Michaela Roessner has published four novels and contributed shorter works to Asimov’s Science Fiction magazine, the Magazine of Fantasy & Science Fiction, OMNI, Room magazine, and other assorted quarterlies and anthologies. Her novel Walkabout Woman (1988) won the William L. Crawford Award and the John W. Campbell Memorial Award.
Recent publications include a bestiary chapter, “The Klepsydra,” in the Magazine of Fantasy & Science Fiction (2011). Roessner teaches creative writing in Western State Colorado University’s master of fine arts program and online classes for the Gotham Writers’ Workshop. Visit www.brazenhussies.net/Roessner for more information.
THE DOORWAY MAKES A picture—
Within the room she stands framed,
Leaning over slightly.
He draws his tongue along her backbone,
Wetly caressing each vertebra.
Moving upwards he reaches her wing spurs.
He licks them hard.
She whimpers with pleasure.
Then holding her tightly
He bites them off.
She snarls in pain.
He strokes her front, along the two long rows of nipples
To comfort her,
And tells himself that now she cannot leave him.
The sun shines through the window
Warming her back
Where two streams of blood
Course from her shoulder blades
Down her back
To his groin.
He mounts her from behind.
The door is open again.
The composition has changed.
She has given birth three times now
To brightly colored geometric objects
That lie heaped in one corner
Gathering dust.
He sits in the chair,
The only furniture in the room
Watching her stand at the window.
Arms stretched like a cross to the sun,
She hums.
He calls her to him.
She comes and stands before him.
He draws his hand up between her legs
Until she parts them.
He’s ready,
So with no preliminaries
He pulls her onto him.
Once inside,
To make it up to her,
He nuzzles her face and ears
Till she softens and hums
As if he, too, was the sun,
Hot and molten within her.
She strokes his hair
As he pivots beneath her.
But when she is aroused
He doesn’t dare let her mouth
Too near his throat.
The door doesn’t shut easily.
She asks for clothing,
Hoping to hide the sharp buds
On wrists and ankles.
He got her when she was young.
She’s grown
And now stands eye to eye with him.
He should give her up
But can’t.
One day
While he strokes and nibbles her sex,
She pulls her feet up fast
And tries to gut him.
When he next returns
He brings a knife.
Pinning her down,
He cuts the new spurs off.
After that she’s passive.
He can pull himself up onto her
Without fear.
Finally
Wrapping himself around her,
Rubbing himself against her bright sleek skin,
Pouring his hips into her as quickly or slowly
As he wants to.
The room is lit with sunlight
Except where the shattered window
Raggedly reveals the trueness of the forever night outside.
She lies broken below,
The pavement already absorbing her.
He has to admit to himself
That he knew all along
She would find a way to escape him.
This nasty little bit of work started innocently enough with an internal image like a painting by Vermeer—looking through a doorway into a room filled with buttery, creamy, golden light. No one was more surprised than I with the way it took off from there.