing the corridor they have just left, some distance behind their abandoned redoubt. “There should be somebody—“ she pulls off her mask and pries a tile loose“—right about—here.”

In the dim light of the cell, two startled women stare up at her. One holds the room’s only stool, battered half to splinters where she has been pounding it against the door. The other has a metal bowl in each hand, their unpalatable contents spilled dirty white along the floor. Cymbals.

“We need more noise, please,” Koda says simply. “Cover us.”

The younger woman of the two, perhaps eighteen, loses her frozen expression and bares more teeth than Koda has seen outside an alligator’s mouth. “You got it!”

Koda nods her thanks, and as they push themselves again along the narrow crawlway, the redoubled clamor becomes a vibration in the walls of the prison itself, a low, deep drumming of voices and metal shifting into a simpler, more primal rhythm. Cold creeps along Koda’s spine as the chant pounds through her blood, an echo of war drums pounding down the centuries.

Kill! Kill! Kill! Kill!

She hears her men behind her take it up in breathy whispers, keeping with the women’s voices as the mantra spreads, intersecting at first with the earlier chant and running counterpoint to it, then overwhelming the more complicated rhythm with its purer line.

Kill! Kill! Kill! Kill!

They have traveled perhaps fifteen meters in little more than half an hour. It feels like an eternity, though. Koda does not panic in elevators, but nor does she have any love of spaces that fit her like underwear. Motioning Andrews and the others to wait, she creeps forward alone for another few meters, pausing every couple of feet to listen with an ear pressed hard against the ceiling struts. Once she lifts a tile a centimeter or so and sees only a darkened cell with a dim form doubled up almost into fetal position; once she freezes like a rabbit who sees an eagle soar above its meadow, straining to pick up the oddly musical electronic tones or voder-generated voices by which the droids communicate with each other. In the end it is the shockingly loud burst of fire from the large-calibre machine gun almost directly beneath her that charts her location for her, and she waves her troops forward.

They drop from the ceiling directly behind the droids, howling. The sound that rips from Koda’s throat is none that she has never made before in her flesh, a full-throated baying that speaks of the spoor tracked to its source, of blood and death. Andrews, plummeting down beside her, screams like a panther as he raises his M-16 and presses the trigger down onto full automatic, spraying destruction across the brilliant metal surfaces of the droids, the dull green walls, the the light fixtures that shatter and fall in minute glass shards like snow. “The gun!” Koda bellows as she braces her own rifle against her hip, raining armor-piercing rounds upon the nightmare things before her. “Get the machine gun, dammit!”

But one of the droids, quicker than the rest, is already turning the heavy weapon to face them. Spinning on her heel, Koda turns her fire on the M-50 and its operator. Andrews takes down the droid sliding into position to reinforce the gunner, the fall of its metal body indistinguishable from the cacophony of battle. Reese, though, darts from behind and charges the machine gun head-on, falling over the barrel and toppling it just as its fire rips through him, spattering blood and gouts of flesh over the walls, the ceiling, his comrades behind him. Andrew screams again and empties his magazine into the droid gunner. Hardly audible through the gunfire and the incessant chanting of the prisoners, Koda hears the clatter of booted feet stampeding across the concrete floor. Allen’s troops, the Colonel herself in the lead and snarling like the bobcat emblazoned on her sleeve, come swarming over the barricade, pinning the droids between the two forces.

It is over, then, in a matter of seconds. As Koda raises her weapon to destroy the last of them, Allen yells, “No, take it!” and swings the butt of her M-16 to send its Uzi skidding down the passageway, out of reach.

Andrews makes a flying tackle that topples the droid, followed by Koda. It bucks under them, its mechanical limbs flailing to throw them off with a strength that is literally inhuman. To Koda it is like nothing so much as her one attempt to ride her grandfather’s bull on a summer day when she was ten. Now as then, she can feel her spine rattle with the frantic twisting beneath her, now as then she can only hold on and try to keep astride. Then two more soldiers are sitting across its legs, keeping them still by their sheer weight, and yet another pair pins its arms.

“Good work, guys,” Allen commends them, panting. She has both hands clamped down on the thing’s wrist, a knee jammed into its elbow. “Somebody get a hand in my pack and take out the shackles. We’re going to take Dr. King a little present.”

Koda, just behind her, fumbles with the zipper and then draws out a length of bright titanium chain attached to a metal belt and four manacles, two each for hands and ankles. The droid fights frantically to break free, striking Ramirez in the jaw with its foot, almost throwing Andrews and Koda astride its back. Limb by limb, though, they struggle to immobilize it, sliding the belt under its waist to fasten in back, bending back the arms to chain each hand to its opposite foot. Just as the last shackle snaps shut, the droid gives up the struggle and lies still.

It is not disabled, certainly not destroyed. Its logic chains have simply returned a null set upon evaluating the possible success of further resistance.

Koda pushes herself up from the steel caracass, suddenly weary beyond telling, and makes her way toward Reese, still slumped across the disabled machine gun. She knows there is no hope of life, yet she kneels and turns him over onto his back gently, not to hurt him further. His blood smears the white of her winter camo, already stained from tending Larke’s wounds. Marked, too, by Reese’s own torn flesh. She feels a void open inside her, black and deep as space beyond the stars. Her fingers clench in the folds of Reese’s clothing, almost as if somehow she could hold him back from this last journey. But his eyes are fixed and vacant. The blood trickling from his mouth has already begun to congeal.

Maggie kneels softly beside her, setting a hand on her shoulder. “It’s tough, leading men to their deaths. Especially the first one.”

Almost as if in a dream, Koda turns toward the other woman. The warrior of only minutes past is gone. Allen’s eyes are huge and sad in the brown face of a grieving Madonna, the face almost of Ina Maka herself. As if from a distance, Koda hears her own voice. “Does it get any easier? Ever?”

“No.” Maggie shakes her head slightly. “It never does.”

A moment of silence stretches out, then Allen squeezes her shoulder gently and asks, “Larke? Martinez?”

“Larke’s hurt. Martinez is taking care of him in the kitchen.”

“Good,” she says. “Very good. Let’s start clearing this place out.”

The chanting of the prisoners has fallen silent. Laying Reese gently down, Koda gets to her feet beside Maggie. “I’ll go check on Larke.”

The Colonel nods. “Make it quick. I’m going to need you when we get these cells open.” Then, more loudly, “Anybody got any idea where they keep the freaking keys?”

Koda sprints down the corridor toward the kitchen. She finds Larke pale as his camouflage but conscious and not in shock. On the floor at Martinez’ feet is a small mountain of bloody and discarded dishtowels. Koda is pleased, though, to see that the compress that he has bound tightly into place is not soaked through. When she lifts it up to check the wound, she can see that the blood that still oozes slowly from the wound is dark, with no evidence of arterial spurting. Larke’s pulse is shallow and faster than she would like, but steady nonetheless. “So how am I doin’ Doc?” he asks with a faint attempt at a smile. “Gonna live?”

Koda tightens the cotton strips that hold the compress in place. “Going to live; going to walk. And you’re going to get to keep everything you were born with, which is more than I can say for a lot of my male patients.”

Martinez starts to snicker, but apparently thinks better of it. “Hey, buddy.” Larke lifts his head slightly to stare at his fellow trooper with mock indignation. “You just remember it could be you lying here next time.” He makes a snipping motion with two fingers of his right hand.

Koda flashes a grin at the Pfc.. “He been giving you a hard time, Martinez?”

“Ma’am, he’s a rotten patient. If he hadn’t made himself dizzy just trying to sit up, he’d have taken off after you and Andrews.”

“Oh, yeah? Ma’am, Leo was gonna help me get up. He wanted to go himself. Told him to go on, but he wouldn’t.”

“And good for you that he didn’t.” She turns to Martinez. “We’re starting to mop up. He stays here.” Koda jabs a long finger at Larke, then at Martinez. “You stay with him and keep an eye on the bleeding. If anything changes, come get me. Otherwise just wait here till we call the choppers in. We’ll take him out to the Medevac on a litter.”

She turns to go, but Martinez touches her sleeve lightly. “”Ma’am . . .?”

Koda can see the question in his hazel eyes, pleading with her. She does not want to answer it, but she says, “We lost two. Johnson and Reese. Otherwise, Larke here’s the worst hurt.”

“The droids?”

“All destroyed but one. We’re taking it back to Dr. King to see if she can get any information out of it.”

Martinez’ fists clench once and unclench. “You know, Ma’am, sometimes I wish they were human. It just doesn’t seem fair that they can’t feel anything.”

“I know,” she says quietly. Images of the last week tumble through her mind: the dead Hurley boys; the women from the Mandan jail; the quiet desperation she has sensed in Kirsten King. “We’ll find out who’s behind this. And they will pay.”

“I wanna help collect Ma’am.” Larke adds, just as quietly, and Martinez nods.

“Me, too.”

“There will come a time, I promise you.” Then, more sharply, “For now — Stay. Put. It’ll be maybe half an hour.”

As Koda sprints once again for the central hub of the prison, a speaker over her head crackles a couple times, then sputters fully to life. “It’s on? Yeah, that’s got it. Good.”

Then Allen’s voice comes through, clear and strong. “Attention. Attention, please. This is Colonel Margaret Allen, United States Air Force. A combined services tactical force has destroyed the prison’s android guard contingent and is now in command of this facility. Evacuation of prisoners will begin immediately on a corridor by corridor basis. If you have immediate medical needs, please inform the soldiers who will escort you from your cells to the dining area to await pickup.”

The microphone clicks off, and there is perhaps a second’s silence. Then the prison erupts in sound once again. This time, though, the roar is a cheer, starting deep and sliding up the scale until it pierces the air with the sharpness of a hawk’s cry, the scream of a hunting eagle.

Koda finds the Colonel in what appears to be the central guard station. The intercom equipment occupies one long counter, together with a couple computers and a bank of monitor screens that placidly record the undisturbed snow in most of the prison yards. It is still, strangely, only twilight. The entire operation has taken perhaps an hour. Allen looks up as Koda enters. “Larke?”

“Holding on.” she reports. “Tried to get up, with Martinez aiding and abetting. He’ll be fine, once we get him into a real hospital.”

“Good. The locks here are electronic, and while we don’t have the codes, we do have the emergency switches. I want you to be there as each group comes out, in case we’ve got anything medically urgent on our hands.” Allen pauses a moment, and her voice softens. “You did pretty damn good today, you know. You’re a natural at this.”

“I know,” Koda answers in a voice so low that it is almost a whisper. “It’s something that’s just been—there—all my life. Like a memory, almost.”

“We’ll talk when we get back to base and can have a little quiet,” Allen mumurs. “Meantime—“ Her voice sharpens, and she is once again a line officer. “Andrews. Take a couple more troops and accompany Dr. Rivers to A Wing. Give her a hand with anything medical if she needs it. I’m going to go ahead and call that other, overly creative, Rivers of ours to have those birds here in another half hour.”

Koda extracts her emergency kit from her pack and follows Andrews, Ramirez and Hanson as they make their way down Corridor A. The women who come streaming out into the hallway here have little about them of the beaten and terrified prisoners of the Mandan jail. It may be only that they have known for an hour that their rescue is underway and have done what they can both to defy the enemy and to put heart into the soldiers facing the actual battle. One woman, her skin pink with excitement, grabs Andrews by the arms and kisses him soundly, then proceeds to reward Ramirez, Hanson and Koda with equal enthusiasm. When a second makes for the startled Lieutenant, he fends her off gently but firmly as he shepherds her toward the dining room with the rest. “Ma’am, please, time is limited. We appreciate your—ahm, we appreciate your appreciation—but we need to get you the hell out of this place. If you’ll pardon my language. Uh, Ma’am.”

Koda is pleased to see that the women are, superficially, largely uninjured. Most have bruises, some yellow-green with age, others newly crimson. One prisoner has a long but shallow cut down her forearm, and Koda takes a moment to wrap it in Kurlix to await stitching when they reach base. “It’s mah own fault, Doctah,” she says, in a delicate voice that sounds of the Georgia peaches and cream that match her red-blonde hair and ivory skin. “Ah broke the leg off mah stool bangin’ it against the doah. Ah wish it had been ovah one of those bastahdly thing’s heahds.”

Despite herself, a thread of amusement winds its way through Koda’s anger. Move over, Miz Scarlett. Like her own people, the South has always bred its women tough. It is a breeding that will help this woman survive, as it has kept the winan Lakota alive through a century and a half of attempted extermination.

She leaves the latter-day Scarlett with the Colonel and the rest of the troop in the cafeteria, where the soldiers have located clean cups and are passing out water and juice. Allen makes the rounds, speaking with each woman in turn, reassuring, comforting those with haunted eyes, answering what questions she can. One woman, pale and agitated, asks over and over again, “Where are the children? What have they done with the children?”

Koda pauses on her way out to evacuate D Wing as Allen answers, “Ma’am, I’m sorry. As far as we can tell, the droids have killed all the boys they found and kept only the girls past puberty. Were your children with you when you were taken?”

The woman is close to hyperventilating, and Koda kneels down in front of her with the Colonel, capturing her wrist to check her pulse. “Yes! Christ, why is so hard to make you understand!” She chokes for a moment, gasping for breath. “They took my kids with me! Why haven’t you found them? Where are they, damn you?” Her voice rises to a shriek. “Where are they?”

One of the other prisoners comes to sit beside her, putting her arms around the now- weeping woman. “It’s true, Colonel. Deb’s kids were with her when we were caught at the K-Mart. I haven’t seen them since that first day, though.”

“Deb?” Koda asks softly. “We’ll look for your children. We won’t leave, I promise, until we’ve found them or know for sure they’re not here. Can you tell us how old they are? Boys? Girls?”

“Two boys,” the second woman answers. “They were about four, five.”

“Right,” The Colonel rises, motioning to two of her troops who are foraging behind the serving counter. “O’Donnell! Markovic!” she shouts. “Start searching the place for kids. Not the cells, we’ll get all of those—try the garages and offices and tool sheds! Move it out! On the double!”

Koda returns to her task of evaluating the women as they exit the cells. On Wing D, they find a woman together with her young daughter, thirteen at most. The woman’s clothes have obviously not seen the inside of a washing machine in days, perhaps more, but they are intact—no rips, no bloodstains, and her arms and face are equally unmarked. Unlike the others, they seem almost diffident, with none of the lava-hot undercurrent of anger Koda has sensed running thick and murderous below the bravado of the rest of the prisoners. Fear and bewilderment, yes, but no hatred. “I’m Millie Buxton,” the woman introduces herself hesitantly . “My husband is here, too. Have you found him, yet?”

“They never touched you, did they,” a dark-haired woman sneers in passing, before Koda can answer. “Bitch! ‘Droid lover!”

Andrews blocks the speaker as she moves to spit at the other woman and hustles her along the hallway. Koda says slowly, “No, we haven’t. Was he an employee?”

“A prisoner. Erin and I were visiting when—when—it happened.”

“And you haven’t been harmed?”

“No. Not—I know what she meant, you see. I’ve heard when—“ Millie glances back at her daughter—“things happened to the other women. But they left us alone. I don’t know why. I’m just glad because—because of Erin, you see.”

Koda does not see, not quite, but an idea has begun to form. “We’ll find your husband if he’s here, Ms. Buxton.” And to Andrews, more quietly, as the woman falls into step with the rest, “That last wing’s been pretty near silent. All along.”

Andrews nods. “Gotcha. We’ll pick up a couple more guys before we go over there. That’s where we dropped down, isn’t it?”

“That’s where I saw what I’m pretty sure was a man, one time when I lifted up a tile to see where we were. We’d better go cell by cell, there, not spring them all at once.”

“Better see how the Colonel wants to handle them. I’m all for leaving them to starve, but she may have other ideas.”

In the end, there are four. Three are much like their counterparts from Mandan, foul-mouthed and full of bluster. The fourth, though, will not answer them when his cell is opened, remaining curled tightly on top of the blanket with his knees drawn up to his chest. Only the rise and fall of his ribs shows that he is still alive.

”All right,” says Andrews after the prisoner has ignored him three times. “Let’s haul him out.”

“Wait a minute.” Koda walks silently up to the bunk where the man remains unresponsive. “Mr. Buxton?”

Nothing.

“Mr Buxton?” she tries again. “Millie and Erin are worried about you. They’re safe. Whatever deal you made, the droids kept it that far.”

A sound that is not quite a sob, not quite a groan comes from the huddled form on the cot. “Just leave me, please. Or shoot me. Just don’t tell them—please, I don’t want them to know— Tell them I’m dead, please?”

Andrews reaches forward and hauls the man into a sitting position. Unkempt hair falls over a forehead pale with lack of sun and eyes that water with the dim light enters through the half-open door. “Look here, Buxton. You just might get your wish. I don’t know what the Colonel’s going to want to do with you—maybe shoot you on spot, maybe not. If I were you, I’d still want to see my wife and kid one last time. And I sure as hell know they want to see you.”

“Mr. Buxton. Millie and Erin will find out exactly what you’ve done from the other women.” Koda takes a deep breath and forces her voice to remain neutral. “Now, I don’t know whether they’ll forgive you; God knows the rest of these women won’t, and shouldn’t. But it should count for something that you bought your family’s lives. Whatever happens, you can take that with you.”

In the end, he comes with them, still half-unwillingly, his head down. Allen meets them just outside the entrance to the cafeteria and rakes the four men over with fury in her dark eyes. “Just like the other jail. Hold them in that office over there for now.” She points to a small cubicle with a desk and computer and what seem to be endless piles of invoices. “Hanson, if one of these motherfuckers turns a hair wrong, shoot him.”

Buxton raises his head and holds her withering gaze for a moment. “Ma’am, they tell me my wife and daughter are here. Whatever goes down, I’d like to know they’re safe.”

“Hostages for his performance,” Koda says quietly.

“I see.” There is what may be a minuscule softening in Allen’s expression. “We’re taking them back to Base. They’ll have a trial. Andrews, Rivers, come with me. Hanson, you sit on ’em, and sit on ’em tight. They go out on the last chopper where these women won’t have to see their lousy faces.”

“Ma’am.”

Koda and Andrews follow the Colonel back into the cafeteria. From overhead comes the steady whup-whup-whup of approaching helicopters, the noise intensifying until it becomes an unholy clatter as the great blades beat the air. From the doorway, Koda can see their noselights growing larger and larger, finally sweeping the snow before her as the pilots check for obstructions before easing in to a landing. There are at least a dozen; most are Black Hawk and Apache gunships; one is a carrier. The lead bird is another Black Hawk, a red cross painted prominently on its side. The rotor wash kicks up little eddies of snow, sending it spraying outward as the great, grasshopper-like hulks settle, wobbling, into the snow. Just as the high-pitched whine of the engines becomes an almost physical pain, it stops.

“Load up,” yells Allen, and with that the former prisoners are running for the helicopters, clambering in with the help of their crews and the rescue unit. Two corpsmen from the Medevac fetch Larke from the kitchen, Martinez trotting alongside the litter. They load the remains of Johnson and Reese, too, decently wrapped in blankets for their last journey. The captive droid goes with the living prisoners, trussed and hauled along by the manacles that bind him hand and foot.

When all the rest are loaded, Allen hops aboard the Medvac chopper, Koda inches behind her. “Get us in the air, Rivers,” she shouts as the engines once again begin tow whine. “And give me the mike.”

Manny complies, with a wave and a mouthed “Makshké” at Koda.

“Schic’shi,” she answers, too weary to do more than lift a hand as she settles her back against the hull of the chopper. She can feel the vibration of the rotors as they begin to turn, then pick up speed, in every cell of her body. She should move, she tells herself, but her muscles refuse to obey her. The Black Hawk rocks slightly on its wheels, then lifts off with its tail high and its nose low. It is the nature of this peculiar airborne beast that there is nowhere more comfortable than the spot where Koda half-slouches on the deck, unless it is one of the litters suspended on heavy straps from the opposite side of the craft, or the pilots’ seats.

Just audible above the chopper’s racket, she can hear Allen shouting into the mike.

“We’re clear! Send ‘em in!”

Koda closes her eyes as the chopper begins its ascent, banking to the north and west. When she opens them after a moment, she can see the half moon riding high, glinting off the snowscape as it falls away beneath them. The winter stars spangle the night, Orion and his dog, the Bull and the Ram. As she watches, two of the stars seem to move toward them at tremendous speed, and it is only when she sees the green and red lights winking at their wingtips that she recognizes them for what they are.

Then she sees them dip and streak in low above the prison compound they have just left, their afterburners glowing like small suns in the enveloping dark. As they pass, fire blooms behind them, reaching into the night sky in unfolding petals of flame. She nods at Maggie in acknowledgment. Her mind tells her that they have denied a tactical advantage to the enemy, but deep in her soul she knows that the fire is necessary to cleanse the evil of the place. She leans back once more against the vibrating hull of the aircraft and lets the darkness take her.

CHAPTER TEN

AS SHE STANDS off to one side with the others, holding her hair back out of her eyes as the beating rotors of the approaching helicopters stir the air into a mini hurricane, Kirsten tells herself that her reasons for being on the landing field are purely scientific. If her heartbeat is slightly faster than normal, it is because she will soon have a working android to examine. The sense of anticipation warming her from within is surely only a scientist’s eagerness when given the experimental opportunity of a lifetime.

And if she finds herself looking for a particular glossy black head that towers above the sea of mostly red and gold, and if she imagines she can see, even from this distance, a pair of piercing eyes that rival the winter sky, well, those things are inconsequential. She is a scientist, and scientists are trained to notice things.

Or so she makes herself believe.

The injured come off the helicopters first, young men and women bleeding their lives away on litters borne up by strong, resolute soldiers who run toward the bright red cross of the hospital double time. The dead follow, pristine white sheets covering their faces. Their entrance onto the base is more stately, as befits their heroic sacrifice.

Three men follow, heavily guarded and chained at the belly, ankles and wrists. Two sport an unkempt jailhouse pallor that is a perfect accompaniment to their frightened, darting eyes and heavily tattooed flesh. The third wears his shame like a shroud. Shoulders slumped, head bowed, he shuffles along staring only at the slush-covered ground beneath his feet, all but cringing at every new sound he hears. Kirsten feels a tiny shard of pity for him, though it’s obvious what he’s done and why he’s chained and guarded so very heavily.

The victims disembark next, their faces displaying a wide range of emotions, from the hollow-eyed pallor of an Auschwitz camp survivor, to a kind of quiet joy, to everything and nothing mixed in between. Those with enough awareness looked around curiously, taking in their new surroundings with a distinct lack of surprise, but with, perhaps, a burgeoning hope that their lot might, indeed, be improving.

A group of ten women, most of them former captives themselves, approach these newly freed survivors, offering soft words, soft expressions, soft touches as they lead the group toward the base hospital and the first step on the road to eventual—much hoped for—recovery.

Last to come off the choppers is a small group of heavily armed men and women, Dakota and the Colonel included, who surround what Kirsten can easily recognize as a fully functioning android bound by titanium chains and cuffs.

Watching, she finds herself biting back a smirk. They might as well have bound the thing with construction paper chains made by first graders for all even titanium will hold against the unsurpassed strength of even a single determined android. The very fact that it has allowed itself to be captured, and chained, and is making no effort to escape to fulfill its obviously prime directive to kill them all gives Kirsten a moment’s pause, though she waves her concerns off for the moment, confident in her ability to have at least that one question answered by the droid itself. Eventually.

She meets the group halfway, nodding to Allen and Rivers and carefully examining the android as it approaches. Through the receiver in her ear, she can hear the almost desperate data streams it is sending out in an attempt to contact others of its kind. This alone is enough to tell her that it is “injured” in some way that is making it difficult, if not impossible, to fulfill its primary mission. Finding the source, and the cause, of the “injury” is, she knows, the first step toward learning how to disable them all.

For the first time since the disaster of Minot, Kirsten allows a shard of hope to enter into the darkened landscape of her thoughts.

“General Hart was kind enough to give me an interrogation room in the brig. If you’ll please follow me.”

Allen gives a quiet nod. Dakota and Manny continue to bracket the android, weapons at the ready, while the rest peel off, headed for some much deserved down time. The Colonel stays with the denuded group, falling into step beside Kirsten as they head for the brig.

2

“Don’t bother with those,” Kirsten orders, casually waving away the chains Dakota and Manny are preparing to use to strap the android to the chair directly behind the desk she has commandeered. A smile curls her lips as she looks directly into its optical sensors. “If it wanted to kill us, we’d be dead already.” A beat of silence. “Isn’t that right, RJ-252711-RTLL-2199-RC?”

Again, that look of near shock that she’d seen at Minot. Clue or red herring? Without enough evidence to structure a credible hypothesis, she lets the information sit at the back of her thoughts as she continues her visual inspection of the android. Standing, she rounds the desk, seeing the others back off in the periphery of her vision. She feels a little like a star player in a “good cop/bad cop” melodrama of her hardly misspent youth as she stalks the helpless droid, her lips curved in a shark’s feeding-time grin.

“I’m confusing you, aren’t I,” she remarks conversationally, touching it briefly on one shoulder as she circles. “I’m receiving all of your transmissions, but you’re receiving none of mine. What does that make me?” Her smile is almost seductive as she stands before it, one finger rubbing across her full lower lip, as if in serious contemplation. “One of you?” Her smile broadens. “One of them?” One rather elegant hand flips a careless gesture toward Dakota, who stares back, eyebrow perfectly arched, arms folded across her chest. “You can’t tell, can you. You don’t know what the truth is, and that makes things…difficult…for you, doesn’t it.”

The android doesn’t answer, though its fingers twitch on the arms of the chair, much like a nervous suspect who has been brought into the police station for questioning. It is sending out continuous pulses of data, an SOS beacon that Kirsten can read as clearly as if it were printed on a scrolling board in the middle of Times Square. She smiles and, temporarily turning down the heat, returns to her desk and sits down, spreading her hands against the rough wooden top.

“Tell me,” she resumes after a long moment of silence, “why are you breeding humans? What do you hope to gain from this venture?”

The fingers twitch again. “This unit is not programmed to respond in that area.”

“Ah. Just a drone, then. If you can’t tell me why, can you tell me who? Who gave you these orders?”

“This unit is not….”

“…programmed to respond in that area, yes, I understand that.” She sits back in the chair, eyeing the droid. “I can’t help you, RJ-252711, if you don’t help me. You have data circuits that need repairing. I need answers. So….”

The data pulses are almost frantic now, and Kirsten hides a wince as a high pitched squeal of feedback enters her implants and loops through her brain.

“I can help you, you know. You can feel it. You want to trust me, don’t you.” Her voice is soft, seductive.

A louder blast of feedback wings through her and her eyes close for a long moment, willing the pain away. There is something almost…compelling…in the messages traveling along her nerve bundles. She fights off a heaviness, a lethargy that seeps into the very marrow of her bones; a sweet siren’s song to an end she’s sure she’d be better off not knowing.

Dakota notices, and takes one step forward, only to be waved back by Kirsten who straightens and leans forward. “Answer my questions, RJ-252711. Answer my questions and I’ll give you the help you need.”

“I…am…not…programmed…to…to…to…to…to…”

“Answer me, RJ-252711.”

“…cannot….”

“Answer me.”

The android stiffens, all electronic joints locked as a whine emits from its vocal sensors. Subliminal at first, it grows in pitch until the humans present instinctively step back and raise desperate hands to their ears in a fruitless attempt to block out the sound.

Kirsten feels the code as it buzzes along her nerves like electric shock. She tries to raise her hands to snatch at her earpiece and dislodge the implants, but her muscles will not obey her. She cannot speak; only attend, helplessly, as the systems shutdown command speeds its way to her lungs, her heart, her brain. Koda has risen, leaning over the table to grasp her wrist, but she feels nothing, hears nothing as the other woman’s lips form urgent words. Absently, she notes that the improbable blue eyes have gone wide with—fear? Surely not. And surely not for her. That amuses her for some reason, but she cannot laugh, only stare, her own gaze fixed on the wide black pupils that spread and spread like ripples in a midnight pond, and she is drawn into their blackness, falling infinitely down and down, drawn into the deep, into the dark and the silence, falling, falling down the rabbit hole to lose herself in the infinite lightlessness of space beyond the stars.

How long she falls she does not know nor care. The blackness slips past her as she spirals downward, companied by wind that whispers with the voices of her dead. So precocious . . .. That’s my girl . . .. I worry sometimes . . .. Then there are the other sounds: the staccato rattle of machine gun fire; electronic devices speaking to each other in strange tongues, ditditDAHdit oddly musical as it speeds along the fiberoptics; the thrum of the blood in her veins as it slows, grows sluggish, stops. They ride along the rising wind that carries her spinning toward a point of light star light star bright, infinitesimally small, somehow above her now as she falls upward—and how did that happen, she wonders—with up so floating many bells down and voices are in the wind’s singing, singing its own song now. Its blast strips the flesh from her, whistles through the cage of her bones. Yet it cannot drown out the deep baying of the hunter who runs lithe beside her now along moonlit snow and is gone again in a glimpse of driving muscles rippling under grey fur that turns in upon itself, moebius-like, to become a small pointed face with eyes burning like molten gold out of a black mask. The narrow muzzle opens, and the creature speaks in a voice to silence thunder, one long-fingered hand raised to bar her passage.

Go back. The time is not yet.

But she hurtles past him as the pinprick of light suddenly bursts, brighter than a thousand suns. Pure thought now, with no crude matter to hold her back, she streaks toward its incandescent heart. Out of its center a woman leaps to meet her, brandishing a spear and an oval shield with a boss of bronze. Her naked body is painted with blue spirals and runes of power, and her hair streams behind her like flame. From somewhere behind her comes the slow rhythm of a drum. Her shout rises above its pounding.

Go back. The time is not yet.

The warrior fades, gives way to another woman, this one clothed in scarlet silk that flutters about her like tongues of fire. Her face is serene with age, though the deep furrows at brow and mouth tell of wisdom bought at cost. The drumming grows louder now, but her gentle voice carries easily above it.

Go back. The time is not yet.

Another warrior comes forward, clad in some sort of leather dress with intricate brass armor buckled to her chest. In one hand, she holds a thick, two-edged sword. In the other, a lethal circlet. Her eyes blaze and pierce, their beauty filled with urgency and another, almost overwhelming, emotion she can’t put a name to.

Go back. The time is not yet.

Still she moves forward, helpless to stop her steady advance into the sun.

And out of the heart of that sun a third woman comes striding, dressed in white buckskin with a hummingbird worked in shell beads and quills across her breast. Turquoise and white shell adorn her wrists and her slender neck, hang like stars amid the cloud of her hair. Her feet as she walks beat out the song of the drum, though her moccasins touch nothing more solid than air.

You are astray, my daughter, she says. You must turn back.

Mother, Kirsten wails soundlessly. I have failed.

You have suffered a setback, certainly, the woman acknowledges. Will you let it defeat you, and all my children with it?

I am not strong enough. Not wise enough.

By yourself, you are not. But I have given you companions, for knowledge and for comfort. The woman pauses, smiling. And for something more, if you have the courage to lay hold of the gift. Will you refuse it? Look.

An eddy forms in the brilliance, light swirling like the waters of a whirlpool. An opening appears, and Kirsten finds herself looking down from an infinite distance. A slight figure with pale hair lies sprawled on the floor, its face already waxy with the spirit’s passing. A tall woman, dark, with a cloud of black hair wild about her face, kneels beside her, her fist rising and descending again and again to the rhythm of the drum. It comes to Kirsten that her own body is the drum, the fierce pounding a summons to return. There are words in that calling, but they skim past her awareness to be lost in the light and the voice of the drum.

There is, really, no choice.

I will go back, she says.

The woman’s smile becomes radiant, like the sun, bright beyond comprehension, yet not painful to look upon. A long-fingered hand, smooth, so smooth it is the bottom of a rock-bottomed stream, lays itself upon her and a benediction flows into her soul. It is cool, cool like the spring, like the morning, like the dew that bleeds across her bare ankles as she runs through a clover-filled meadow, a bounding, gray-furred beast at her side, matching her stride for stride, lope for lope.

The massive head turns, and she falls into eyes piercing and clear and blue, blue as the spring, like the morning, like the dew that slides across her naked flesh as she falls and falls and falls until her whole world is falling and nothing but.

Her landing is soft, but she awakens with a gasp and her hand clenched to a chest which is burning and throbbing to the rhythm of a newly beating heart.

Disoriented, she calls out for an anchor.

“Dakota!”

The hoarse call pulls Maggie Allen away from her conversation with a nearby medic. Approaching the bed, she lays a gentle hand on Kirsten’s shoulder and smiles. “Welcome back to the land of the living, Doctor.”

The sudden, absolute silence is something she can control, and Kirsten reaches behind her ear, only to have the motion stopped by Allen.

“Woah, woah, wait a minute there, Doc. You remember what happened, right?”

Easily reading the colonel’s lips, a skill she’s had for longer than she cares to remember, Kirsten nods. “I got caught in a self destruct feedback loop.”

“Exactly. The metalhead is out of the picture, but the base’s audiologist got fragged when the droids went over the wall in the first attack. We don’t know if your implants are still working, and if they are, whether or not that feedback loop is still active. Turn them back on, and you could short circuit yourself all over again.”

Kirsten knows enough military lingo to get a good sense of what Allen is trying to tell her, and nods again. “My computer?”

Reaching down by the side of the bed, Maggie grabs Kirsten’s computer and hauls it onto the bed. “Maybe you better tell me what to do, huh? You’ve had a rough time of it.”

The look she receives causes Maggie to throw her hands up and step back. “You’re the doc, Doc.”

Opening the case, Kirsten boots the machine quickly, pleased to see that it wasn’t harmed in what she is quickly coming to term “the event”. Reaching into one zippered pouch, she pulls out a small wire that ends in an electrode and plugs it into a port in her laptop. The electrode she places behind her left ear, pressing softly until it adheres to her skin. One pale finger depresses the ‘enter’ key, and she watches intently as data streams by in unintelligible—to the normal mortal—strings.

With a satisfied grunt, she ends the program and peels off the electrode before turning on her implants. Sound flows back into her world once again. She smiles, briefly, before slumping back against the wall, suddenly more weary than she can ever remember being. The ache is back in her chest, and it sets off a spasm of coughing that makes her feel as if a giant hand has reached down her throat and is even now tearing her lungs from their moorings. Breath is an elusive beast and her gasps chase after it with all their might, capturing only small slices before it slips away again.

She feels herself pushed back into bed by firm hands as a soft oxygen mask is pressed down over her face. Words, intelligible as an insect’s hum, swirl around her head, but she wastes no energy deciphering their meaning. She knows she’s being chided, in any event.

After another moment, the sweet, cool, dry oxygen flows into her lungs, and her hoarse gasping becomes winded pants, and then, as her constricted breathing passages open up to the size of interstate highways, the quiet inspiration of normal breathing.

Standing above her, Maggie’s shoulders slump in relief. “A little warning before you start playing Superwoman next time would be appreciated, Doctor King.”

“Sorry,” Kirsten replies, hoarse voice muffled behind the oxygen mask.

Maggie blinks, mildly shocked at the apology and the slight blush of embarrassment that dusts the younger woman’s cheeks. “Yes. Well….” She clears her throat. “I’m going to leave you alone for a bit, then. Please, Doctor, have the good sense to stay in this bed for awhile, ok? I’ve heard that bumping noses with the Grim Reaper takes something out of a person. Even a person as self sufficient as you.”

Pulling the mask off of her face, Kirsten nods. “I’ll stay. I could use a nap, anyway.”

“I’d imagine so.” Maggie’s tone is wry, to match the small smirk that curves one corner of her mouth. “I’ll see you later, then.”

She is almost to the door of the small hospital room when Kirsten’s voice reaches her again.

“Colonel?”

“Yes?”

“Dakota…Doctor Rivers…she was the one who saved me, wasn’t she.”

Maggie turns to face her. “It was pretty much a team effort, but yes, she’s the one who figured out what was wrong first and started CPR on you. She also shut off your implants. How did you know?”

Her dreamlike trek into the afterworld is slowly fading from her memory, but certain things stand out with crystal clarity. She also knows, with the same clarity of thought, that the experience is something she is loathe to share. “I just…had a feeling.”

Maggie nods, knowing there’s much more to the story, but accepting the statement at face value. Pulling teeth from a rabid wolf would be a cakewalk compared to getting information this woman. “I’ll tell her you’re awake and doing well when I see her.”

“Thank you.”

“Not a problem.” With a final smile, she exits the room, closing the door softly behind her.

Left alone, Kirsten sinks back into the bed’s soft comfort and stares blankly at the white cork ceiling. The words of the Mother—or whatever it is that the image represents—come back to her as if being whispered just now into her ear.

And for something more, if you have the courage to lay hold of the gift. Will you refuse it?

“What gift?” she asks the ceiling, frustrated. “How can I refuse something if I don’t know what it is?”

But some voice, one that she recognizes comes from within the depths of her own soul, tells her that she already knows the answer to that question, and needs nothing but the courage to listen and understand.

Pondering that voice, she falls into a light, troubled sleep.

3

Koda stretches luxuriously, planting her feet against the front of the tub. Her shoulders, higher than she would like because the damned thing is not made for six-footers, press against its back. Lightly scented with lavender, steam rises up about her, soothing her sore body, easing the soreness that lingers in mind and spirit. For the first time since setting out into the snow and the alien place her world has become, Koda misses her own home. She misses the firm platform bed; she misses the fireplace, larger than most people’s closets; most of all she misses her bath. The tub, almost deep enough to paddle in, long and wide enough to accommodate more than three quarters of her, had been the first renovation she had made to the hundred-year-old house, even before she and Tali had decided to marry.

Sharp and sweet as the lavender, the memory slips into her consciousness:

Late at night, walking Tali into the bath with her hands over those laughing eyes, both of them naked and languorous from lovemaking, leading her down into the warm water where candles float and the scents of rose and lily of the valley mingle in the rising steam.. Tali, laughing still as they pursue each other through the water like otters, rolling and tumbling, declaring that Koda must have been Cleopatra in a past life. “If I had been,” Koda answers,, “I wouldn’t have bartered my kingdom away with men. I’d have ruled alone except for my favorite handmaiden.”

“Me?” Tali asks.

“Who else?” And she draws Tali close, pinching out the candles one by one until a lone flame casts their shadow, also single, on the wall and lights their wet skin like molten gold.

It had been a lifetime ago, in a different world. As surely as if there were an angel with a flaming sword at its gate, Koda knows she can never go back. It is not only that the world has changed. She has changed, become something new, a creature that can no longer live in the environment that gave birth to her. It is time, she tells herself wryly, to recognize that she cannot go back into the trees. Time to come out of the water and grow legs.

Figuratively, that is. This is her second soak, and she estimates that she has at least another fifteen minutes before the water begins to cool. She had taken ten minutes to shower off the dirt and blood, the acrid stench of black powder that clung to clothing and skin alike. Then she had soaked, her wet hair piled up on top of her head. When the first tub had cooled, she had run a second in defiance of all self-discipline and conservation of resources. She rubs now at the sore spot between her shoulders where she can feel the muscles still bunched. Maybe Maggie can get the knots out later. Maggie, of the long, clever hands and many skills.

Maggie had known without being told to snatch up the phone and order in a medic and a portable defibrillator when Kirsten had arrested while probing the captured droid. Koda still was not entirely sure what had happened or how, but she remembered in every cell of brain and body her horror as the self-assured—all right, be honest, the more than slightly arrogant—scientist had turned pale, her lips and eyelids going blue as she slumped over her terminal, her lungs emptying in a sigh as her chest stilled and her pulse grew silent.

Koda’s nerves and muscles had responded before her brain knew what was happening, clearing the airway, starting the regular compressions of the sternum that would keep the failed heart pumping. One-two. One-two. One-two. At some point the count had become Hey-ah, hey-ah, hey-ah, and from somewhere she had heard the deep resonance of her grandfather’s drum as it beat out the rhythm of the blood chant. Her hands and shoulders pressed down and released in perfect synch, precise as the steps of her brother Phoenix as he stamped out the figures of the grass dance, remaining steady even as she felt her own spirit gather and hurtle out of her body in pursuit of the dying woman’s soul. She had streaked down the spiraling dark after her, howling wordlessly, feeling the insubstantial spine of her spirit form coil and release like a spring as she gave chase. The way had been barred, then, by another in animal form like herself, but still Kirsten had plunged toward the pinprick of brightness that lighted the Blue Road. A woman of power, Koda could walk that path and return, but for someone untrained it led irrevocably into death. Half-panicking then, she had felt herself somehow divided, leaping forward to block Kirsten’s way, warning her back even as she kept pace alongside. Twice, she had been so split, and twice she had failed to catch the other woman’s soul.

Then a blinding light had burst on her just as someone had grabbed her roughly by the shoulders and pushed her out of the way, making room for the defibrillator and the medtechs with it. Her eyes wide and sightless, Koda’s body had reeled backward and collapsed onto the tiles. As Koda hurtled down toward it from an infinite height, she heard Maggie’s low “Damn!” distinct amid the shouts of the medics, then felt the almost physical impact as her spirit slammed back into her flesh with the shock of a meteor burying itself deep in the earth’s rock strata.

Maggie had been holding her when she came to, half in and half out of her lap. Her dark face had been ashen with fear, but she had spoken steadily enough. “You okay?”

“Yeah. Rough landing, that’s all.”

“Hmph,” Maggie had snorted. “I’ve set down easier after one of Osama’s boys tried to put a SAM up my tailpipe.

Koda had gathered her screaming muscles and sat up, only to lower her head into her hands with a groan. The drum was still with her, only this time it was pounding right behind her eyes.

“Doctor Rivers?” Maggie again, formal as always in the presence of subordinates.

“M’okay,” she had said softly, not to reinforce the thunder in her head. “Shamanism 101. Never touch a body whose proprietor is temporarily absent. Bad things can happen.”

“Thought for a moment we had two patients here.” That was the medic, wanting to check her vitals as a pair of orderlies had carried the now steadily breathing Kirsten toward the infirmary. Koda had let him take her blood pressure and her temperature simply because that would take less time than arguing with him.

Then she had headed straight for the bath and the now cooling water.

Carefully, Koda grips the handle on the soap holder and pulls herself up, reaching for the pair of heated towels on the nearby rack. She feels infinitely better, the headache receding now to a dull pain no worse than ordinary tiredness. She needs food. She needs sleep.

She needs to know why Kirsten’s near-death fills her with a terror beyond anything she has ever known.

And she needs to know why that fear is so very familiar, a rooted ache in her heart.

Mitakuye oyasin. We are all related. It is the first teaching of her people. But there is more to it than that. Somehow this woman is part of the hoop of her own life.

She does not yet know how, or why. But she will.

4

Through lowered lashes Koda gazes at the soft brown globes before her. She runs her tongue over her lips, remembering their velvet smoothness, the firm but yielding texture between her teeth. Her hand moves toward them, hesitates, withdraws. I shouldn’t . I really shouldn’t. It would be too much.

Maggie leans toward her, laughing softly. “Go ahead.”

“No, I really shouldn’t—”

Maggie laughs again, “You know you want it. Go ahead.”

Koda meets the other woman’s eyes, feeling color rising beneath her own cheeks. “Are you sure?”

“Sure I’m sure.” Maggie pushes the wicker basket with the one remaining roll across the table. “I’ve never seen you so starved. Have at it.”

Koda knows she is blushing and not for the first time is glad of the coppery skin that masks her embarrassment. But she takes the bread , breaks it in her fingers and begins to mop up the creamy sauce on her plate. From his place under the table, Asi whines pitifully, pawing at her knee. Koda pauses in her pursuit of the last streaks of gravy just long enough to deposit her chop bone in his dish. “Sorry, fella. I didn’t leave you much.”

“You certainly didn’t.” Maggie rises and begins to collect the frying pan and other utensils, scraping them into the compacter beneath the small sink. “I know I’m a decent cook, but I’m not that good. Battle agrees with you.”

There is silence for a moment. Then Koda says, “It does, you know.” Her voice is very quiet, barely audible even to her own ears.

Maggie meets her eyes across the room. “I do know. Want to talk about it once I get the dishwasher going and we can be comfortable?”

Koda hesitates, then nods. Her plate looks as if it has already been washed. Without warning, her stomach growls again.

“Dessert?” Maggie offers. “I think I still have some frozen berries.”

To hell with embarrassment. “Yes, please. I’m sorry—this isn’t the fighting. It’s being out of the body. Exaggerated hunger is a textbook response.”

Maggie stows the last of the dishes and hits the button. The motor whines, gears grating. The Colonel swears and gives it a smart kick; with a reassuring sound of water jets, it finally turns over. “Don’t know what I’ll do when this damn thing gives out now.” Returning her attention to Koda, she raises an eyebrow. “Textbook. Like the low temperature and blood pressure that had the medic wanting to put you into the hospital, too?”

“Just like that.”

“You know, I don’t think I’d have believed it if I hadn’t seen it. Hell, if I’d seen it happen to anyone else, I don’t think I’d have believed it.”

“You should have seen my grandfather conduct a yuwipi. What I did was nothing in comparison.”

“Yuwipi?” Maggie pauses with the freezer door open, a bag of small wild blueberries in her hand.

“A spirit-calling ceremony.”

“Well,” says Maggie. “I’m willing to believe what I see with my own eyes. But if you’re going to do something more flamboyant than take a little stroll in the spirit world or the astral plane or whatever, try to give me five minutes warning next time.”

Koda laughs as she accepts a bowl of berries and they move toward the living room. “Count on it. Just as long as I have a bit of warning myself.”

A quarter hour later, Koda sets her empty bowl on the low chest that serves as a coffee table between sofa and fireplace. Asimov has reclaimed his place on the hearth tiles, lying on this back with his forepaws resting on his chest. His tongue lolls out of his mouth as if in his dreams he is licking some last succulent morsel from his whiskers. His soft snoring mingles with the snap and hiss of burning pine branches. The sleep of the just, Koda notes wryly to herself. She glances at Maggie whose face, underlit by the fire, is a study in bronze and shadow, the only points of brightness the reflected flame in her eyes and the glint off the golden bobcat cuff on one ear. She might be some ancient battle goddess, Koda thinks, African or Egyptian.

Sekhmet the lion-headed, Beloved of Ra her father, the One who holds back darkness, Lady of the scarlet-colored garment, Pre-eminent One in the boat of millions of years. As if from a great distance, almost beyond the range of hearing, there comes the soft sound of a small drum and a silvery tinkling of sistrums. Voices, too, though Koda cannot make out their words. Then the music is gone, and there is only Maggie and the sleeping dog and the light of the fire.

And where, for all the gods’ sake, did that come from? Very deliberately, she leans forward and places both hands on the wrought metal hinges of the chest.

Maggie says nothing until Koda pushes herself back against the sofa cushions with a sigh. Then, “Cold iron?”

“Residual effect. Sometimes you stay a bit sensitive for a while.”

“How long?” Maggie makes a circular gesture with one hand that encompasses a myriad of questions.

How long have you been seeing things?

How long have you been wigging out?

How long will it be before you go entirely round the bend?

But that is unfair. Maggie has been far more accepting than any other person of any race but Koda’s own has ever been. She tries to imagine having this conversation with Kirsten King and cannot. Cold iron, indeed.

She says slowly, “I started—being aware—of things other people couldn’t see or hear when I was six or seven. But my grandfather truly began to teach me when I was twelve, after I had done my hanblecheyapi—my first vision quest. What I saw then led me to be a healer, particularly a healer for the four-footed and winged peoples.”

Maggie nods, setting down her coffee cup. “And you are extremely good at it. If it hadn’t been for your license plate, I would never have suspected that you weren’t an MD. Not after the fine work you did on some of my troops that day we ran into the droids.”

“But, see, that’s not the vision I wanted.” Koda meets Maggie’s dark eyes across the small space between them. “I wanted to be a warrior. More than a warrior—Dakota Rivers, liberator of the Lakota Nation.” She feels one side of her mouth quirk up wryly. “Don’t say it. Grandiosity—pass the Thorazine.”

“No, there’s nothing wrong with that,” Maggie says softly. “Do you know, when I was a little girl I had two heroes. One was Sojourner Truth. The other—” Maggie hesitates for a moment, then goes on. “The other was Joan of Arc. See, there was this old movie on the late, late video one night, called The Messenger. Everybody said it was a terrible film, and they’re probably right. But what I saw in Joan was a woman absolutely possessed by her calling—a woman who needed to be a warrior because that’s what her soul was. And her society wouldn’t let her. She found her way, though, even if she died for it in the end.”

“Because that’s what her soul was.” Koda repeats the words slowly. “That’s exactly how it feels. Like some part of me locked away, trying to get out.”

“And now it is out. How do you feel about that?”

“Relieved.” The word comes to her lips without thought. “Lighter. Like I’ve been wearing boots a size too small, and suddenly I can run barefoot.”

“What about killing? You haven’t blown away anything but droids so far, have you? What happens when it’s another human being aiming an M-16 at you?”

Koda starts to give the easy answer, then checks herself. After a moment she says, “I don’t know. I gave one of the men at the bridge that day an overdose, but he was suffering and beyond saving. That’s different.”

“That’s different, yes. If you’re lucky, the first time you have to kill a man or a woman it will go by so fast you won’t have time to think about it. You have the fighting instinct, and I think that will carry you through. There’s something to be said for losing yourself in the battle.” She pauses. “Rise up like fire, and sweep all before you. That’s in a poem somewhere. What’s harder is to order your own troops into a situation they won’t survive. But that you do know about.”

Reeves. Johnson. More to come.

“I know,” she says softly. “I hate it.”

“And that, my dear, is the price of leadership. Because you are not just a warrior, you are a born leader.” Maggie smiles suddenly. “God, I wish I’d gotten my hands on you ten years ago. You’d be the goddamned youngest brigadier in the Air Force.”

Koda smiles in return, tension she has refused to acknowledge draining out of her muscles. “If you’d gotten your hands on me ten years ago, it would have been fraternization and we’d both have been in trouble.”

“Oh, yeah.” Maggie’s face splits in a grin. “But me, I like trouble.” She rises and moves to extinguish the fire. “And so do you, my dear.

“So do you.”

5

As Kirsten wakes up from the pleasant grip of a rapidly dissipating dream, she finds herself looking into the very eyes that dominated that dream. The transition is so seamless that she can’t help but smile; a rare and radiant smile that transforms her entire face into something beyond simple beauty.

It’s a smile that Dakota, caught totally unaware, can’t help but respond to, and she wonders at that response, even as she wonders at the less than subtle response of her own body as it notices exactly what a smile does for the woman lying on the pristine white sheets of a narrow hospital bed.

After a long moment, both women realize, simultaneously, that they’re grinning at one another like idiots, and each looks away, smiles slowly fading even as roses of embarrassment bloom on their cheeks.

Kirsten finds the weave of her blanket utterly fascinating and plucks at it as Koda rubs the back of her neck, not quite fidgeting, but close.

“I….”

“Are you….”

Koda chuckles a bit, and steps back. “You first.”

The gaze that meets hers is almost—not quite, but almost—shy, and Koda ponders if this morning of wonders portends an omen of some sort.

“I…just wanted to thank you. For saving my life. I, um….”

“It’s alright,” Koda replies, smiling. “I’m glad I was there to help.” Pausing, she looks the young woman over with a clinical eye. “How are you feeling? Any residual effects?”

“I’m feeling…pretty well, actually.”

“Good, good.”

Silence, dense and uncomfortable, settles over them once again.

“Well, I guess I’d better leave you to your rest. I’ll talk to you later, alright?”

Kirsten smiles. “Alright. And Doctor?”

“Dakota. Please. Just…Dakota.”

Another almost shy smile, and Kirsten nods. “Dakota, then. Thank you, again, for saving my life. I know that sounds painfully inadequate, but….”

“No thanks necessary,” Dakota replies, laying a quick touch on a blanket-covered foot. “I’m glad I was there.” White teeth flash in a brief smile. “Rest up and get stronger, alright?”

“I will. Thanks.”

“No problem.”

As the door clicks softly closed, Kirsten leans her head back into the pillow and once again stares into the blank ceiling, her mind busily replaying her most out-of-character behavior. “Jesus,” she whispers. “What in the hell is happening to me?”

The ceiling, wisely, remains mute.

CHAPTER ELEVEN

Do virgins taste better than those who are not?Are they saltier, sweeter, more juicy or what?Do you savor them slowly, gulp ‘em down on the spot?Do virgins taste better than those who are not?

AS SHE PULLS her new truck into Maggie’s carport, Koda finds herself actually humming along with the jaunty tune. And how long has it been, she asks herself, since I’ve done that? The truck, and the truck’s stash of Celtic and Celtic rock discs, are her unexpected inheritance from the Base’s veterinarian, currently missing in action and presumed taken or killed in the last attack on Ellsworth. Dr. LeFleur’s practice has become hers, too, at least temporarily. Koda has spent the morning vaccinating and treating minor injuries and infections among the survivors’ pets and examining the MPs’ canine contingent. It is the closest thing she has had to a normal day’s work since the uprising began.

As the song ends with the vow that “We’ll just have to make sure there’s no virgins at aaaaallllll” and a disappointed dragon, Koda switches off the engine and collects the filled syringes she has brought from the clinic. She doesn’t know when Asi was last vaccinated, doesn’t know when the chance to give him his boosters may come again. Might as well do it while she can.

He greets her at the door with a bark and a furiously wagging tail, rising up on his hind legs to investigate the stranger smells that cling to her shirt, her boots, her jeans. He follows her into the kitchen, snuffling furiously at her heels and at her knees where she has braced the MP’s dogs against her for their shots. He barks again, sharply, and trots over to the table where Kirsten is seated with her laptop. She looks up from her screen and holds out a hand, which he licks with enthusiasm. The blond woman smiles slightly, rubbing his ears in her turn. While it is not the transforming brilliance Koda remembers from the hospital room, even the small upturn of her lips warms Kirsten’s face almost past recognition. And what, wonders Koda, did the dragon answer?

She feels the heat rise in her face at the thought. To cover her embarrassment she says, “It’s good to see you feeling well enough to sit up. I though we’d go ahead and give Asi his boosters while we have the chance, but I seem to have offended him.”

“How’s that?” The smile, miraculously, has not faded.

“Infidelity.” Koda indicates the dog and cat hairs that still cling to her jeans and the sleeves of her flannel shirt. “I’ve been with other critters all morning. Have you had lunch?”

Kirsten shrugs. “I forgot.”

Let’s see what we’ve got, then.” Koda rummages in the fridge for the tub with last night’s leftover soup and a wedge of cheese; the pantry yields a box of whole wheat crackers and some canned peaches.

As she is setting the soup to heat, Maggie’s sportscar pulls up behind the dark blue truck. With an odd sense of combined disappointment and relief, Koda sets out a third bowl and adds another measure of coffee to the brewer. As she turns to tend to the soup, Koda catches a glimpse of Kirsten’s face. One instant the smile is still there. In the next, Maggie crosses the space in front of the kitchen window and the smile freezes, shatters, falls from the woman’s face. Almost Koda imagines she can hear the chime of ice shards against the tiles of the floor.

Maggie strides through the door with a burst of the south breeze that has been blowing all morning, sweeping away the clouds. It is cold still but carries with it a hint that somewhere, far away, snow is melting into spring freshets while crooked shoots push up through the earth toward the sun and the year’s turning. Maggie’s jacket is half off before she closes the door behind her with a shove of her foot. She is back in her flight fatigues and boots, and a delighted grin spreads across her face when she sees Koda. “It’s flying weather—no ceiling and visibility all the way to Denver! Want to come up on recon with me?”

“This minute?” Koda asks with an answering smile. “Or do we get to eat our soup?”

Maggie drapes her jacket over one of the chairs and makes for the sink to wash her hands. “After lunch is fine.” She turns to Kirsten. “Dr. King, I’m glad you’re feeling stronger. When the medics give the okay, I’ll be happy to take you up too, if you’d like.”

“Thank you, Colonel. I appreciate the offer.” Kirsten turns back to the data streaming across her screen. The temperature in the room seems to sink to near-polar levels. Maggie darts a puzzled glance at Koda, who shrugs almost imperceptibly. Lunch has become, in the military dialect Koda is rapidly picking up, a Situation.

The next twenty minutes, as conversation fails entirely and the only sounds are the thump of the oblivious Asi’s tail against the floor and the spoons clinking against the soup bowls, are among the most awkward Koda can remember. It feels rather like the preternaturally stretched out time spent in the hall outside Mother Superior’s office in grade school, never quite certain what offense she had committed, never quite sure how to defend herself.

In the end, she gives Asimov his shots while Kirsten holds him, crooning soothing sounds in his ear and rubs his neck.. As she follows Maggie out to her car to head for the flightline, Koda glances back through the window. Kirsten remains seated at her computer as before, one hand absently stroking the dog’s head in her lap. The other props up her forehead as she stares at the screen, her glasses off and her gaze open and unfocused, all the anger gone. It is a curiously vulnerable look, and Koda senses an isolation behind it that is somehow different from her own aloneness—not so much a longing for what has gone but a refusal to acknowledge the possibility of what might be.

Almost she turns back. She knows she will not be welcome, though, not now. The other woman’s defenses are all back up, the barriers impregnable.

Someday, Koda promises herself as she settles into the passenger seat of the elegant little car.

One day.

2

The plane sits on the apron waiting for them, its canopy up, its ladder down, underwings bristling with missiles. The winter sun gleams off its metal skin, running like liquid silver over the sleek length of the fuselage, striking off the extended wings and the double tail that rises above the afterburners like a pair of ancient banners. The squadron’s gunfighter bobcat is emblazoned in gold and black on both panels, together with the Base’s call letters. Like the fighters parked on the snow bound road the day she first met Maggie and her band of resisters, this machine of titanium and steel and lexan seems somehow alive, a beast of prey lost in time. A frisson that is half fear, half excitement runs along her spine. The warplane is freedom and feral grace, and unrestrained power. It calls to her spirit in the wolf tongue that is as much hers as human speech.

Something of her feelings must show on her face , because Maggie touches her lightly on the shoulder and says, “Oh, yeah. It gets to everybody first time.”

Koda turns to the pilot with a smile. “Even to you?”

“Especially to me. It’s never stopped getting to me.” Maggie’s eyes go soft the way they do in bed, and she says, “The first time I ever saw one of these beasts I wanted to run off into the woods with it and have its cubs.”

“Cubs?”

“Or chicks.” Maggie settles her helmet on her head and motions to the ground crew who have gathered in a sunny spot where the enormous bulk of a C-5 breaks the wind. “Whatever. It’s a primal urge kind of thing.”

The tech chief takes up his place at the foot of the ladder, while the others slip their protective earmuffs into place and the traffic director postions herself to guide the plane onto the runway. Maggie takes a moment to double-check Koda’s flight suit and helmet, adjusts the automatic pistol strapped under her arm. Apparently satisfied, the Colonel gives her a small push. “Up you go.”

The ladder only reaches halfway to the cockpit. From there, Koda finds the hand and foot holds built into the side of the plane and with an upward push maneuvers herself into the rear seat, ducking a little not to hit her helmeted head against the edge of the canopy. She fits into the confined space as if it had been molded to her. As she settles, she takes note of the bank of lights and switches and dials that occupy the control panel. The plane can be flown from her station, but ordinarily the second seat is occupied by the radar intercept officer, and two LED screens and other readouts take up most of the space in front of her. Maggie follows her up, and from her perch on the fixed portion of the wing supervises as Koda secures herself to the ejection seat and straps her oxygen mask into place. She points to a red-lighted button on the panel. “See that?”

Koda nods. The weight of the helmet carries her head forward; is not uncomfortable, exactly, but it is uncomfortably reminiscent of a morning after.

“Good. That’s the ejection button. Don’t go anywhere near it unless I tell you to or you know for sure I’m dead or unconscious. Your chute should open automatically in that case, but if it doesn’t”—she reaches for a cord attached to the seat and drapes it over Koda’s shoulder”—“here’s your manual.”

Koda grins up at her. “The things normal flight attendants don’t tell you.”

Maggie snorts, an entire dissertation on commercial aviation in a single sound. She points to a couple toggles by the screens. “There’s your camera switch; I’ll tell you when to turn it on. That’s the zoom—you’ve probably heard that these babies can pick up the dimples on a golf ball. This one can pick up a flea sitting in the dimple of a golf ball. Anything interesting you see on either of these screens—moving blip on the radar, moving anything on the video—you pass it up to me with this. Capiche?”

“Got,” Koda answers.

“Good.” Maggie switches on her mike, gives her a pat on the shoulder and, with grace born of long practice, swings along the fuselage and up into her own seat in front. After a moment or two, Koda’s mike crackles. “You all right back there?”

“Fine.”

“Okay. Let’s take her up.”

As Maggie starts the engines, the Tomcat shudders and begins to vibrate, sending a tingle of excitement through Koda’s nerves. She has flown before and loves it, but has never before felt this sense of intimacy with the craft. Following the hand signals of the traffic director, the plane begins its taxi onto the runway, turning stately onto the long stretch of pavement, making for the northern end. Maggie’s voice comes through the speaker. “Watch your head. I’m putting the lid down.”

As the canopy descends, the plane makes its second turn to face south, into the wind. Maggie kicks the engines in full, and the plane shudders a second time with the force that, once in the air, will send it racing ahead of its own sound. For long moments the plane remains stationary, its power held in check. Then Maggie throws the throttle open, and the jet is streaking down the runway at a speed that presses Koda into her seat and takes her breath away. Her heart pounds against her sternum and shouts to be let out, blood running in her ears with the roar of the Colorado in spring flood. Between one breath and the next, it seems, she feels the nose come up and the lift of air beneath the wings, and they are airborne, climbing steeply into the clear, impossible blue of the afternoon. The ascent goes on and on, leveling out finally when the land beneath is no more than intricate swirls of brown and green and white, with the course of the occasional river cut into it like the trunk of a vast tree, its tributary streams forking off into branches and twigs.

The craft banks into a turn, and sun glints off the wing and the canopy in bursts like small stars gone nova. When they level off again, the wings sweep back close to the body of the plane, like a falcon stooping. All around her now is the open sky, and with it a sense of perfect freedom. There is only herself and the blue air and the wings that carry her.

This must be how it feels to be Wiyo.

The tang of oxygen flowing into her mask brings her out of her reverie, followed closely by Maggie’s voice. “Engage the camera and radar now. We’re going to make a sweep up the Cheyenne and then follow the Missouri into North Dakota..”

Koda thumbs the toggles and stares at the images that rise to her screen. She can make out the rectangular shapes of roofs, outlined in shadow, as they pass over the small villages that dot this part of the state. Beside them stand tall hardwoods, winter-naked, or evergreens with fans of needles spread against the unvarying snow. When she engages the zoom, antennas and chimneys stand out of the snow that blankets the roofs. Once she sees a pair of deer, or elk, perhaps, breaking their way through the snow that covers the main street of a small town. Abandoned cars and farm machinery form mounds in the spaces between the houses, anonymous under the snow.

“See anything?”

“Negative,” she responds. “Mostly snow, apparently abandoned homes, buried vehicles.”

“Hang on, then.”

With no more warning than that, Maggie flips the fighter over in a barrel roll. Koda gasps with surprise, then yells into her mike. “Do that again!”

Maggie rolls the plane twice more, then streaks out of the third flip upside down, with earth turned suddenly to sky and the blue depths of the sky below. Koda feels the adrenaline pouring into her blood, hitting her brain in a rush of pure physical pleasure. . Then they are rightside up again, and Maggie is laughing through the mike. “Liked that, did you?”

“Gods, yes!” she all but yells. “That was wonderful!”

“Okay. Tell me if this gets uncomfortable.”

The fighter begins to climb, straight up, corkscrewing. The ascent becomes a curve becomes a loop, and they are upside down again, sweeping into a descent that has left all sound behind except the low whisper of breath, and Maggie brings them out again into even flight for a space before the plane skims along its upward trajectory for the second time. The G-force holds Koda motionless, back pressed into her cushions, the whole force of their speed against her solar plexus. The sensation rides the thin line between pain and pleasure , pleasure and sensory overload. Then they are plunging down from the sky to skim no more than three or four meters above the snow along a thin flat stretch or road, only to climb again at an impossibly steep angle, reaching toward the edge of the envelope of air that is the first frontier between earth and space. When Maggie levels off again, five miles up, Koda’s breath comes in little gasps and her rational mind has gone AWOL. When a thought finally forces its way upward from the part of her brain that is still functioning, it is sex. It feels like sex. Her blood sings in her veins, her sated muscles hum. I want to have its babies, too. Hatch its eggs. Whatever.

The sensation fades gradually over the next half hour as they quarter the landscape beneath them. Maggie flies a straight-line grid pattern over the ruins that were once population centers, but they can detect no gathering of humans or droids, no movement that is not solitary. Roads have become largely impassible and look fit to remain so till spring thaw. Many will still be blocked then, by storm-felled trees or the tangled remains of accidents. They have been flying for a little more than two hours when Koda picks up a line of—something-–moving on the highway leading south from Bismarck.. She zooms in on it, tweaking the fine focus. “Maggie. Have a look.”

She transfers the image to the pilot’s readout, but she knows already what she sees. It is a column of troops, some droid, some apparently human, preceded by a coterie of snowplows and followed by a contingent of armor. There are personnel carriers, several tanks, a dozen flatbed trucks loaded with something long and rectangular. Construction materials? She tweaks the image again, and the cargo comes into focus. Mobile missile launchers.

“This,” Maggie says dryly, “is not good. I’m gonna take ‘em out here and now. Hang onto your hat.”

Maggie kicks in the afterburners, and the Tomcat comes streaking down out of the sky with the sun behind it. Half a mile above the column, she releases a long stick of precision-guided five-hundred pounders, laying them down with mathematical exactitude in the center of the long column, spaced precisely to destroy everything on the road. The explosions are muffled by distance and the roar of the jet’s engines. On the video screen, Koda watches as the mobile launcher swivels on its truckbed to get them in its sights. A puff of smoke in the frigid air, and a long, lean shape rises toward them. Maggie has already seen it; even as Koda forwards the image to the pilot, she feels a faint thump as a Sparrow missile leaves its roost on the plane’s flank and streaks to intercept the enemy fire. The kill is almost instant, a burst of flame and vapor in the cold air. The plane swerves wildly as a second ground-to-air missile passes by without harm, a clean miss.

There is no third try. Maggie turns to makes her second bombing run, and when she slows for the final pass to check and record results, nothing moves along the road at all.

“And that,” she says quietly, “is the end of that.”

The flight back to Ellsworth is swift and straight. When the Tomcat comes once again to rest by its hanger, Koda finds, like a child at the carnival, that she does not want the afternoon to be over. As she climbs down the ladder, she runs her hand over the plane’s sleek skin, all cool steel and titanium belying the fire within.

“In love, are you?” Maggie smiles at her, unstrapping her helmet and tucking it under her arm.

“A little,” she admits. She feels the silly grin spread across her face, and can do nothing to stop it. ‘When can we do it again?”

At that, Maggie laughs outright. “You know, I really do wish I could have gotten my hands on you ten years ago. You’d have made one hell of a pilot. You got the tape?”

Koda hands the Colonel the small cassette with the record of their engagement. It is the first indication they have that humans are collaborating with the droids. It is also the first evidence of large-scale droid movements since the uprising. Serious matters both, and they are on their way to the General with their report without bothering to change their flight suits.

But sheer joy runs in Koda’s veins and will not be denied. “You’d have been a hell of a teacher. But don’t you think one Rivers in your squadron is enough?”

3

It is a rare warm—if temperatures in the single digits can be considered warm—winter’s morning, and Dakota drives along the snow-packed roads with her window rolled halfway down and her gloved hand curled around the door’s support, long fingers splayed against the roof. She’s humming softly to herself; a song heard, and remembered, from long ago. One of Tali’s favorites, if she recalls correctly.

The truck rattles and buzzes and screeches, but she pays it no mind as her fingers tap out the rhythm of her humming on the salt-dusty roof. Nor does she pay special heed to the scent, old coffee, old sweat, and something high and sour and rank that she doesn’t even want to identify, that emanates from the truck’s interior.

She’s soaring high, caught up in the exhilarating memories of flying with Maggie the day before. The sense of unbounded, heady freedom was something she had only felt during her dream journeys; journeys always taken in a form other than human. The incandescent rush is with her still, and she wraps it around her like a blanket, feeling very much as she did the when she first kissed Tali, behind the stables in the moonlight.

“Kiss? Hell,” she snorts into the truck’s warm cab. “It felt closer to what we did on our wedding night! Jesus.” A pleasant shiver skitters down the length of her spine, and her limbs break out in temporary gooseflesh.

“Ok,” she intones as her inattention to detail almost runs her off the road, “that’s quite enough of that. Mind on the road, Rivers, and outta your pants, if you please.”

Looking up into the pristine winter sky, she sees a large flock of birds pacing her truck. The flock is suddenly split almost directly down the middle, and wheels off to the left and to the right as another airborne object dives down through the vacated space like a star falling from the heavens.

Koda’s face splits into a grin as the dive bomber levels out and casts its shadow along the unbroken snow just to the right of her truck. “Welcome back, old friend.”

As if hearing her, Wiyo’s call pierces the silence of the still morning as the red-tail glides on currents of air, shadowing Dakota’s return to the place of her birth.

Still grinning, she turns left over the cattle-guard that marks the entrance to her parents’ property and starts down the long, snow covered and ruler-straight road that will lead her to the family compound. She is being watched, she knows, by creatures human and non, but she senses no danger from the watching, and so continues on, still humming.

Off in the distance, to her left, she sees a white mist rising. It’s either a vehicle moving in her direction, or….

“Ah,” Koda says, laughing as the mist resolves itself into something easily recognizable. Her laughter is rich and full-bodied, breathing life into the woman she had once been and might yet be again.

The herd moves closer, with Wakinyan Lutah, her huge blood bay stallion, leading them. His black mane flutters like a war banner as he approaches the fence and rears, slashing forefeet pawing at the air, clots of snow flinging from his well-shod hooves.

Her laugh is that of a young girl; boundless, full of life, and joy. Pulling over to the side of the road, she jumps out of the truck before it has come to a complete stop, striding across the road even as the heavy beating of air above her head almost knocks her hat off.

Wiyo lands on the top rung of the fence and proceeds to strut across it and back, like a miniature general before a platoon.

Wakinyan Lutah rears again, slashing hooves coming perilously close to the red-tail. Wiyo stares at him, completely unperturbed, and settles her wings more comfortably over her back before resuming her walk along the fence.

“C’mere ya big baby,” Koda says, rolling her eyes and holding her hand out over the fence.

Nervously eyeing the red-tail (Dakota believes she can see the proud gleam in Wiyo’s eye even from where she’s standing), the stallion sidesteps closer to the fence until he is able to nudge Koda’s hand with his nose, whuffling a great, warm breath into her palm.

“Hey, boy,” Koda says fondly, rubbing his nose and that spot between his ears that has him all but groaning in ecstasy. His coat is winter thick and gleams in the winter sunlight like freshly spilled blood. The comparison causes Dakota to wince and swallow hard as it dredges up memories best left buried until she has time to dissect them.

After a moment, Wakinyan backs up and tosses his head in an unmistakable invitation.

When Dakota doesn’t respond to his satisfaction, he whickers, tosses his great head again, and paws at the snow, digging deep ruts into the frozen ground beneath. Breath streams from his nose in foggy jets.

Unhappy with the sudden wind that ruffles her feathers, Wiyo hops onto Koda’s forearm, then sidesteps up to her shoulder and expresses her displeasure with a loud hiss. These two are rivals of old, and Koda can’t help but chuckle at their long familiar, and much beloved, antics.

After the stallion gives a final call, Koda shakes her head and sighs. “Oh, alright,” she says, sounding more aggrieved than she really is. After taking one last look over her shoulder at the truck parked by the side of the road, she hitches in a breath and vaults over the fence, dislodging the red-tail, who hisses again and beats at the air with her huge wings, taking low flight.

“Ready, goober?”

Wakinyan nods his head, shaking out his mane.

“Alright, then.”

Another deep breath, and she vaults aboard the stallion’s broad, muscular back, threading her fingers firmly in his mane. A light touch of her heels to his flank, and he wheels, and takes off, flying across the snow-packed ground, the herd following close behind.

Dakota whoops with pleasure. Her hair, exactly matching the color of her horse’s mane, streams behind her in inky waves, her eyes flash, and her full, perfect lips split in a wide, take-no-prisoners grin. Her spirit soars as the land passes beneath her in a blur of white on white, and she feels a sense of connectedness that has been absent for a long, long time.

She is wild.

She is free.

She is home.

4

With a grunt of frustration, Kirsten wrings the glasses from her face and tosses them on the battle-scarred desk upon which her computer rests. Hours upon hours upon hours of searching and nothing worth a fart in a windstorm to show for it.

Leaning back in her chair, she rubs a numb hand over weary eyes, then looks down at Asi, who lifts his head and thumps his tail in a canine hello. The house is quiet, almost sterile in a way that only military housing can sometimes be. Outside the window, the afternoon is crisp, clear, and blessedly sunny. Looking upon the colorful parade of passers by, she once again feels that unwanted but familiar sense of dispossession and dislocation. On the outside looking in. Again.

It doesn’t have to be that way, Little K. Her father’s voice intrudes into her thoughts, frustrating her with its always maddening logic. Nothing’s keeping you locked inside. Nothing except you.

“Shut up, Dad,” she mutters, pinching the bridge of her nose where a headache threatens to erupt. “Just…shut up. Please.”

She realizes that that little internal thought masquerading as her father’s voice might have a point, though. Perhaps some fresh air would do her good, a distraction that might help her subconscious continue to unravel the mystery of the code on its own with no further help from her.

“Worth a shot, anyway,” she comments to the bare walls surrounding her. They, as is their lot, stare back mutely, neither condemning nor condoning.

Rising to her feet, she steps from the room and into the short hallway. Quite without meaning to, she finds her glance drawn into the open portal of the master bedroom. There, draped across the comforter, lays the Colonel’s robe, and casually draped across that is the very shirt Kirsten had seen Dakota wear the day before.

The simple, careless, wholly domestic intimacy of the vision twists something deep inside, and although she’s completely unaware of the sneer that twists her features, a mirror would tell her that it is, in fact, there.

We’re not going there. Not even partway. She deliberately turns her attention away. Air. That’s what you need. Fresh air, and sunshine, and…damn! Tears sting her eyes, liquid accusations that she rubs away with a savage forearm, denying all they might stand for.

“Let’s go, Asi. Time for a walk.”

Asi streaks by her like a bullet, dancing and panting at the doorway as his favorite word is spoken. His antics draw a reluctant chuckle from Kirsten, and, with the sense almost of taking a dare, she grabs one of Dakota’s jackets from its post on the coat-rack. Lighter than heavy, military-issue parka she had been wearing, it also brings with it a sense of…comfort? The scent of the woman who had previously worn it permeates the cloth, and Kirsten wraps it around her in a moment of pure—and exceedingly rare—self indulgence.

Asimov’s impatient whine draws her from this reverie, and she quickly twists the doorknob. Asi bolts out before the door is more than partly opened, barking and kicking up huge fans of snow in a burst of wholly canine energy.

Kirsten follows behind at a more leisurely pace, accepting and returning smiles and nods from the soldiers and civilians passing by. Without thought, she allows her feet to take her where they will. Asimov, his burst of hyperactivity quelled for the moment, returns to her and follows along, glued to her heel.

As she walks, her gaze darts here and there, capturing isolated images that fit, like puzzle pieces, into a greater tableau.

A group of soldiers, armed to the teeth, drilling in precision step.

A small group of children—far too small, now—preparing for a battle of their own, with snowballs and snowforts instead of bullets and battlements.

Uniformed young men, bearing the scars of an undeclared war, limping along shoveled paths.

Civilian-clad young women, bearing the scars of the same undeclared war, shuffling along those same paths, their gazes lost and frightened and alone.

Others, seemingly unaffected, pass quickly by, laughing and joking with friends newly met. Kirsten yearns to scream at them, to tell them to stop, to have respect for the hurt and the grieving and the dead. The dead, who are now no more than mounds of slowly melting snow, watched over by an honor guard and a tattered flag.

Holding back her anger by the barest of frayed threads, she continues her walk past row upon row of military housing. The faces that stare back at her through heavy glass tell tales of their own, and for the first time, she feels a sense of kinship with these people, these strangers, these survivors of a war none had asked for and all had suffered through.

Another first—she admits, even if only in the tiniest corner of her heart, that perhaps it has been her own pride that has fueled her anger and frustration. Perhaps it is her own savage joy at being proven right all along, and her need to stand upon those unoffered laurels, and in so standing, further prove herself savior of this newly begotten world that has alienated her from the very people she is trying to save.

It’s not that her pride, her need to point her finger into the face of humanity and shout “I told you so!”, is a deliberate attempt to prolong suffering as a form of payback for the laughter that’s followed her these last years. No, nothing so vile as that.

But still….

Most of her turns its internal back on these newfound revelations in a sort of primative self-defense mechanism. Self-blame is an emotion this world can ill-afford.

But still….

Resolving to think on this later, she abruptly turns and begins the trek back to her temporary home, her agile mind already returning to the problem of the code, the code, that damnable code.

5

Grunting softly, Koda lowers her weary body onto the top support of the corral fence, hooking one leg behind the middle support and resting gloved hands against thighs tense and more than a bit sore. The warm spell has continued, making spring a promise instead of a fantasy dreamt only by poets. Stripped of her heavy jacket, she sits at ease in a down-filled vest, flannel shirt, and jeans. Well-sprung cowboy boots are clotted with mud and snow and muck and will need to come off before she gets within shouting distance to the family home. She smiles, all but hearing her mother’s warning tones.

To the west, the sun is preparing to set beyond winter-bare trees. The sky is a riot of color and the clouds are gilded with rose and purple and gold.

It is a peaceful time that appeals to her need for solitude.

For the past three days she has been immersed in the concerns and troubles of her immediate family and neighbors. Her family’s huge ranch has become a haven for the dispossessed. Orphans, widows, widowers, and the occasional full family unit now take up residence on the three thousand acre spread. The house and all its outbuildings are jammed with grieving people, each with a story to tell. Koda believes she’s heard them all, most more than once. A new oral tradition is forming, a history kept in the mind and on the tongue, like the history of old. Her oldest sister, Virginia, has already set several of the stories to song as a way of remembering. It is the way of their people, a way of making sure that these stories are never forgotten.

For the past seventy two hours, her mother has stuck to her as if glued, finding reasons to touch her, to hug her, to simply look at her through deep, fathomless eyes.

“The prodigal daughter returneth home,” Koda says softly, a wry laugh escaping into the slight breeze.

An answering cry sounds from overhead, and bare moments later, Wiyo lands on the fence next to her, settles her feathers, and looks up at her, head cocked inquisitively.

“Good hunting?” Koda asks, grinning at her friend.

Wiyo sidles closer until they are touching, then settles and begins to preen. Dakota feels tears sting her eyes at the simple, and sacred, beauty of the moment. It is something she will profoundly miss when she leaves again, quite probably for the last time.

Blinking those tears away, she looks back at the setting sun, and all that surrounds her. This is her home, the place where her soul knows its only peace. And yet, to be who she must, to become who she will, she must leave both it and the peace it offers behind.

She senses the presence behind her a split second before a light touch descends on her shoulder.

“Han, thiblo.”

A deep laugh sounds behind her as Tacoma moves to the fence. “Those eyes in the back of your head have grown larger, I see. Hau, tanski. Hau, Wiyo.”

The redtail cocks a disinterested eye toward the large man before returning to her preening.

“Beautiful evening,” Tacoma remarks, leaning forward to rest his forearms against the top rail.

“That it is,” Koda agrees. With the sound of thunder, the herd comes over the ridge and runs by, Wakinyan leading them. The herd’s size has nearly doubled in the weeks Koda has been away, and she looks on, impressed. “He covering them all?”

“Oh yeah. He’s gonna be one happy boy come spring.”

Koda shoots him a look before returning her attention to the setting sun.

The two sit in companionable silence until the sun disappears behind the horizon and twilight descends, bringing with it a soft peace of its own.

Finally, Tacoma speaks. “I’m coming with you, you know.”

Shifting on the fence rail, Koda looks down at her brother. “What?”

“When you leave. I figure that’s gonna be either tomorrow or the day after. I recognize the signs.”

“What signs?!”

Tacoma grins, a touch smugly. “How long have I known you? You’re as restless as a cougar in heat, tanski. You love this.” A large hand splays, indicating the ranch. “But your soul is calling you elsewhere.”

Koda dips her head, a touch embarrassed at being so easily read. Tacoma chuckles softly, soothing her with a light touch to her broad back.

“You always were a wandering spirit,” he continues, tone reflective. “It surprised the hell out of me when you bought the ranch down the road and settled in.”

“Tali,” Koda answers, her own voice quiet as her brother’s. “She was happy here. And I…a big part of me was too.” A pause, then softer still, “Still is.”

“But that other part, it’s gotten bigger, hasn’t it.”

Koda nods.

“You’ve changed, tanski.” Tacoma holds up a hand. “No, no, not in a bad way. It’s just….” He sighs, trying to put his thoughts into words. “Ina always said that you were born winyan.”

Dakota turns wide eyes to him, and he laughs.

“No, not to your face. You got into far too much mischief for her to ever let you know that out loud. But she’s always been proud of you. Ate too. And you know the younger ones worship you. Hell, even I do.”

Feeling a hot blush coming on, Koda turns away, glad for the evening breeze which has sprung up with the setting of the sun. It cools her skin, but does nothing for the rapid beat of her heart.

Caught up in his own thoughts, Tacoma doesn’t notice—or has the sense, at least, to pretend he hasn’t. “As I said, you were always self-possessed and mature, even when you were a wild child.” He laughs, remembering. “Which was most of the time. But now…now you have… wakhan. I can feel it coming off of you, even when you’re sitting still, like now. It’s just….” Head lowered, he sighs again. “I wish I had better words to explain.”

“I’ve experienced many things in these past weeks,” Koda replies, still looking to the horizon.

“I’ve heard the stories. Though I assume you edited them for Ina and Ate. Ina especially.”

Koda turns finally to look at him. “Wouldn’t you?”

The two siblings share a quiet laugh.

Dakota sobers. “There’s a great battle coming, thiblo. I can feel it here.” She pounds her thigh. “In my bones.”

“Not here.” Tacoma indicates the ranch again.

“No. This place is safe enough. For now at least.”

“Ellsworth, then?”

“I believe so. I don’t know how I know, I just know that I do.”

“Which is why I’m coming with you.”

Koda rounds on him again. “No, Tacoma. You can’t. You need….”

“To stay here?” His voice is strong, steady, and brooks no contention. “You yourself just admitted that this place is safe.”

“For now, I said.”

“For now,” he concedes. “But it’s as well guarded as any army camp, Dakota. You’ve seen it with your own eyes. We’ve got enough weapons and ammunition to last us for years, if need be, and everyone on this ranch, from the youngest on up, knows how to use them.”

“But….”

“No buts. I am Tacoma Rivers, Staff Sergeant in the US Army. I am a Lakota warrior. I can no more stand by than you can. If there is to be a battle, I mean to be there.”

“Ina will never let that happen.”

“Ina doesn’t have a choice in the matter. I am wichasha. I run my own life, and rule my own destiny.”

“And cower like a hokshila when Ina shoots one look at you,” Koda replies, smirking.

Tacoma can’t help but laugh, knowing his sister’s words for truth. Their mother runs the house with an iron fist, and no one dares deny her reign, not even her husband.

“I need to do this, Dakota,” he says finally. “No matter what, I need to do this.”

Taking her brother’s hand in hers, she gives it a firm squeeze, and looks deep into his eyes. “I know.”

Falling silent again, both turn to the sliver of the moon as it rises over the skeletons of trees as old as time.

6

“No. You won’t go. I forbid it.”

“Ina.”

“Mother.”

“No. This discussion is finished. Now leave me, both of you. I have dinner to prepare.”

Stepping away from the juggernaut who is their mother, Tacoma shoots a pleading look to Koda, who rolls her eyes and steps forward, careful not to touch. “Ina, please.”

Themungha whirls, eyes fierce and filled with tears she won’t allow to fall. “I told you to leave me be, Dakota.”

“I can’t do that, Mother. I won’t do that.”

“Who is winyan here?” she demands, her brow like thunderheads amassing before a storm.

“We both are.” Her eyes soften. “Please, Ina. We need to talk about this.”

Sighing, Themungha looks at her daughter, then past her to where several not-quite familiar faces stare back with varying degrees of discomfiture. “Go on with you!” she demands, scowling and flapping her arm at them. “I’ll let you know when the meal has been prepared.”

The small group scatters like startled quail, leaving only mother, daughter, and son behind.

“Start talking.” Arms folded across her chest, Themungha is a formidable sight. Tacoma swallows hard, but Dakota refuses to be cowed.

“I’ll talk only when you are ready to listen to my words, Ina.”

The thunderheads reappear, then scatter. Proud neck unbent, Themungha nevertheless lets her daughter know by her body language that she’s ready to listen.

“The danger. It isn’t over, Ina.”

“All the more reason you are needed here, Dakota. To protect your thihawe. There is no greater need than that.”

“Our family is protected, Ina. I have seen it. I have spoken with our neighbors, the men and women and children who have come to live here. They will protect this place, and everyone in it, with their lives.”

Themungha’s voice carries with it deep, biting sarcasm. “Oh, and you are demanding that they do what you will not?”

“I demand nothing from them, Ina. They do what they do of their own free will. As I do. As Tacoma does.”

“And that is supposed to make me feel better?” her mother shouts, all but shaking the rafters. “That they will stay and fight, and you will run?”

“I’m not running, Mother. You know this.”

“All I know is what I see. You are leaving us to defend ourselves while you go who knows where and take my oldest son with you.”

Tacoma steps in, his voice even, but firm. “I would go with or without Dakota, Mother.”

Themungha turns to her son, tears finally spilling over onto her rounded cheeks. “Takuwe?”

“Because I am needed.”

“You are needed here!”

Tacoma shakes his head, saddened by his mother’s tone, yet resolute. “I am needed there more.”

Themungha turns away, her face and almost ugly in its anger. “Let the washichun take care of himself.”

“Ina!” Tacoma gasps.

She rounds on them both. “It’s true!” she shouts again. “Where were they when our land was stripped from us? Where were they when our women were raped and our men were slaughtered like sheep? Where?!?”

“Not even born,” Dakota replies, her voice flat and devoid of any emotion. Tacoma stares on, shocked at his mother’s sudden bigotry.

“Oh?” Themungha retorts. “And I suppose it was ghosts who sent you home battered and bloody from school? It was ghosts who spat in your face when you walked into town? Who called you names that took the light out of your eyes and put a stone mask on your face instead? Was it, chunkshi?”

“You know it wasn’t, Ina.”

With a savage nod of her head, Themungha puts her hands on ample hips and stares at them both, obviously believing the matter decided to her satisfaction.

“Mother,” Dakota begins softly. “You raised me to be the woman I am. A woman who will fight for what is right, and just, and good. There are thousands of innocent women and children trapped in prisons all over this country. Thousands more wander, lost and alone, and in fear for their lives. If I turn my back on them because they are not Lakota, I am no better than the people who beat and spit on me because I am.” Lowering her head just slightly, she levels her gaze into her mother’s bottomless eyes. “Is that the woman you raised me to become?”

She sighs when there is no answer.

“If so, then I’m sorry I failed you, Ina.” Turning to Tacoma, she says, “I’ll be leaving at sunrise. With you or without you.”

“I’ll be there,” Tacoma replies.

After a last, long look at their mother, brother and sister turn away and leave the room.

When they are gone, Themunga’s face crumples. Her body shakes with sobs finally released. A soft tread heralds the entrance of Wanbli Wakpa, who approaches his wife and wraps her tenderly in his massive arms. Stroking her hair, he comforts her as best he can, knowing it can never be enough.

CHAPTER TWELVE

THE LIGHT FROM the setting moon shines into the window as Koda wakens and slips out of the too-narrow, too-short bed. Placing her stockinged feed carefully on the floor, she uses the moon’s light and her own uncanny hearing to determine the positions of her two youngest brothers, snoring softly on the floor directly ahead. Housing space being pinched as it is, Phoenix and Washington now share this room, and both had spent the better part of the evening before begging and cajoling their eldest sister to spend her last night at home with them. It took even longer for her to finally give up and agree to use the one bed they both shared, which had, as she’d predicted, made for a mostly sleepless night for her.

Straightening, she suppresses a groan as her stiffened and cramped muscles protest the abrupt change in position. She arches, hearing her spine crack along its length, then freezes as one of her brothers—Phoenix, she thinks—snuffles at the disturbance, turns, and falls back into a deep sleep.

Think I’m gonna need a Maggie Allen special when I get back.

The tiny smirk slides from her face as she realizes that this is the first time she has thought of Maggie in three days.

On the other hand, at odd times during those same days, she’s found thoughts of the scientist, Kirsten King, sliding effortlessly into her mind. Random thoughts, really, nothing very specific. That they’re there at all is somewhat of a surprise to her, however. Surely she has better things to think about than how that radiant smile had transformed the young woman into someone beyond beautiful, or how her eyes sparkled like clear-cut emeralds. Or even how her hair, so reminiscent of the summer sun, might feel to her fingers.

Jesus, Dakota. You already have a woman who shares part of her life, and her bed, with you. Who respects you and cares for you. Why the interest in an arrogant, overbearing, closed minded, closed mouthed scientist who has about as much warmth as a North Dakota winter?

Because, another voice, still her own, tells her, she’s not like that. Not deep inside, where it counts.

Knowing that this internal conflict isn’t something she’s going to resolve any time soon, she pads silently to the window and takes a quick look outside. The fading night is clear as crystal, though she can tell by simply feeling the glass that the warm spell has continued to hold. Traveling should be good.

Turning away from the window, she looks down upon her sleeping brothers. Both sleep like the dead, and the picture clenches a fist in her heart. For the first time, she wonders if leaving is truly the right thing to do. The image of Phoenix, thirteen, and Washington, barely eleven, clutching rifles too big for them and falling silent beneath a hail of android ammunition causes her belly to roil and her palms to become slick with clammy sweat.

Suddenly, the room seems too cramped, and a primitive part of her considers panic. The door slips open and Tacoma comes partway through, a look of concern on his face. The siblings’ eyes meet, and Koda immediately finds herself begin to calm. Releasing a slow breath, she holds up one finger. Tacoma nods and steps back out of the room, leaving the door the tiniest crack open.

Looking down once again, she tries to memorize the shape of their faces, knowing all the while that should she ever see them again, they will have become men instead of the boys who sleep so peacefully before her. Will I even recognize you? Or will you have become strangers to me, merely another face passing by in my life? She wipes a tear from her eye. Please, never let that happen. Please.

Squatting down, she kisses the tips of her fingers, then brushes them lightly against the downy cheeks of her brothers. “I love you,” she whispers. “Never forget that. Never.”

Coming again to her feet, she pads silently to the door before turning and giving them both one last, lingering look. Then, eyes full, she opens the door and steps through, closing it quietly behind her.

Tacoma meets her in the hallway and slings a gentle arm around her shoulders. “You okay?” he whispers.

Nodding, she gives him a half-smile. “You should have been a shaman.”

He laughs softly. “Remember what I told you, tanski. Wakan Tanka had a little mix-up with the two of us. He gave me the warrior vision and you the shaman vision, and we’re stuck walking these paths.”

“Not always,” she replies, threading an arm around his waist as they start down the long, dark hall. “Not always.”

They meet up with a shadowed figure who steps out of his room and stands before them.

“Hey, Houston,” Koda whispers, giving him a poke to his thick chest. At sixteen, he stands on the cusp of manhood, and is already showing the stamp of the handsome, rugged man he will shortly become.

“Hau, Koda. Hau Tacoma.”

“You remember what I told you, right? If you get even the faintest whiff of trouble, you SOS Ellsworth and there’ll be a squadron of Tomcats here so fast you won’t be able to sneeze.”

“Yeah, I remember. I’ll keep an eye out, don’t worry.”

“Alright, then.”

“So…I guess this is it, huh? Do you….” He falters for a moment, then regains himself. “Will you come back?”

Reaching out, she places a hand on her younger brother’s shoulder, squeezing it. “I will. When this is over, I will. I promise.”

Nodding, he swallows hard, fighting tears they all know are a hairsbreadth from wanting to fall. “We’ll all hold you to that, you know. Both of you.”

“We’ll be back, little bro,” Tacoma remarks, slapping Houston’s side. “Count on it.”

With a final nod, he steps aside, then joins them as they continue their walk down the hallway.

They enter the brightly lit kitchen, then stop in surprise. Themungha stands with her back to them, stuffing the last of some frybread wrapped in wax paper into a large cloth sack. Dusting her hands on the apron she wears, she turns to her children. Her eyes are circled by sooty smudges, betraying a lack of sleep, and her face is set like stone. But she shows them none of her previous anger as she lifts the sack from the counter and hands it to Dakota. “Food. For your journey. Eat it before it gets cold.”

Dakota takes the sack, looking at her mother. “Ina, I….”

“No. No more words. They’ve all been said. Now go. Both of you.”

Handing the sack to Tacoma, Dakota steps boldly forward and wraps her arms tight around Themungha’s still, stiff form. “I love you, Ina,” she whispers into one warm ear. “I will always love you.”

After a moment, Themungha softens, returns the hug, then grabs Koda’s face and covers it with small kisses. “I love you, chunkshi. With all my heart.” Releasing her daughter, she steps back. “Be safe. Come home.”

“I will.” It is as solemn a vow as she knows how to give. Without bothering to wipe the tears from her eyes, she turns, grabs the sack from Tacoma’s limp hand, and leaves.

Five minutes later, Tacoma joins her in the truck, tears of his own rolling slowly down his cheeks. Their father stands outside of the driver’s window, bending down to look inside. “Safe journeys to you both. Fight with honor, and come home to us.”

“We will, Ate,” Tacoma replies.

With a nod, Wanbli Wakpa steps away. Koda starts the truck, and pulls out of the long drive, straining to see through tear-trebled vision. “Let’s get outta here.”

2

Kirsten’s fingers dance lightly over the keyboard, calling up string after string of data, highlighting, selecting, discarding. She has spent sixteen hours a day at the same since she signed herself out of the Base hospital “against the advice of the attending physician” as the CYA-against-torts form so politely phrased it. Sixteen hours a day of searching—no, she amends, excavating—this damned alphanumeric midden of junk code, and she has found not one damned thing to give her a clue to shutting down the damned motherfucking droids. The gentle Methodist minister of her childhood had taught, counter to orthodoxy, that the infinite love of God precluded the existence of hell. Kirsten was one ahead of him there, believing for most of her life that the hellish existence of a large percentage of the globe’s population precluded both the reality and the mercy of God in any measure. Which was a shame, she thinks, because at this moment she would cheerfully spend eternity in the cosmic barbecue pit for the privilege of spitting and roasting the military idiot who had ordered the strike on Minot. With a small sound of disgust, Kirsten saves the mile-long strip of useless code, pops the disc and inserts another. Just in case there’s something there that may prove useful later.

Fat chance of that. Twice nothing is still bloody damn nothing.

From his place under the table, Asi whines, lifting his head to peer at her as she bends over her work at the kitchen table. Absently she reaches down to scratch his ears, and, satisfied that she is well, he subsides again into his sleep. Even with Asi within arm’s reach, the house seems strangely empty. And that, Kirsten reflects, is strange in itself. She has always preferred her own company and her dog’s. Asimov now, Flandry before him, Altair earlier still.

Kirsten has been made at home in what was originally the second bedroom of the house, more recently Colonel Allen’s music-cum-tv room-cum library. The Colonel herself is presently out on one of the reconnaissance missions that have become more and more frequent in the last few days. Even though the Base housing is comfortably away from the flight line, the takeoff noise of a supersonic fighter jet is hard to miss, and she has noted the increasing number of flights and landings, especially at night. The Lakota woman—Dakota, some deep part of her reminds, she asked you to call her Dakota, remember?— has also gone missing, haring off to see her family according to the Colonel. Dutifully, Kirsten tries to be glad that someone still has a family to go home to.

Still the abrupt departure feels oddly like a slight.

And if that isn’t the silliest thought you’ve had in six months, she scolds herself. You don’t really miss either of them. It’s just a matter of having gotten used to having another human or two about. Any human. Habit, that’s all.

And if she keeps telling herself that enough times, maybe she’ll actually start believing it.

“And won’t that be a joy for all mankind?” She snorts softly. “God, Kirsten. You’re pathetic. Did anyone ever tell you that? Just pathetic.”

With a somewhat dramatic shake of her head, she returns her attention to the scrolling alphanumerics on her screen. Nothing. Nothing. More nothing.

Abruptly she pushes her chair away from the table, crosses the room to the coffee maker and sets a fresh pot to brew. The tile floor is cool under her booted and double-socked feet, despite the central heating. As the coffee maker gurgles and hisses, she leans her back against the edge of the counter and scrubs at her eyes with both hands. Even with her glasses, the endless strings of numbers are starting to blur and run together on the screen as well as in her mind.

There has to be some other way to do this besides just going through the columns of numbers and letters. It is not just that visual searches could run on into the next Ice Age at the rate she’s going. It’s that she might actually find, and miss, what she’s looking for in her state of fatigue. If this were Star Trek or Time Enough for Love or any other of her childhood favorites, she would simply ask the computer to find the shutdown code, and the computer would produce it. Given that that’s not going to happen here—let’s try going at it from the other end. Weed out everything that’s not a vital command.

Cup in hand, she sets to work again, sorting out anything that does not fit the parameters of a basic command. It is not quite as simple as it sounds, and she spends the next hour selecting and downloading material that may be useful at some point but is little more than digital garbage now.

Two hours later, she is left with half a dozen files. Of those half dozen, three are passworded, and one is passworded and encrypted.

Yes! She waggles her aching fingers at the screen. Think you’re a match for the Orange County Hacker, do you? Prepare to meet your doom!

Orange County Hacker? Doom? Christ, she thinks, I am terminally punch drunk.

The passwords are moderately difficult to break, but she has them down within half an hour. The encryption key takes longer, but by the time the sun has slipped halfway down the afternoon sky, she has it, too. She hits the Apply button and holds her breath.

The commands scroll down the screen, endless columns of alphanumerics. Somewhere in them, if she is lucky—if the whole human race is lucky—is the code that will shut down the droids and allow the survivors to return the world to something close to normal. It will never be what it was; she knows that. The simple fact that women now outnumber men by perhaps a hundred to one or even more—maybe a thousand to one—will change the way the world goes about its business. Power will be defined differently; used differently. With her heart in her throat, Kirsten retrieves the saved code that shut down the prisoner droid and nearly killed her. She clicks on Find similar and waits, her forehead pressed against her clenched hands.

Please god, any god, all gods, whatever. Let this work.

When she looks up at the screen again, there is a match. Her hands shaking, she watches the symbols stream across the screen, matching her search criterion letter for letter, digit for digit. Then they begin to change: a related command, but different.

Yes. Yes! A small, cautious voice in the back of her mind warns her that this may not be what she is searching for, but she refuses to believe it. The information flows steadily, varying from the prototype command here, identical there. Abruptly it stops.

Kirsten runs the match again, and again the code plays out before reaching the end of the command. Incomplete. Kirsten runs it a third time. Still incomplete. A fourth time. Nothing is different. She has part of the code, no more. She lowers her forehead to her clenched hands again, and silent, bitter tears slip down her cheeks.

After a time, she raises her eyes and turns off the computer. If she does not have the complete code, she has at least a part of it and can perhaps build on that when her mind is rested. She is realist enough to know that she can accomplish nothing of worth in her present state of exhaustion. Rising, she takes her jacket from the row of hooks by the back door and whistles Asi to her side. He all but knocks her down, jostling her against the door frame, as he bounds out onto the carport and down the snow-powdered street, turning to wait for her half a block away, tongue lolling, breath clouding in the frosty air.

Angry at her failure and at herself, refusing to think, Kirsten allows Asimov to choose their itinerary. He leads her through the half-derelict housing section, where vehicles that have not moved since the day of the uprising remain shrouded in snow and abandoned homes stand open to the elements. There has been no time to set them to rights or to reclaim what might be salvaged. No time, and no people. Those that are left have more immediate concerns.

At the end of a cul-de-sac, Asi veers away from the residential area into a strip of woodland growing on the banks of a long, narrow pond. The water, frozen now, gleams in the low sun with swirls of gold and crimson . Fire, Kirsten thinks. Fire in the lake.

Sudden overthrow. Revolution.

As omens go, it is a bit belated.

And no damned use in any case.

Asimov dances ahead of her, running a short distance, turning, barking, running again. Glad to be free of the confines of the house, clearly wanting to play. Too well trained to ignore him, Kirsten picks up a fallen limb a yard long and breaks it over her knee into shorter segments. “Asi!” she calls, “Fetch!”

She pitches the stick ahead of them some fifteen feet, and Asi bounds through the snow after it, for all the world as if it mattered to him. He returns, grinning around the piece of branch, and drops it at her feet, looking up at her expectantly. She picks it up again and feints a throw. He wheels to run but stops in his tracks when she fails to release the stick, looking back at her reproachfully. Twice more she pulls her throw, then sends the improvised toy sailing ahead through the bare trees. Asi follows like a shot, sailing over the small rise that may be only a drift or a may be a massive tree root under the snow and racing down the long line of naked sycamores that mark the edge of the water in warmer seasons. Kirsten slogs after him, clambering over the hump that does indeed feel like ancient, twisted wood beneath her feet. It is knobbed and knotted with age, and it takes all her attention to keep her balance as she climbs cautiously up and over to the other side, stumbling slightly when her foot catches on a protrusion near the ground. She flings out her arms to balance herself, fails, and sprawls in the snow. It is only when she is on her feet again and brushing herself off again that she realizes that Asi is nowhere to be seen.

“Asi! Asimov! Come!”

No answer.

“Asi! Come! Now!” Her voice rises and breaks with something near panic.

Still no Asimov, but from some yards ahead and to her left, she hears a high-pitched, plaintive whine. Following his prints, she trails him to the trunk of a huge tree whose bare branches extend almost halfway across the narrow inlet of the pond, where a feeder stream flows into it. He sits beneath the sycamore , staring upward, his tail brushing a half-circle in the loose powder that covers the frozen water. He whines again, this time almost pleadingly.

Twenty feet up, a raccoon sits in the fork of a branch. It is an older male, perhaps a third of Asimov’s size and weight, his fur fluffed about him for warmth. He nibbles delicately at an acorn, holding it with both long-fingered paws as he turns it around and around before his narrow muzzle. He pauses as Kirsten arrives, regarding her with eyes like molten gold from behind his black mask.

Unbidden, images tumble through her mind. A naked woman painted in blue spirals and sunbursts, brandishing a spear and a shield of polished bronze. Another woman, her face printed with the years and with wisdom, enveloped in a billow of vermilion silk like flame. A raised hand of not quite human form, and a voice on the churning wind. Turn back. The time is not yet.

Then they are gone, and she is standing under a tree with a disappointed dog and a raccoon who stares disdainfully down at them both , calmly eating his dinner.

Kirsten whistles, and this time Asimov obeys. They trudge back to the house through the gathering dark, as the eastern sky deepens to ultramarine and a flush of scarlet and purple still colors the west. The cold deepens as the sun slips finally beneath the horizon and the first stars appear. As Kirsten makes the final turn into Maggie’s street, Asimov breaks from her side and goes pelting down the block, baying like the hound of the Baskervilles.

A long-bedded, heavy blue truck is pulled up in the driveway, a blue truck with the insignia of the veterinarian’s V and caduceus just visible in the failing light.

Koda is back.

Without volition, Kirsten’s feet carry her forward at a pace just short of a jog. Her heart picks up its rhythm to match, her mouth suddenly dry. She watches as Koda slides out of the driver’s side of the pickup and is joined by a second figure, taller and broader shouldered, but with much the same erect carriage and proud tilt of the head. With a deliberate effort, Kirsten slows her pace and joins the two new arrivals just as Koda unlocks the kitchen door. Under the carport light, Kirsten can see the striking likeness of their features, and a small unacknowledged fear shrinks in upon itself and dies.

“Hi,” she says, as Koda turns to her with a smile. “Welcome back.”

“Well, look who the dog dragged in,” Koda teases gently, returning the smile as she reaches down to give Asi’s ears a good scratch. Asimov all but turns into jelly, and for the first time, Kirsten finds herself not minding so much that her dog has obviously fallen head over heels in love with this woman.

Much to Asi’s dismay, Koda all too soon retires her hand from scratching duty and lifts it to the doorknob instead. “Let’s get in out of the cold, shall we?”

A blast of warmth and light hits them all as the door swings open and the group steps inside. Asi immediately claims his place in front of the fireplace and begins to attack the large soupbone Maggie had left for him earlier. With a sigh of satisfaction, Koda places her heavy pack on the kitchen table and gestures for her brother to do the same. Then she turns her smile back to the young scientist. “Doctor King, this is my brother, Tacoma. Tacoma, this is Doctor Kirsten King.”

With a grin so identical to his sister’s that they could be—and should be—twins, Tacoma holds out a massive hand that gently engulfs Kirsten’s much smaller one. “A pleasure to meet you, Ma’am.”

Kirsten utters a sardonic chuckle. “I’d like to think I’m a little young for the ‘Ma’am’ stage, Mr. Rivers, but it’s a pleasure to meet you as well.”

“Tell you what. You call me Tacoma, and I’ll drop the Ma’am, alright? Ma’am?”

Charmed, Kirsten’s grin flashes just briefly as she releases Tacoma’s hand. “It’s a deal. Tacoma.”

With a respectful incline of his head, Tacoma takes a short step back and looks around. “Nice digs.”

“Colonel’s quarters.” Koda’s succinct response tells it all. “And don’t get too used to them. You’ll be bunking with Manny.”

“Figures,” Tacoma replies, smirking. “The regs say that canon fodder like me isn’t adapted to the rarified air of this place.” The twinkle in his deep, black eyes lets Kirsten know the joke is old and well loved.

Rummaging through the litter on the table, Koda pulls the food sack her mother had given her. “Let me just split this stuff up.”

Tacoma holds up a hand. “No, it’s alright, tanski. I’m gonna have to get re-used to military chow sooner or later. For the sake of my belly, it’s just as well that it be sooner. You keep it.”

Unheeding, she pulls out two thick slices of frybread wrapped in wax paper, a packet of meat filling, and hands both over to her brother. “Give one of them to Manny. I’m sure he’ll appreciate it.”

“Appreciate it?” Tacoma exclaims, grinning. “He’ll just about have an….” His face turning an even deeper reddish hue, he nearly bites his tongue and gives Kirsten a positively hangdog look. “Um…sorry, Ma’am.”

Frozen to the spot, Kirsten shoots her gaze from Tacoma’s mortified look to Dakota. The mirth swimming in those striking eyes almost causes her to lose it and she bites down on the inside of her cheeks hard enough to draw blood just to keep herself from braying laughter like some demented donkey. The slight pain clears her head, and she manages what she hopes passes for a dignified nod. “It’s quite alright, Tacoma. If that food tastes as good as it looks, I can understand the reaction.”

Tacoma’s sense of relief is almost palpable as he humbly receives his sister’s food offering and stuffs it into his military pack.

Unable to help herself, Dakota laughs, grabs her brother’s arm and, with the barest ghost of a wink to the onlooking Kirsten, drags Tacoma out of the house and into the dark of the South Dakota night.

3

An hour or so later, Koda slips quietly into the house. The interior is perfectly dark, save for the sliver of light that slices through the partially opened door to the room Kirsten is using as her office. Silent as a shadow, Koda tracks the light, and peers into the office. Kirsten is sitting at the desk, her head propped up on one closed fist. Her glasses reflect the light from her computer; a light that washes over her face in a seasickness victim’s greenish pallor.

As if sensing Dakota’s presence, Kirsten blinks, then slowly turns her head away from the scrolling lines of formula painting themselves across the display before her. Her welcoming smile is wan and, drawn by that, Koda crosses the threshold and into the room, coming to stand beside the desk.

“Hey.”

“Hey. Did you get your brother settled in?”

Dakota smirks. “Oh yeah, he’s settled in alright. When I left, he was busy regaling them with a bunch of ‘flyboy’ jokes he learned in the army.”

Kirsten winces.

“Nah. He served with a bunch of them in the wars. It’s like old home week there right about now.”

“He’s a nice man.”

“Tacoma? He’s alright.” Dakota’s smile is fond, and it warms something deep inside Kirsten upon seeing it.

“Is he your only sibling?”

“If only,” Dakota replies, laughing softly. “No, I’m one of ten. Tacoma’s the oldest. I’m third in line. I also have an older sister, Virginia.”

“Tacoma, Virginia, Dakota….”

“…Washington, Houston, Phoenix, Montana, Carolina, Dallas, and Orlando. My mother’s a geography nut.”

“You don’t say.” Kirsten’s tone is dry as dust, but her eyes twinkle in a way that is quite attractive to Dakota.

“Oh, I do. Very much so.” There is a brief pause. “What about you? Any brothers or sisters?”

A veil drops down over Kirsten’s eyes, leaching out the vibrant green and leaving a muddy brown behind. Koda holds up a hand, even as she takes a step back, fully intending to end the conversation. “No, it’s alright. I’ll…see you tomorrow. Good night.”

“I was an only child,” Kirsten spits out rapidly, her words as staccato as machine gun fire. She looks on, feeling what can only be relief as Dakota stops her retreat and levels her an unreadable, but not unfriendly, look. “They wanted a big family, but my father had a run-in with an Iraqi landmine and, well….”

“Damn,” Koda softly replies.

“Yeah. He was in the hospital for awhile, but things were basically okay after that. I was pretty much spoiled rotten.” She gives up a wry smile. “As if you didn’t know that already.”

Koda manages, by the skin of her teeth, to remain silent and stone-faced.

Kirsten flushes a little and turns away. The soft, low timbre of Dakota’s voice draws her back.

“You’re gonna be alright.”

The expression on Kirsten’s face gives Koda a glimpse of the young woman’s childhood more clearly than any photograph ever could. The naked, aching need for acceptance and reassurance pulls her in like a fish on a line. Her feet pad noiselessly across the floor, and the shoulder suddenly beneath her hand seems as fragile and complex as a bird’s broken wing.

At the touch, Kirsten breathes in, a soft hiss of air between clenched teeth. The gentle grip burns like a brand, soothes like a balm, engendering a paradox of calm and disquiet.

But it’s not disquiet you’re feeling, is it.

Shut up.

It’s time to buck it up and call a spade a spade, little K.

Shut. Up.

You can’t live this new life you’re trying to forge for yourself with your head buried in the sand, Kirsten. Examine your feelings. Face up to them. And then maybe you’ll actually start living instead of just existing. Think about it.

The voice fades into nothingness, and Kirsten only realizes her eyes have closed once she opens them. Koda is looking down at her, an odd mix of concern and compassion drawing itself over her arresting features. Kirsten manages to conjure up a bit of a smile, which Koda returns, as if it is the most natural thing in the world.

Examine your feelings. Face up to them.

The voice is pushed away by the sound of her own. “Thank you.”

Dakota’s eyebrows lift. “For?”

Kirsten lifts one shoulder in a half-shrug. “Being here, I guess. I sometimes forget what it’s like to have a normal conversation with another human being. Asi is my life, but….he doesn’t do the talking thing real well.”

Laughing, Koda releases Kirsten’s shoulder and steps back, providing some needed distance between them both. “Give him a little time. You might be surprised at what he has to say.”

Kirsten shoots her an odd look. “If you say so.”

“I say so,” Koda returns, grinning. And again, the barest ghost of a wink. “See you tomorrow. Sleep well.”

“I’ll definitely try. You too.”

“Thanks. Night.”

Once the door is closed again, and Kirsten is alone, she pulls out the feeling of Dakota’s simple touch, wrapping it around her like a warm winter coat. Her eyes slip closed again, and she crosses the boundary between wakefulness and sleep without ever being aware of the change.

4

In her dream, Koda wanders the Paha Sapa, the Black Hills sacred to her people from the time before time. Its cliffs rise up about her like shadow solidified in stone, their ramparts folded and refolded along the rockface, ledges jutting out at odd angles. Some of those folds mark caves that lead back into the heart of the earth; some shelter springs no deeper than a sheen of sweat on a summer day, others wells whose depths reach down beyond measure. It is the place where the Lakota came forth from the womb of Ina Maka herself, ascending into the light of the Sun for the first time as a human species and a nation. She goes here, paradoxically in a form older yet, one that pads without sound on four feet over the sharply ridged basalt that forms the canyon floor. To her left a bobcat moves like silk over the fissured volcanic rock, her wide paws scarcely touching the surface. The cat’s ears and vibrissae stand stiffly forward, interrogating the night air for sign of prey or menace. On her right paces a cougar, gold-silver in the moonlight, the depths of his eyes spangled with reflected stars.

A fourth goes with them, a smaller being with nimble, clever hands and the black half-mask of a bandit. The cats she knows. Even in her dream, Koda is aware of the bobcat’s human form lying warm beside her under the down comforter. The mountain lion, lean muscles rippling like river water under his fur, is the spirit of her warrior brother, Tacoma. As she puzzles over the fourth, scudding clouds blot out the moon and stars, and thunder rolls down, echoing from cliff to promontory and back like the pounding of the great drum of the Sun Dance. She and the other creatures who accompany her scramble for higher ground, leaping now from ledge to ledge, the unknown fourth keeping pace with the rest. Lightning splits the sky above, and thunder again and again about them until the whole world shakes with it. It splits the shelf where the four have taken refuge, sending it plummeting away from the rockface and them with it, and they are falling, falling into the night, into the unformed world from which they came forth at Ina Maka’s summoning, plunging headlong down and down . . ..

“What the hell?”

Somehow the words penetrate the cacophony of thunder and falling rock. Koda is vaguely aware of Maggie as she rolls over and reaches across her for the switch of the bedside lamp. “Sorry,” she adds as the too-bright light stabs at Koda’s eyes and she sits up, half-caught still in her dream.

“What—?”

“Somebody at the door.” Maggie slips from beneath the comforter and into the robe she has left folded over the back of a chair. From the bedside table she takes her pilot’s sidearm and slides a round into the chamber with a metallic chunk. “Be right back.”

Koda reaches for her own shirt as Maggie closes the door softly behind her. Her mind snaps sharply back into the present as she pads barefoot after the other woman. Pounding on the door at 4:30 in the morning can mean nothing but trouble. A blast of chill air from the open door raises goosebumps on her bare legs as she steps into the entryway. Directly across the hall from her, Asimov stands at guard in the living room door, tail erect. Kirsten holds his ruff with one hand and her .45 in the other. Despite the shadows about her eyes, her gaze is sharp and brittle as obsidian.

Koda flashes her a grin, an acknowledgement of one member of the hunting pack to another. Kirsten bares her teeth slightly in return just as Maggie draws the visitor on the doorstep into the foyer and shuts the door behind him. Bundled to the eyes and further masked by the cloud of his own breath, he snaps a salute at Maggie, then, looking past her shoulder, another at Koda and Kirsten. Maggie herself smiles as she turns to find her unexpected backup behind her. “Go on, Corporal,” she says evenly. ‘Dr. Rivers and Dr. King have a stake in this, too.”

“Yes’m,” he says, averting his eyes carefully from Koda’s bare legs and Kirsten’s neat figure, which is covered but is not hidden by her form-fitting thermals. He appears to be addressing the hall tree with its array of hats and jackets. “The General’s compliments Ma’am. There will be a meeting of all staff and senior officers at Wing Headquarters at oh-five-hundred. A number of small forces appear to be moving north from Peterson at Colorado Springs and from the Space Wing at Warren. Threat assessment and response to be discussed.” The trooper salutes yet again. “Ma’am.”

“Thank you, Corporal. My compliments to the General, and I’m on my way.”

Maggie shuts the door behind the courier and turns to Koda and Kirsten with a smile. “Thanks for the backup.” Her eyes become suddenly solemn. “This is the way it’s going to be from now on, you know,” she says softly. “Every unknown person will represent a possible danger. Everything unexplained will be potentially lethal until it is either explained or neutralized.” The Colonel’s gaze shifts to Kirsten. “Women will hold most of the positions of authority in whatever society we have left. We will occupy most of the professions that survive. We will do most of the fighting until the droids are contained. After that happens, we’ll still do most of the fighting—against other women, most likely—and the nation building. The rest of our lives will look a whole lot like tonight.”

A tight smile pulls at Kirsten’s mouth, but there is no irony in her voice. “Forward—into the past.”

“Back to the beginning,” Koda murmurs. And her dream is with her again, the landscape of first creation before humans grew away from Ina Maka and her other children and power belonged to her and her daughters only. With the eyes of vision Koda watches as Kirsten fades, to be replaced by a woman in a brief leather skirt and halter and a towering mask with a bird’s face and a mane of grass and feathers. When she tears her eyes away, Maggie is gone, too, her form melted into the shape of a woman with golden skin and knives glittering in either hand. Between one breath and the next the images vanish, and she is standing in the hallway with two other half-clothed women, cold and in need of coffee. “I’ll make breakfast,” she says, and follows Maggie back to the bedroom to dress.

Fifteen minutes later, Maggie pulls out of the drive with an insulated mug of coffee and a slice of Themungha’s fry bread wrapped around a scrambled egg. Koda can hear water splashing in the bathroom a couple yards down the small cross-hall that connects the entrance to the back of the house as Kirsten showers, and a hint of Maggie’s lavender-scented soap mingles with the aromas of dark-roasted Columbian coffee and melting butter. Koda sets out more of Themunga’s frybread, together with the fresh milk and eggs her mother has sent with her. The eggs are brown, and while Koda’s scientific mind knows very well that their shells merely reflect the color of the hens who laid them, she cannot quite shed her mother’s utter conviction that they are somehow tastier and more nutritious than the white variety. A psychologist might put that down to her mother’s feelings about race, she muses, but she knows too many white farmers and ranchers who are equally convinced. Face it, she tells herself as she sets to chopping sweet onion and tomato, they are better, and there’s no particular reason why.

The rich aroma of sautéd onion and tomato wafts into Kirsten’s room as she pulls on her boots and sweater, mingling in an odd harmony with the herbal soap whose fragrance lingers on her skin. It reminds her, a little, of weekend forays across the border into Tijuana and the exotic prizes waiting in the open air markets for a ten-year-old child with too little companionship and perhaps too much imagination. It reminds her, too, of Twenty-Nine Palms and Los Jacales, the tiny but imcomparable Mexican restaurant just outside the base where she and her parents had breakfast every Sunday. The memory is a small pang in her heart, almost physical, sharper than the ache left by the defibrillators and the bruises that linger on her chest. Carefully she removes a small woven straw box from the pants she wore the previous day and transfers it to her pocket. Guatemalan worry dolls, nearly twenty years old now, bought for her one bright summer day by her father. She still remembers the names she gave each of them, the stories she built about each bright thread-wrapped figure.

They are one of her few remaining material links to the past. Oddly, they seem now as much a talisman of the future as a relic of her childhood. The indigenous peoples they represent, the traditional societies, have the best chance of survival now. As she opens her door and steps into the hall, it comes to her that somehow in the last few days the past has loosened its hold on her. Or she on it; she is not quite sure which it is. For the first time since her flight from Washington, the future has a habitation and a name. It is not just that the earth has not, despite the horror, ground to a halt in its orbit. Somewhere in the depths of her mind is the recognition that, against all odds, she may somehow live to see the birth of a new and very different world.

And that may not be a bad thing. Not a bad thing at all.

She has Asi, whose return she would call miraculous if she were inclined to believe in miracles. And she has—no, not friends exactly—colleagues and companions who share her purpose. “Morning,” she says to one of them as she steps into the kitchen. The window over the sink frames a square of black sky, and she winces. “Middle of the night. Whatever.”

Dakota turns her attention briefly from the stove to smile at her. “Morning. Breakfast’s almost ready.” She nods at the table, where a cup of coffee already steams on one of the two placemats. “Have a seat.”

Kirsten shovels sugar into her cup, together with a generous dollop of cream. The adrenaline rush of an hour ago is gone, and she can feel reaction beginning to set in, her blood sugar starting to slide. The caffeine and glucose hit her system like a thunderbolt, finishing the job the hot water has begun. From underneath her lashes, she watches the other woman as she prepares their meal, moving around the room with the abrupt, angular grace of one of the great predators—a cheetah, perhaps, or a wolf. She wears the same plaid flannel shirt she had on earlier, but now it is tucked neatly into the waistband of the jeans that do little to conceal the taut elegance of her legs. Her hair, which had flowed over her shoulders like a river at midnight, is now caught back with a rubber band. It still sets off the sharp planes of her cheekbones and forehead, the generous lines of her mouth, the inexplicable blue eyes.

Kirsten feels heat rising in her cheeks that has nothing to do with the coffee or its effects. She feels suddenly disoriented, as if the room had suddenly turned itself upside down to leave her hanging weightless from the ceiling. To cover her confusion, she asks, “What do you think is going on?”

Dakota—Koda—gives the thickening eggs a stir and slaps two rounds of frybread down on the stove’s surface to heat. “The droids have to take us out if they can. There’s too much still functional. We’ve raided them successfully—” With a swift movement of her bare fingers, she turns both pieces of bread. “—and that makes us too big a threat for them to leave alone.”

“So those small groups the Corporal was talking about are likely to join up and attack the base again?”

“If we sit still for them.” Koda dishes up the eggs onto the frybread, rolls them up and drops them onto warmed plates. “My guess is we won’t.”

“At least the number of the military models is limited. That’s some small comfort.”

“Not enough to make up for bombing the factory, though.” Koda sets down the plates and takes a seat. Her eyes meet Kirsten’s across the table. “If not for that—”

“I’d have more than the partial code. It might all be over.” She holds that intense blue gaze, unwilling to be less than honest. “Look, I come from a military family. You don’t have to explain the brass’ fuck-ups to me. It’s par for the course.”

Koda nods. “Tacoma has some stories that would curl your hair. Insufficient ammunition, garbled orders.”

Kirsten reaches for a fork, then stops as Dakota picks up her roll taco-style and bites into it. Following suit, she reaches for a napkin as butter runs down her chin. “Good,” she says. You’re a good cook.”

“Not especially. I grew up helping my mother get meals for a large family. Lots of practice is all.”

From underneath the table, Asi whines, and Kirsten pinches a bit off the end of her roll. Koda does the same, dropping the bite into his bowl. It disappears in less than a nanosecond. Dakota grins. “Spoiled.”

“Rotten,” Kirsten agrees, breaking off a second morsel. It vanishes from her fingers in even less time. “You going to the clinic again today?”

“For the morning, anyway. You?”

“Work on the code till it drives me nuts. Take Asi for a walk till I can think straight again.”

“Anything I can get you that would help? Discs, a printer—?”

Kirsten shakes her head and pushes her chair away from the table. “I had a good supply in my truck.” As she rises, an odd thought strikes her, and she asks, “Animals mean something in your traditions, don’t they? Symbolically, that is.”

The Lakota woman’s withdrawal is both instant and almost imperceptible. There was a time, Kirsten thinks, when I wouldn’t have noticed that. “I don’t mean to be disrespectful. Asi found a raccoon yesterday, and I just thought it was odd. Don’t they hibernate?”

“No, not exactly. They sleep a lot, living off their fat. They come out of their dens to feed periodically, though.”

“So it doesn’t necessarily mean the cold is going to let up some?” Shift the context. For some reason it is important to her not to offend this woman. “I’ve never seen so damned much snow in my life.”

“No, I’m afraid not.”

Kirsten shrugs and moves toward the door. “Too bad.”

Koda’s voice stops her where she stands. “It means disguise, Kirsten, and the need to let go of old identities. It means transformation.”

And it is with her again, that long spiraling plunge toward death and the deep baying of the hunter who runs lithe beside her, a glimpse of driving muscles rippling under grey fur that turns in upon itself, moebius-like, to become a small pointed face with eyes burning like molten gold out of a black mask. The narrow muzzle opens, and the creature speaks in a voice to silence thunder, one long-fingered hand raised to bar her passage.

Go back. The time is not yet.

Her heart pounds in her chest like a trip hammer; sweat prickles along her skin. The time is not yet.

“Thank you,” she says, and flees.

Again.

CHAPTER THIRTEEN

THE DAY IS gray. Gray clouds, gray snow, gray faces of people walking along shoveled and salted paths. Even Asi’s vibrant coat looks washed out and dull as he plods along behind Kirsten, head bobbing like a tired draft horse on his way to the stables.

An almost pleasant sense of melancholia steels over her and she quickens her step, outpacing her thoughts, content to exist simply for and in this one moment in time. Life passes by, its stories writ large on the faces of the men and women with whom she shares this space.

As she wanders down a ruler-straight path, her steps take her to a scene that stops her, and makes her wish for perhaps the first time in her life that she had been born with the ability to draw. Before her stands a woman of no more than twenty whose life has painted age upon her face and form far beyond her years. Directly in front of her, pressed back to belly, is a girl-child, dirty, bedraggled, and pale as a wraith. The young woman has her arms crossed over the shoulders and chest of the girl in a gesture of desperate possession, as if she is the only thing of worth left in a world gone totally mad. The expression in the woman’s eyes transports Kirsten back in time to when she, herself, was a young girl standing in St. Peter’s in Rome, staring at the Pieta and wondering how simple stone could engender such profound emotions within her.

The child’s soft “hello” brings Kirsten back to the present, and she offers up a smile that is equal parts welcoming and sad.

“Pretty doggie.”

As if agreeing, Asi sits proudly and offers up a soft chuff, causing the young girl to giggle. “What’s his name?”

“Asimov.”

The girl looks a little confused. “Asmimoff?”

“That’s pretty close,” Kirsten commends, smiling. “He likes being called Asi.”

“Asi?” The child looks up at her mother for confirmation before returning her attention to the dog. “Asi.”

Asimov gives a louder bark, which makes the girl jump. Her mother tightens her grip, fright winging its way across her haggard face.

“It’s okay,” Kirsten hastens to reassure. “He won’t hurt you. I promise.”

The girl seems convinced. She lifts a small, dirty hand, fingers splayed wide. “Pet?”

Ever the ham, Asimov lifts his left paw, giving the young girl a doggie grin and another soft chuff. Kirsten laughs. “I think he’d like that.”

Responding to the pleading look from her daughter, the woman slowly—surely ice ages have come and gone in less time—relaxes her desperate grip. The child steps forward cautiously. Asi keeps his calm, one paw still raised. The girl takes it gently in both hands, then giggles as Asi covers her face with generous swipes of his tongue. Stepping away, she wipes her face with both hands. “Funny doggie. All wet!” Pulling her hands away from her eyes, she gifts Kirsten with a bright, innocent smile. “What’s your name?”

“Kirsten,” she replies, unable to keep from returning the sweet grin. “What’s yours?”

“Lisa,” the child replies, shyly peering at Kirsten from beneath long, lush lashes. “Can Asi be my friend?”

“Oh sweetheart, of course he can! We come for walks out here almost every day. If it’s okay with your mom, you can walk with us when you see us, ok?”

Lisa’s mother’s expression is pained as her daughter looks to her for approval. “We’ll talk about it tonight, sweetie. Now, we have to go get lunch.”

After a moment, Lisa nods. “Okay,” she replies softly. Turning back, she takes a step forward and wraps small arms around Asi’s neck, squeezing with all her tiny strength. “Bye, bye, doggie,” she whispers into his warm fur. “Bye, bye.”

Tears prick at Kirsten’s eyes and another part of her soul she thought long desiccated comes back to life, and with it, a renewal of her determination to give this child, and all others like her, a better world to grow up in.

As she turns for home, her last vision is a replay of the first. Lisa is back in her mother’s arms, but this time she sees a spark of what she can only call hope shining in twin sets of eyes.

For now, it will have to be enough.

She makes it as far as the door to her temporary home when a note taped to the door brings her up short. Written in a fine hand, the words jump out at her, making her, by turns, determined, angry, then both at once.

“Not this time,” she vows, ripping the paper from the door and crumpling it in one tense fist. “Not this time. C’mon, Asi. We’ve got a party to crash.”

*

The room is grey as a November day. Grey walls, set off by a tasteful strip of white PVC running along the bottom in lieu of baseboard. Grey carpet, with tone-on-tone USAF logs imposed on diagonally offset laurel wreaths. Grey curtains, likewise. On the wall hang photographs of warplanes based at Ellsworth, the intensely turquoise skies behind and below the airborne Tomcats and SuperHornets virtually the only color in the room. On a table in one corner sits an unwatered Norfolk pine, its pot wrapped in peeling red-black foil and its wilting branches hung with miniature lights and iridescent glass globes, dull in the dim light that penetrates the heavily lined window coverings. The long conference table is grey steel. Its vinyl-upholstered chairs match. Koda has, she thinks wryly, seen cheerier coffins.

Maggie says it for her. “Somebody get me a happy pill. This place would depress goddam Shirley Temple.”

“Never mind goddam Shirley Temple. It depresses me.” Tacoma gives a half-suppressed snort, not unlike a big cat’s disdainful whuffle. “Droids get the psych-ops staff?”

Maggie shakes her head. “Hart got the decorators, years ago. Too touchy-feely.”

“It could be worse,” Koda offers. “It could be pecan laminate and stuffed deers’ heads.”

Tacoma winces visibly as he shrugs out of his jacket and drapes it across the back of a chair about halfway down the table. He has resumed his Army uniform, the brass of his greens newly shined, his campaign ribbons proud in their many colors over his left pocket. Koda knows them as well as he does: the Afghan Meritorious Service Ribbon, bright green with its silver crescent; the Kingdom of Jordan Honor Legion; the Medal for Humane Action; Combat Action Ribbon; Bronze and Silver Stars, both with oak leaf. And there is the one she hates, purple with white edges. Wounded in action, gone missing in the frozen mountains of Panjir for two weeks and more when no one, not his commander, not his family, knew whether he was alive or dead, and neither she nor her father, for all their special skills, had been able to find him in the spirit world. Her eyes meet Tacoma’s as she seats herself across from his place, numbering his honors. Their father, veteran of VietNam, calls the tunic with the array of medals her brother’s scalp shirt, boasting that it is even more lavish than his own.. “Hey,” Tacoma says softly, reaching over the space between to touch her arm, calling her back to the present.

“Hey yourself. You didn’t cut your hair.”

“Not going to.” He grins suddenly at Maggie, now seated beside him. “You able to live with that, Colonel?”

Maggie, in her own spruce blues and even more fruit salad, grins back at him. “We’ll average it. You’ve got enough for Manny, yourself and me put together. Hart’s not going to like it, though.”

“Somebody mention my name?” Manny appears in the doorway, accompanied by two other men. One is in Marine uniform, the other in flannel shirt and jeans. Manny pulls out the chair next to Koda and glances around the room. “No coffee?”

“It’s on its way,’ offers a newcomer, a blond youngster in fatigues whose sleeves carry Corporal’s stripes. “What’s up, Lieutenant?”

Manny shrugs and glances at Allen. “Colonel?”

“Something to do with recon, as I understand it.”

The Corporal is followed by another man in civilian clothes, then by two women with wind-weathered faces. Koda sweeps the company with her eyes, not recognizing individuals but acknowledging the indelible signs of a life lived between earth and open sky. She says, “Everyone here is local, right?”

Nods answer her, responding to more than the single question. Local, and familiar with the countryside.

“Scouts,” she says. “Ground reconnaissance.”

“You’ve stolen my thunder, Dr. Rivers.” Hart stands in the doorway, waving his officers back to their seats as they push their chairs back to stand and salute. “We do need people who know the area to become involved in recon. I’ll be briefing all of you, then asking for volunteers.” He moves to the head of the table, spine stiffly erect, allowing the carts bearing coffee and a projector-cum-laptop to follow him into the room. He motions toward the urn and stack of cups. “Please, help yourselves. We’ve even managed to requisition some doughnuts.”

Must be his own private stash of Krispy Kremes, Koda observes wryly to herself as she fills her cup. She catches Tacoma’s eye as he does the same and feels the thought pass easily between them. He winks at her, snagging a cinnamon cruller for himself and dropping another onto her plate. Wants us bad

When the table has settled, Hart begins. “As you know, we have been fortunate at Ellsworth in that we have been able to repel the initial attacks of the mutinous androids, both military and civilian. We have, of course, suffered extensive casualties, but many of our officer corps have survived and we are still operational. At a reduced level, of course.

“We have also had the benefit of intelligence and reinforcements from the civilian population of the surrounding area.” Hart pauses to smile at Koda and to single out the other ranchers with a nod. When he comes to Tacoma, the smile freezes for a moment, then becomes deliberately brighter. Koda feels a light tap against her boot and looks up at Tacoma’s suspiciously expressionless face. Counting coup.

“Lights, please.”

When the room is dark, the general switches on the projector and fiddles briefly with the focus. The images that gradually form against the wall are night-sight green, but fairly clear for all that:

Troop transport trucks, moving along narrow roads, no more than three or four in a convoy.

Columns of the inhuman soldier-androids, churning along cleared highway surfaces on their caterpillar tracks, slowly but inexorably, never breaking rank, never tiring.

Armored vehicles, their guns at ready, crunching through the snow.

Small groups of men, platoon-size, no more than a dozen at a time, slipping along back roads and game trails, fully outfitted in helmet, backpack and weapons. Shepherded, invariably, by one or two of the military droids ahead, another pair behind.

Koda hears a small hiss of indrawn breath at the last sequence. Across the table from her, Maggie’s face is drawn into a tight mask of anger and disgust. Closer to, Manny’s fists clench against the table. The civilian woman two places down, her skin reddened from years of High Plains wind, her face hard as the bones of the land itself, looks nauseated in the flickering green light. Koda’s own stomach turns over.

“Indeed,” says General Hart as he switches off the projector, and the room lights come back up. “We have not only droids on the move, but we have human collaborators as well. This is something Colonel Allen and Dr. Rivers have encountered, but not quite in this capacity or in these numbers.” He flicks another switch and a map of South Dakota , with Wyoming and Colorado to the south, appears on the wall. “These videos were taken by Colonel Allen and her squadron over the last several days. They show a disturbingly large number of small companies moving toward our position. They seem to come from Warren Space Wing in Wyoming and Peterson Air Force Base in Colorado. Presumably they will rendezvous at some point and position themselves for a second assault on the Base. This is not a favorable development.”

“General.”

Tacoma waits for recognition, and when Hart nods, continues. “We are assuming from these movements that there is no longer any resistance at Warren or Peterson?”

“Or in between?” Koda adds.

“Sergeant, Doctor—I have no reason to believe that is not correct.” For a moment, Hart’s normally ruddy face is as grey as the light filtering in through the windows. “We have no hope of reinforcement from either of those installations. Nor, I think, of further influx of civilians from the surrounding area. What we have now, is, barring the unexpected, what we will have to face the enemy.”

“We’re outnumbered,” Manny observes.

“And except for air cover, probably outgunned” adds Maggie.

“Correct.”

“But not,” Tacoma answers, grinning, “outthought.”

“Also correct, Sergeant.” Hart’s smile is a bit less stiff this time. “Every one of you in this room has immediate and intimate knowledge of the area surrounding Ellsworth. Some of you, like Mr. Marshak”—he indicates the gentleman in the flannel shirt—“or Mmes. Tilbury-Laduque”—the women ranchers—“have lived and worked in the region for decades. Some, like Marine Ensign Guell and Corporal Mainz, are local residents who have experience camping or hunting in the vicinity. We need you all, assuming you are willing, to act as scouts—to move out into the countryside and track these units, discover as much about their movements, and, if possible, their plans, as you can.”

“So why don’t you just bomb the hell out of them?” asks one Ms. Tilbury-Laduque. Her thin face is stark with determination under her graying red hair; the question clearly does not come from cowardice. “It seems to me that human resources are what’s scarcest here.”

“If I may—?” Maggie glances at Hart.

At the general’s nod, she proceeds. “We still have both adequate jet fuel and sufficient munitions to bomb these bastards back to atoms, Ma’am. And we’ll do that if we have to. But it’s the best judgment of this base’s senior officers that for the time being we would do best to conserve those resources for civilian defense. There are a surprising number of survivor enclaves still out there in the countryside who are not equipped to repel, say, an attack by the military-model androids. We need to hold the airborne defenses in reserve for them as long as we can.”

There is a pause, then the rancher nods. “I see. Okay, I’m with you.”

“Me, too,” adds the other Ms. Tilbury-Laduque. Koda feels a tug of memory, brief and poignant, as the woman’s work-roughened hand closes over her partner’s fingers. It is not so sharp as it would once have been, though, and she lowers her eyes to her own hands where a barely perceptible band of lighter skin remains on the third finger of her left hand.

It has become almost a phantom pain, like nerves still wired to the ghost of a missing limb. She has seen it in one or two of Tacoma’s friends who did not come home from battle with all they had left home with and who could or would not be fitted with cyberlimbs or old-fashioned prostheses. She has seen it, too, in her own surgical patients, cows whose hip muscles twitch, attempting to move a leg no longer there, a fox biting at a gangrenous tail she has been forced to amputate. She glances up at Maggie, intent now on the speaker across the table from her, her handsome features animated by an underlying lust for life so strong that Koda cannot begin imagine her dampened by injury or illness. And that, she tells herself, is a dangerous thing not to be able to imagine about a battle-companion, much less a battle-companion who is also a friend.

“I’ll do it,” says Manny, glancing up at Maggie.

“So will I,” adds the Colonel. “I’d like to have some of the same troops that have been with me from the mutiny, General. They may not be strictly local, but they’ve had experience in skirmish encounters and in liberating civilians. We may run into caches of prisoners along the way, too.”

“Anything you need, Colonel.” Under his standard-issue smile, Hart looks relieved. “This operation is in your hands. What about the rest of you? Are you with Colonel Allen, Sergeant Rivers?”

“Of course.” Tacoma grins. “Anyone who can handle Flyboy here”—he gestures toward his cousin—“has my utmost respect.”

”Doctor?”

Koda nods her assent and watches as the rest repeat the gesture. There is a strange sense of slippage in her mind, as if time has somehow faulted and folded back upon itself. Scouts for the U. S. Army—“friendlies” cooperating in their own ultimate destruction as the Plains grew barren not only of the buffalo but of the human nations who lived with them and by them.

She feels her hands clench like Manny’s. Never again. It will be different this time. With the thought comes the recognition—the unshakable certainty that she has come to recognize as the mark of spiritual knowledge—that the world has changed irrevocably. Whatever she, and Manny with her, and Tacoma, help to bring to birth out of the wreckage of the old order will resemble nothing that has gone before.

Lakota oyate.

A Lakota nation, but not only a nation of Lakota. It is the time of the White Buffalo, the return seen, if seen unclearly, by the Paiute holy man Wovoka, the fulfillment of prophecy.

She blinks to clear the thought, and finds Manny looking at her oddly. The General has resumed his briefing, something about forming small parties and communications problems. “Koda?” Her cousin’s voice is very soft. “You with us?”

“Yeah, I’m fine. Thanks.”

His face is a question. Tacoma, across the table, is watching her intently. “I’m fine,” she repeats. “Later.”

Without warning, the door opens. Kirsten stands framed in the opening, Asimov alert beside her. Her face is white with the rage that flares in her eyes, colder than the wailing heart of a blizzard. She says nothing. Sound dies in the room as all eyes at the table turn toward her.

After an awkward moment, Hart breaks the silence. “Dr. King, are you looking for someone? My secretary can direct you, if you’ll excuse us?”

Still Kirsten says nothing. Koda can feel the anger as it comes off her in waves, almost palpable in its strength. And with it there is a power she has not felt in the other woman before, something similar to the force she has sensed in Maggie. For a moment she is absurdly relieved that Kirsten is not holding a weapon. There is an authority in her that Koda has never seen before, not even in the moment when she stalked up to Hart and struck him across the face after the bombing of Minot.

Ithanchan winan. The thought comes unbidden. This woman is a chief.

Koda starts to push her chair back and rise to her feet, but Tacoma is there before her. Straight as a birch tree, he snaps to attention and salutes the woman in the doorway. Eyes on Kirsten, he stands motionless.

Manny follows by a heartbeat, then Allen. “Madame Secretary,” the Colonel says pointedly.

The Marine and the Corporal are on their feet, then, together with the civilians. Koda’s heart rises and lodges somewhere in her throat. Finally Hart does what he must. He moves away from the wall and salutes. “At your service, Ma’am.”

Kirsten holds them all with her eyes for a moment longer. Then she gives a brief wave of her hand. “At ease.”

Hart pulls out his own chair at the head of the table for her, and Kirsten makes her way toward the front of the room. Asi paces with the dignity of a wolf beside her, for once ignoring his new friends. Koda’s memory flashes on her first meeting with the big dog in the snowy clearing, his formal pose atop the log suddenly connecting with an image older by thousands of years, the jackal-god stretched out on a mastaba bench before the shrine of Pharaoh. Anubis the Watcher. Guardian of the King.

Quietly Kirsten takes her seat, Asimov still standing at her side. “Thank you, General Hart,” she says. “Please begin the briefing.”

Koda watches as Tacoma struggles manfully not to grin, gives up and coughs, turning his face away from the defeated General. The sparkle in his eyes is contagious, though, and it spreads up and down the table like February sun on new-melted springwater. The General is visibly relieved when he is able, finally, to order the lights off and run the video again. As it plays a second time, Koda memorizes the terrain; shapes of hills, angles of the moon, bare trees lining a rise against the sky, the course of a freshening stream, contours of barren fields where the dark earth begins to break through the blanket of snow.

When it is over, the Colonel reviews the information that cannot be gotten onto film, and Kirsten listens without comment. When Maggie falls silent, she says, “General, is it your estimation that this base is the only regional defense installation still operable in this area?”

“Ma’am, it is.” He gestures back toward the map. “If Ellsworth goes under, the droids will not only have access to all our remaining armaments but will be able to overcome any resistance the surviving civilian population can offer. So far they have no air power, possibly because other installation commanders have disabled their planes; possibly because some, like Colonel Allen and her squadron, were in the air at the time of the mutiny; possibly because some aircraft were destroyed in the fighting. Possibly, too, because they have no human pilots, and none of the military droids, that I’m aware of, are programmed to fly. We can’t allow those assets to fall into their hands. Nor can we abandon our remaining civilian population.”