OMNISEXUAL GEOFF RYMAN

Geoff Ryman is a Canadian living in London. He has published eight novels and two volumes of his own short fiction. He has also co-edited a collection of Canadian science fiction and edited an anthology of collaborations between fiction authors and scientists. His stories and novels have won fourteen awards, most recently a 2012 Nebula for the novelette “What We Found.”

* * *

THERE WERE BIRDS INSIDE of her. Was she giving birth to them? One of them fluttered its wings against the walls of her uterus. He felt the wings flutter too. He felt what she felt in a paradise of reciprocity, but she was not real. This world had given birth to her, out of memory.

A dove shrugged its way out of her. Its round white face, its surprised black eyes made him smile. It blinked, coated with juices, and then, with a final series of convulsions, pulled itself free. The woman put it on her stomach to warm it, and it lay between them, cleaning itself. Very suddenly, it flew away.

He buried his face in her, loving the taste of her.

“Stay there,” she told him, holding his head, showing him where to put his tongue.

And he felt his own tongue, on a sensitive new gash that had seemed to open up along the middle of his scrotum.

She was delivered of fine milky substance that tasted of white chocolate. It sustained him through the days he spent with her.

She gave birth to a hummingbird. He knew then what was happening. DNA encodes both memory and genes. Here, in this other place and time, memory and genes were confused. She was giving birth to memories.

“Almost, almost,” she warned him, and held his head again. The hummingbird passed between them, working its way out of her and down his throat. Breathing very carefully, not daring to move in case he choked, he felt a wad of warm feathers clench and gather. He felt the current of his breath pass over its back, and he swallowed, to help it.

It made a nest in his stomach. Humming with its wings, it produced a sensation of continual excitement. He knew he would digest it. The walls of its cells would break down, giving up their burden of genes. He knew they would join with his own. Life here worked in different ways.

He became pregnant. All over his skin, huge pale blisters bubbled up, yearning to be lanced. He clawed at them until they burst, with a satisfying lunging outward of fluid and new life.

He gave birth to things that looked like raw liver. He squeezed them out from under the pale loose skin of the broken blisters, and onto the ground. They pulled themselves up into knots of muscle and stretched themselves out again. In this way, they drew themselves across the ground, dust sticking to each of them like a fine suede coat.

They could speak, with tiny voices. “Home,” they cried. “Home, home, home,” like birds. They wanted to go back to him. They were part of him, they remembered being him, they had no form. They needed his form to act. They clustered around him for warmth at night, mewling for reentry. In the end, he ate them, to restore them. He could not face doing anything else.

Their mother ate them too. “They will be reborn as hummingbirds,” she told him. She gave birth instead to bouquets of roses and things that looked like small toy trains.

He did not trust her. He knew she was collecting his memories from them. She collected people’s memories. She saw his doubt.

“I am like a book,” she said. “Books are spirits in the world that take an outward form of paper and words. They are the work of everyone, a collection. I am like that. I am communal. So are you.”

Her directness embarrassed him. His doubts were not eased. He walked through the rustling tundra of intelligent grasses. The hairs on the barley heads turned like antennae. The grass was communal too.

When he came back to the woman who was not real, she had grown larger. She lay entwined in the grass, and hugged him; she opened up and enveloped him. Warm flesh, salmon pink with blue veins, closed over him moist and sheltering, sizzling like steak and thumping like Beethoven. He lived inside her.

Prying ribbons explored him gently, opened him up. They nestled in his ears, or crept down his nose, insinuated their way past his anus, reached needle thin down the tip of his penis. They untied his belly button, to feed him. Flesh was a smaller sea in which, for a time, he surrendered his independent being.

What conjunction could be more complete than that? When he emerged after some months, he was a different person. He had a different face. It had grown out of him, out of his old one. He looked into her eyes and saw the reflection of his new face. It was a shock. This was the face of a conqueror, a hero, older, like a head on a Roman coin.

Her eyes looked back at him, amused and affectionate. “You will go away now,” she told him. “You have become bored. You should always listen to boredom or disgust. It is telling you that it is time to move.”

On the other world, the world he had come from, there had been a fluorescent sign outside his window.

BUILDING TOMORROW, the sign had read, WITH THE PEOPLE OF TODAY.

It did not seem to him that this was possible.

Rain would pimple the glass of the window, breaking up the red light from the sign, glowing red light drops of blood. And he would listen to the wind outside, or fight his way along the blustery streets under clouds that were the color of pigeons.

Everything was covered over by concrete. There were no trees; the buildings had been cheaply made and were not kept clean. The people were the only things that were soft.

People lived where they worked, crawling out from under their desks in the morning, sleepy, embarrassed, polite, smelling of body processes, wearing faded robes to blanket the smells, shuffling off to the toilets to wash. Their breasts, their buttocks were wrapped and hidden. Disease was a miasma between them, like some kind of radiant ectoplasm. He would rove the blustery streets, dust in his eyes, looking at the young people. He could not believe the beauty of their faces and bodies, and he ached for them, to think that they would grow old, and he wanted to hold them and to touch them, so that the beauty would not go unacknowledged or hoarded by only one or two others. He ached to think of them losing their beauty here.

He saw them losing it. He saw what they would become. The people he worked with had tiny cookers under their desks, and they made tiny meals. Everything in the office smelled of cabbage. Their faces went lined and apologetic and pale, sagging eventually into permanent, pouchy frowns. Loss provoked a longing within him. He wanted the old. He wanted to reach out for and soothe the ghosts of their younger selves and make what was left of their bodies bloom. He wanted the young, who were doomed.

They didn’t have to live this way. They could choose freedom. He did. He had a vocation, a vocation to love. To have a vocation, it is necessary to give up ambition and normality. He went to live in another place where love was allowed because life there worked differently, and disease, and procreation. Those who went there could love without risk and come back clean. He did not want to come back. He gave up his desk and the smells of cabbage. He was called a whore.

This is not a story of other planets. It is a story of being driven from within. He was driven to a different place and a different time. Visitors came there to be loved and he loved them. It was a paradise of politesse. There were the approaches, elegant, or shy; and the jokes; and the fond farewells; and the mild embarrassment of separation when it did not work, and the kindly stroking of the hair that meant—this has been nice and now it is at an end. Some of them never believed he was not doing it for money. They left, believing that.

The man began to see that he had set himself an unending task. You could not touch all human beauty, not unless you flung yourself in threads across the space between the worlds and stitched all the people and planets together in one sparkling cobweb. You could not do it, give or receive enough, unless you ceased to be human. A paradise of politesse was not quite enough.

His tastes began to change. He wanted to go in and not out, to stay with one person. He met the woman who was not real. He realized that this world had given her birth. Why she had chosen him, he did not know. Could she read his mind from his semen? First his tastes, and then his body had changed, from love and viruses.

And now he was bored with that, too.


He left the woman who was not real and walked across the austere tundra. His body had gone crazy. A steady stream of new life poured out of him, small and wet and sluglike, vomiting out of his mouth or dropping from the tip of his penis. He grew a pouch on his belly, to keep them warm. They would crawl up his stomach on batwings or hooks that looked like a scorpion’s sting. Others darted about him like hummingbirds. His nipples became hard and swollen, and they exuded a thick, salty, sweaty paste. His humming children bit them to force out food. The others hung on to the hair of his chest or on to each other, mouthing him.

Berries grew on bleak and blasted shrubbery. He ate them and the fleshy protuberances that popped, like mushrooms, out of the earth. As he ate them, he knew that genetic information was being passed on to him, and through his breasts, on to his strange children. His body grew crazier.

Then autumn came and all his children dropped from him like leaves.


After the first snow, he built himself a hollow in the snow drifts. He licked the walls and his spittle froze. He lived in the hollow, naked, warming it with his body heat. He would crawl up the warm and glassy tunnel and reach out of the entrance to gather the snow. It was alive. It tasted of muesli and semen. He was reminded then of people, real and unreal.

Why had he come here at all, if it were only to huddle alone in a room made of spit? He began to yearn for company. He began to yearn for the forest, but a forest untouched by fantasy. He was a contradiction. Without simplicity, it is difficult to move. He stayed where he was.

Until he began to see things moving on the other side of the spittle wall and tried to call to them. He could see them moving, within the ice. Then he realized that they were only reflections of himself. He threw on his clothes and left the burrow in the middle of winter.

The snow was alive and it loved him. It settled over his shoulders and merged into a solid blanket of living matter that kept him warm. As he walked he turned his mouth up open to feed. Again the taste of semen.

The world was ripe with pheromones. It was the world that drew him, with constant subliminal promises of sex or something like it, of circumstance, of change. What use was an instinct when its end had no distinct form or shape? It was form or shape that he was seeking.

The snow fertilized his tongue. It grew plump and heavy. It ruptured as he was walking, spilling blood over his chin and down his throat. He knelt over the ice to see his reflection, holding out his tongue. It was covered with frantically wiggling, burrowing white tails. He sat down and wept, covering his face. It seemed that there was no way forward, no way back.

He broke off a piece of the ice and used it like a blade to scrape his tongue. The white things squealed and came free with peeling, suction-cup sounds. He wiped them onto the snow. The snow melted, absorbing them, pulling them down into itself.

He ate the ice. The ice was made of sugar. It was neutral, not alive, secreted by life, like the nuggets of sugar that had gathered along the stems of his houseplants back home. He still thought of the other world as home. He spurned the snow and survived the winter on ice.


He trudged south. Even the rays of light were sexual. They came at him a solid yellow. They shot through him, piercing him, making his flesh ache. They sent a dull yearning along the bones of forearm and thighs. His bones shifted in place with independent desire. They began to work their way loose, like teeth.

His left thigh broke free first. It tore its way out of his leg, pulling the perfect, cartilage-coated ball out of its socket with a sound like a kiss. The bone fell and was accepted by the snow, escaping. As he tried to find it, the bone above his right elbow ripped through his shoulder and followed, slipping out into the living snow. It too was lost. He was lame.

He drank his own blood, to save his strength. He walked and slept and grew new children. They were new arms, new legs, many of them, but they would not do what he wanted. They had a will of their own. They pulled back the flesh of his face while he dozed, peeling back his lips so that he gave birth to his own naked skull. His bones wanted to become a coral reef. They did not let him move. The plates of his skull blossomed out in thin calcium petals, like a flower made of salt. He waited, wistful, patient, resting, hopeless.

The spring came. The snow grew into a fleshy forest, pink and veined. There were fat, leathery flowers, and wattle-trees that lowed like cattle. Pink asparagus ran on myriad roots, chattering. His bones grew into dungeons and turrets, brain-shaped swellings, spreading fans, encrusted shrubberies. His body lurked in hidden chambers and became carnivorous again. It would lunge out of its hiding like moray eels, to seize capering scraps of flesh, dragging them in, enfolding them in shells of bone with razor edges.


Finally he became bored. Bored and disgusted and able to move.

The coral reef stirred. With its first shifting, delicate towers crumbled and fell. They smashed the fantastic calcium spirals and bridges. They broke open the translucent domes of bone. The whole mass began to articulate, bend. He pulled himself free, slithering out of its many rooms.

He no longer resembled a human being. He lay on his back, unable to right himself. It was the first night of summer, warm and still. Lying on his back, he could see the stars. He tried to sing to himself, and his many mouths sang for him. The forest swayed slightly, asleep, in the wind.

He loved the world. He finally, finally came to it. Semen prised its way out from under his thousand eyelids, scorching his eyes. It flowed from his moray mouths, from his many anuses, and from his host of genitals, a leaping chorus the color of moonlight. The scrota burst, one after another, like poppy pods. He was no longer male. He slept in a pool of his own blood and sweat and semen.

By morning it had seeped away, given to this living world. The soil around him rippled, radiating outward. Everything was alive. Rain began to fall, washing him clean. Where he had touched the coral, he was stung and erupted in large red weals.


One of his children came to its father. It was no particular shape or gender. It had a huge mouth and was covered in lumps like acne. It was still an adolescent.

It found his real arms and legs, found the ones that were lame, and mumbled them, warming them. Deftly, with the tip of its tongue, it flicked bones out of itself, and pushed them through the old wounds back into place. Then it pruned him, biting, cutting him free from his accretion of form, into an approximation of his old shape.

“Ride me,” his child whispered. Exhausted, he managed to crawl onto its back. Hedgehog spines transfixed his hands and feet, holding him on to the back of his child. The thorns fed him, pumping sugar into his veins. As he rested, growing fat, he was carried.

His desires hauled him across the world. Staring up at the changing sky, he had opportunity to reflect. He could fly apart and pull himself together. His DNA could carry memory and desire into other bodies. DNA could combine with him, to make his living flesh behave in different ways. Was it only power that pushed him? To make the world like himself? Or was it that the world was so beautiful that the impulse was to devour it and be in turn devoured?


His child set him down in a cornfield. Great thick corn leaves bent broken-backed from their stalks like giant blades of grass and moved slightly in a comfortable breeze. He had never seen a cornfield, only read about them. He and this world together had fathered one.

“You have grown too heavy,” said his child. Its speech was labored, the phrases short and punctuated with gasps for air. “How long do I live?”

“I don’t know,” he said. It blinked at him with tiny blue eyes. He kissed it and stroked the tuft of coarse hair on the top of its head. “Maybe I will grow wings,” it said. Then it heaved its great bulk around and with sighs and shifting began its journey back.

The cornfield went on to the horizon. He reached up and broke off an ear of corn. When he bit into the cob, it bled. There was a scarecrow in the field. It waved to him. He looked away. He did not want to know if it were alive.

He walked along the ordered rows, deeper and deeper into the field. The air was warm, heavy, smelling of corn. Finally he came to a neatly cultivated border on top of the bank of a river. The bank was high and steep, the river muddy and slow moving.

He heard a whinnying. Rocking its way back and forth up the steep slope came a palomino pony. Its blond, ragged mane hung almost down to the ground.

It stopped and stared at him. They looked at each other. “Where are you from?” he asked it, gently. Wind stirred its mane. There was bracken in it, tangled. The bracken looked brown and rough and real. “Where did you get that?” he asked it.

It snorted and waved its head up and down in the air, indicating the direction of the river.

“Are you hungry?” he asked. It went still. He worked an ear of corn loose from its stalk, peeled back its outer leaves, and held it out. The pony took it with soft and feeling lips, breaking it up in its mouth like an apple. The man pulled the bracken out of its mane.

It let him walk with it along the river. It was hardly waist-high and its back legs were so deformed by rickets that the knee joints almost rubbed together when it walked. He called it Lear, for its wild white hair and crown of herbs.

They walked beside the cornfield. It ended suddenly, one last orderly row, and then there was a disorder of plants in a dry grassland: bay trees smelling of his youth, small pines decorated with lights and glass balls, feathery fennel, and mole hills with tiny smoking chimneys. Were they all his children?

They came to a plain of giant shells, empty and marble patterned. Something he had wished to become and abandoned. The air rustled in their empty sworls, the sound of wind; the sound of the sea; the sound of voices on foreign radio late at night, wavering and urgent.

All the unheard voices. The river became smaller and clearer, slapping over polished rocks on its way from the moors. The clouds were low and fast moving. The sun seemed always to be just peeking out over their edge, as if in a race with them.

They came to bracken and small twisted trees on spongy, moorland soil. There, Lear seemed to say, this is where I said I would take you. This is where you wanted to be. It waved its head up and down, and trotted away on deformed legs.

The man knelt and ate the grass. He tore up mouthfuls of it, flat inert and tasting only of chlorophyll and cellulose. It seemed to him to be as delicious as mint.

He walked into the water. It was stingingly cold, alien, clean. He gasped for breath—he always was such a coward about going into the water. He half ran, half swam across the pond and came up in the woodland on the opposite shore. Small, old oaks had moss instead of orchids. Rays of sunlight radiated from behind scurrying small clouds. The land was swept with light and shadow. Everything smelled of loam and leaf mold and whiplash hazel in shadow.

He sat down in a small clearing. There was a beech tree. Its trunk was smooth and sinuous, almost polished. The wind sighed up and down its length, and the tree moved with it. The soil moved, and out of it came his children, shapeless, formless, brushing his hand to be petted. “Home,” they mewed.

Everything moved. Everything was alive in a paradise of reciprocity. The man who was real had fathered the garden that had fathered him.

The woman came and sat next to him. She was smaller, flabbier, with the beginnings of a double chin. “I’m real now,” she said. They watched the trees dance until the four suns had set. All the stars began to sing.

* * *

A friend of mine nearly sold a story to Cosmopolitan. It was all about the usual Cosmopolitan subjects: sex and success. It took, however, an anti-Cosmopolitan line. You can’t, my friend was saying, have it all. The story got all the way to the final selection stage before the editors began to get a creeping, uncomfortable feeling about it.

A few years later, I tried to do the same thing with a glossy, men-only-style magazine. It was a story about an interplanetary brothel in which the whores were nonhuman androids. It was clearly pornographic by the strict definition of the word (fiction about whores), except that it made plain the existence of such a place in any form was a tragedy. The story almost sold.

I feel friendlier toward sex now. In a way this story is a return to that brothel, except that the sexual feelings embrace the universe, and in some way transform the artificial relations into lasting, human ones. It is probably the most optimistic story I’ve written, and, I hope, the sexiest.

GEOFF RYMAN

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