Witness in Death

CHAPTER ONE

There was always an audience for murder.

Whether it took its form in horror or glee, in dark humor or quiet grief, mankind's fascination with the ultimate crime made it a ripe subject for exploration in fact and in fiction.

At its bottom line, murder sold tickets and had packed theaters throughout history. Romans had pushed and shoved their way into the Coliseum to watch gladiators hack each other to bloody bits. Or, to alleviate the boredom of the day, by catching a matinee where a few hapless Christians were pitted against happy-to-oblige lions for the amusement of a cheering audience.

Since the outcome of these uneven matches was pretty much a sure bet, the crowd hadn't packed the stands to see if maybe this time the Christians would win the day. They wanted the results and all the blood and gore they offered.

People could go home pleased that they'd gotten their money's worth – and more, that they themselves were alive and whole. Vicarious murder was a simple way of reassuring yourself that your personal problems weren't really so bad after all.

Human nature, and the need for such entertainment, hadn't changed very much in a millennium or two. Lions and Christians might have been passe, but in the last gasp of winter in the year 2059, murder still sold strong and bumped the ratings in the media.

In a more civilized way, of course.

Families, wooing couples, the sophisticated, and their country cousins continued to queue up and plunk down hard-earned credits to be entertained by the idea of murder.

Crime and punishment was Lieutenant Eve Dallas's business, and murder was her specialty. But tonight she sat in a comfortable seat in a packed house and watched the canny business of murder play out onstage.

"He did it."

"Hmm?" Roarke was every bit as interested in his wife's reaction to the play as he was the play itself. She leaned forward in her chair, her arms crossed on the gleaming rail of the owner's box. Her brandy-colored eyes scanned the stage, the players, even as the curtain came down for intermission.

"The Vole guy. He killed the woman. Bashed her head in for her money. Right?"

Roarke took the time to pour them each a glass of the champagne he had chilling. He hadn't been certain how she'd react to an evening with murder as the entertainment and was pleased she'd gotten into the spirit. "Perhaps."

"You don't have to tell me. I know." Eve took the flute glass, studied his face.

And a hell of a face it was, she thought. It seemed to have been carved by magic into a staggering male beauty that made a woman's glands hum a happy tune. The dark mane of hair framed it, those long, sculpted bones; the firm, full mouth that was curved now in the faintest of smiles as he watched her. He reached out, ever so casually, to skim those long fingers over the ends of her hair.

And those eyes, that brilliant, almost burning blue, could still make her heart stumble.

It was mortifying the way the man could turn her inside out with no more than a look.

"What are you staring at?"

"I like looking at you." The simple phrase, delivered with that musical hint of Ireland, was a power all its own.

"Yeah?" She angled her head. Relaxed by the idea of having the entire evening to do nothing but be with him, enjoy him, she let him nibble on her knuckles. "So, you want to fool around?"

Amused, he set his glass down and, watching her, ran his hand up the long line of her leg to where the slit in her narrow skirt ended at the hip.

"Pervert. Cut it out."

"You asked."

"You have no shame." But she laughed and handed him back his glass. "Half the people in this fancy joint of yours have their spyglasses on this box. Everybody wants a look at Roarke."

"They're looking at my very nifty wife, the homicide cop who brought me down."

She sneered at that, as he knew she would. It gave him the opening to lean over and sink his teeth lightly into her soft bottom lip. "Keep it up," she warned. "We'll have to sell tickets."

"We're still basically newlyweds. It's perfectly acceptable for newlyweds to neck in public places."

"Like you care about what's acceptable." She put a hand on his chest, nudged him back to a safe distance. "So, you've packed them in tonight. I guess you figured you would." She turned back to look out on the audience again.

She didn't know much about architecture or design, but the place dripped with class. She imagined Roarke had employed the best minds and talents available to rehab the old building into its former glory.

People wandered in and out of the enormous, multilevel theater during the break, and the sound of their voices rose in a low roar of humanity. Some were dressed to kill, so to speak. Others were decked out in the casual wear of airboots and oversized, retro flak jackets that were all the rage that winter.

With its soaring, muraled ceilings, its miles of red carpet and acres of gilt, the theater itself had been redone to Roarke's exacting specifications. Everything he owned was done to his specifications – and, Eve thought, he owned damn near everything that could be owned in the known universe.

It was something she still wasn't used to, something she doubted she'd ever be fully comfortable with. But that was Roarke, and they'd taken each other for better or worse.

In the year since they'd met, they'd had more than their share of both.

"It's a hell of a place you've got here, pal. I didn't get the full punch of it from the holo-models."

"Models only provide the structure and elements of ambiance. A theater needs people, the smell and sound of them, to have impact."

"I'll take your word for it. What made you pick this play for the opening?"

"It's a compelling story, and, I think, has timeless themes as the best stories do. Love, betrayal, murder, all in a layered and untidy package. And it's a stellar cast."

"And it all has your stamp on it. Still, Leonard Vole's guilty." She narrowed her eyes at the shimmering red-and-gold drawn curtain as if she could see through it to measure and judge. "His wife's a very cool customer, with some trick up her sleeve. The lawyer guy's good."

"Barrister," Roarke corrected. "The play takes place in London, mid-twentieth century. Barristers plead criminal cases in that particular system."

"Whatever. The costumes are cool."

"And authentic, circa 1952. When Witness for the Prosecution came out on film, it was a huge hit, and it's proven an enduring one. They had a stellar cast then, too." He had it on disc, of course. Roarke had a particular fondness for the black-and-white films of the early – and mid-twentieth century.

Some saw black-and-white as simple and clear cut. He saw shadows. That, he thought, his wife would understand very well.

"They've done a good job casting actors who reflect the original players while maintaining their own style," he told her. "We'll have to watch the movie sometime, so you can judge for yourself."

He, too, scanned the theater. However much he enjoyed an evening out with his wife, he was a businessman. The play was an investment. "I think we're in for a good, long run with this."

"Hey, there's Mira." Eve leaned forward as she spotted the police psychologist, elegant as always, in a winter-white sheath. "She's with her husband, and it looks like a couple of other people."

"Would you like me to get a message down to her? We could invite them for a drink after curtain."

Eve opened her mouth, then slid her gaze to Roarke's profile. "No, not tonight. I've got other plans."

"Do you?"

"Yeah. Got a problem with that?"

"None whatsoever." He topped off their wine. "Now, we have a few minutes before the next act. Why don't you tell me why you're so sure Leonard Vole is guilty."

"Too slick not to be. Not slick like you," she added and made Roarke grin. "His is a – what do you call it – a veneer. Your slick goes down to the bone."

"Darling, you flatter me."

"Anyway, this guy's an operator, and he does a good job with the honest, innocent act of a hopeful, trusting man who's down on his luck. But great-looking guys with beautiful wives don't piddle time away with older, much less attractive women unless they have an agenda. And his goes a lot deeper than selling some goofy kitchen tool he invented."

She sipped her champagne, settling back as the house-lights flickered to signal the end of intermission. "The wife knows he did it. She's the key, not him. She's the study. If I were investigating, she's the one I'd be looking into. Yeah, I'd have myself a nice long talk with Christine Vole."

"Then the play's working for you."

"It's pretty clever."

When the curtain rose, Roarke watched Eve instead of the courtroom drama.

She was, he thought, the most fascinating of women. A few hours before, she'd come home with blood on her shirt. Fortunately, not her own. The case that caused it had opened and closed almost immediately with the dead she stood for and a confession she'd drawn out within an hour of the crime itself.

It wasn't always that simplistic. He supposed that was the word. He'd seen her drive herself to exhaustion, risk her life, to bring justice to the dead.

It was only one of the myriad facets of her he admired.

Now she was here, for him, dressed in sleek and elegant black, her only jewelry the diamond he'd once given her, dripping like a tear between her breasts, and her wedding ring. Her hair was short, a careless cap of dozens of shades of brown.

She watched the play with those cool cop's eyes, dissecting, he imagined, evidence, motive, and character, just as she would a case that landed in her lap. Her mouth was unpainted – she rarely remembered or thought of lip dye. Her strong face with its take-me-on chin and its shallow cleft didn't need it.

He watched that mouth thin and those eyes narrow and gleam as the character of Christine Vole took the stand and betrayed the man she'd called her husband.

"She's up to something. I told you she was up to something."

Roarke danced his fingers over the back of Eve's neck. "So you did."

"She's lying," Eve murmured. "Not all the way. Pieces of lies. Where does the knife come into it? So he cut himself with it. It's not a vital point. The knife's a red herring. Not the murder weapon, which, by the way, they haven't introduced into evidence. That's a flaw. But if he cut himself slicing bread with the knife – and everyone agrees he did – why do they need it?"

"He either cut himself on purpose to explain the blood on his sleeves or by accident as he claims."

"Doesn't matter. It's smoke." Her brow furrowed. "Oh, he's good." Her voice lowered, vibrated with the intense dislike she'd developed for Leonard Vole. "Look at him standing in the… what is it?"

"The dock."

"Yeah, standing in the dock looking all shocked and devastated by her testimony."

"Isn't he?"

"Something's off. I'll figure it out."

She liked putting her mind to it, looking for the angles and the twists. Before her involvement with Roarke, she'd never seen an actual live play. She'd passed some time in front of the screen, had let her friend Mavis drag her to a couple of holograph acts over the years. But she had to admit watching live performers act out the scenes, deliver the lines, and make the moves took the whole entertainment aspect to a higher level.

There was something about sitting in the dark, looking down on the action that made you a part of it, while separating you just enough that you didn't have a real stake in the outcome.

It removed responsibility, Eve thought. The foolish and wealthy widow who'd gotten her skull bashed in wasn't looking to Lieutenant Eve Dallas to find the answers. That made looking for those answers an interesting game.

If Roarke had his way – and it was rarely otherwise – that rich widow would die six nights a week, and during two matinees, for a very, very long time for the amusement and entertainment of an audience of armchair detectives.

"He's not worth it," she muttered, drawn in by the action enough to be annoyed by the characters. "She's sacrificing herself, performing for the jury so they look at her as an opportunist, a user, a cold-hearted bitch. Because she loves him. And he's not worth a damn."

"One would assume," Roarke commented, "that she's just betrayed him and hung him out to dry."

"Uh-uh. She's turned the case on its ear, shifted it so that she's the villain. Who's the jury looking at now? She's the center, and he's just a sap. Damn smart thinking, if he was worth it, but he's not. Does she figure that out?"

"Watch and see."

"Just tell me if I'm right."

He leaned over, kissed her cheek. "No."

"No, I'm not right?"

"No, I'm not telling, and if you keep talking, you'll miss the subtleties and the dialogue."

She scowled at him but fell silent to watch the rest of the drama unfold. She rolled her eyes when the not guilty verdict was read. Juries, she thought. You couldn't depend on them in fiction or in real life. A panel of twelve decent cops would have convicted the bastard. She started to say so, then watched Christine Vole fight her way through a crowd of spectators, who wanted her blood, into the nearly empty courtroom.

Eve nodded, pleased when the character confessed her lies and deceptions to Vole's barrister. "She knew he was guilty. She knew it, and she lied to save him. Idiot. He'll brush himself off and dump her now. You watch."

Eve turned her head at Roarke's laugh. "What's so funny?"

"I have a feeling Dame Christie would have liked you."

"Who the hell is that? Ssh! Here he comes. Watch him gloat."

Leonard Vole crossed the courtroom set, flaunting his acquittal and the slinky brunette on his arm. Another woman, Eve thought. Big surprise. She felt both pity and frustration for Christine as she threw herself into Vole's arms, tried to cling.

She watched his arrogance, Christine's shock and disbelief, Sir Wilfred's anger. It was no less, no more than she expected, however well played. And then, she came straight up out of her chair.

"Son of a bitch!"

"Down girl." Delighted, Roarke dragged Eve back into her seat while onstage, Christine Vole plunged the knife she'd snatched from the evidence table into her husband's black heart.

"Son of a bitch," Eve said again. "I didn't see it coming. She executed him."

Yes, Roarke thought Agatha Christie would have enjoyed his Eve. Sir Wilfred echoed those precise words as people rushed out onstage to huddle over the body, to draw Christine Vole away.

"Something's wrong." Again, Eve pushed to her feet, and now her blood was humming to a different beat. This time she gripped the rail tight in both hands, her eyes riveted to the stage. "Something's wrong. How do we get down there?"

"Eve, it's a performance."

"Somebody's not acting." She shoved the chair out of her way and strode out of the box just as Roarke noted one of the kneeling extras scramble to his feet and stare at the blood on his hand.

He caught up with Eve, grabbed her arm. "This way. There's an elevator. It'll take us straight down to backstage." He keyed in a code. From somewhere, down below, a woman began to scream.

"Is that part of the script?" Eve demanded as they stepped into the elevator.

"No."

"Okay." She dug her communicator out of her evening bag. "This is Dallas, Lieutenant Eve. I need a medivac unit. New Globe Theater, Broadway and Thirty-eighth. Condition and injury as yet unknown."

She tossed the communicator back in her bag as the elevator opened onto chaos. "Get these people back and under control. I don't want any of the cast or crew to leave the building. Can you get me a head count?"

"I'll take care of it."

They separated, with Eve shoving her way through to the stage. Someone had had the presence of mind to drop the curtain, but behind it were a dozen people in various stages of hysteria.

"Step back." She snapped out the order.

"We need a doctor." The cool-eyed blonde who'd played Vole's wife stood with both hands clutched between her breasts. There was blood staining her costume, her hands. "Oh my God. Somebody get a doctor."

But Eve crouched beside the man sprawled facedown on the floor and knew it was too late for doctors. She straightened, dug out her badge. "I'm Lieutenant Dallas, New York Police and Security. I want everyone to step back. Don't touch anything, don't remove anything from the stage area."

"There's been an accident." The actor who played Sir Wilfred had pulled off his barrister's wig. His stage makeup ran with sweat. "A terrible accident."

Eve looked down at the pool of blood, the gored-to-the-hilt bread knife. "This is a crime scene. I want you people to step back. Where the hell is security?"

She tossed out a hand, slapped it on the shoulder of the woman she still thought of as Christine Vole. "I said back." When she spotted Roarke come out of the wings with three men in uniform, she signaled.

"Get these people offstage. I want them sequestered. You've got dressing rooms or whatever. Get them stashed, and keep the guards on them. That goes for crew as well."

"He's dead?"

"That or he wins best actor award for the century."

"We need to move the audience along to a safe area. Keep it controlled."

"Go ahead and make it happen. See if you can find out if Mira's still around. I could use her."

"I killed him." The blonde staggered back two steps, holding up her bloody hands, staring at them. "I killed him," she said again and fainted.

"Great. Terrific. Roarke?"

"I'll take care of it."

"You." She jabbed a finger at one of the guards. "Start moving these people into dressing rooms. Keep them there. You," she ordered the second guard, "start rounding up the crew, the techs. I want the doors secured. Nobody comes in, nobody goes out."

A woman began to sob, several men began to argue in raised voices. Eve counted to five, lifted her badge in the air, and shouted, "Now, listen up! This is a police investigation. Anyone refusing to follow the directives will be interfering with that investigation and will find themselves transported to the nearest station house where they will be kept in holding. I want this stage cleared, and cleared now!"

"Let's move." The brunette with the bit part as Vole's tootsie gracefully stepped over the unconscious Christine. "A couple of you big strong men pick up our leading lady, will you? I need a goddamn drink." She glanced around, her eyes cool, clear, and green. "Is that allowed, Lieutenant?"

"As long as it's not on my crime scene."

Satisfied, Eve pulled out her communicator. "Dallas, Lieutenant Eve." Once more she crouched beside the body. "I need a crime scene unit dispatched immediately."

"Eve." Doctor Mira hurried across the stage. "Roarke told me…" She trailed off, looked down at the body. "Good lord." She let out a long breath, shifted her gaze back to Eve. "What can I do?"

"Right now, you can stand by. I don't have a field kit. Peabody 's on the way, and I've sent for the crime scene team, and the ME. But until they get here, you're both the doctor on-scene and a designated police and security official. Sorry to screw up your evening."

Mira shook her head, started to kneel by the body.

"No, watch the blood. You'll contaminate my scene and ruin your dress."

"How did it happen?"

"You tell me. We all watched it. Using my acute powers of observation, I identify that knife as the murder weapon." Eve spread her hands. "I don't even have a damn can of Seal-It. Where the hell is Peabody?"

Frustrated that she couldn't begin a true examination or investigation without her tools, she spun around and spotted Roarke. "Would you hold here for me, Dr. Mira?"

Without waiting for an answer, Eve strode stage left. "Tell me, the bit with the knife in the last scene. How does it work?" she asked Roarke.

"Dummy knife. The blade retracts when it's pressed against a solid surface."

"Not this time," Eve murmured. "The victim, what's his real name?"

"Richard Draco. A very hot property. I suppose he's cooled off considerably now."

"How well did you know him?"

"Not well. I've met him socially a few times, but primarily I knew his work." Roarke tucked his hands in his pockets and rocked back on his heels as he studied Draco's stunned and staring eyes. "He's a four-time Tony Award winner, garnered excellent reviews in the films he's done. He's a top box office draw, stage and screen, and has been so for a number of years. He has a rep," Roarke continued, "for being difficult, arrogant, and childish. Juggles women, enjoys a certain amount of chemical enhancements that might not meet the police department's code."

"The woman who killed him?"

"Areena Mansfield. Brilliant actress. A rare untemperamental type, and dedicated to her art. Very well respected in theater circles. She lives and works primarily in London but was persuaded to relocate to New York for this role."

"By who?"

"Partially by me. We've known each other for a number of years. And no," he added, dipping his hands in his pockets again, "I've never slept with her."

"I didn't ask that."

"Yes, you did."

"Okay, if I did, we'll have the follow-up. Why haven't you slept with her?"

A faint smile lifted his mouth. "Initially because she was married. Then, when she wasn't…" He ran a fingertip along the dent in Eve's chin. "I was. My wife doesn't like me to sleep with other women. She's very strict about it."

"I'll make a note of that." She considered her options, juggled them. "You know a lot of these people, or have impressions of them anyway. I'm going to want to talk to you later." She sighed. "On the record."

"Of course. Is it possible this was an accident?"

"Anything's possible. I need to examine the knife, and I can't touch the fucker until Peabody gets here. Why don't you go back there, do a pat and stroke on your people? And keep your ears open."

"Are you asking me to assist in an official police investigation?"

"No, I am not." And despite the circumstances, her lips wanted to quiver. "I just said keep your ears open." She tapped a finger on his chest. "And stay out of my way. I'm on duty."

She turned away as she heard the hard clop of what could only be police-issue shoes.

Peabody 's were shined to a painful gleam Eve could spot across the length of the stage. Her winter-weight uniform coat was buttoned to the throat of a sturdy body. Her cap sat precisely at the correct angle atop her dark, straight hair.

They crossed the stage from opposite ends, met at the body. "Hi, Dr. Mira." Peabody glanced down at the body, pursed her lips. "Looks like a hell of an opening night."

Eve held out a hand for her field kit. "Record on, Peabody."

"Yes, sir." Because it was warm under the stage lights, Peabody shrugged out of her coat, folded it, set it aside. She clipped her recorder to the collar of her uniform jacket.

"Record on," she said as Eve coated her hands and evening shoes with Seal-It.

"Dallas, Lieutenant Eve, on-scene, stage set of New Globe Theater. Also in attendance, Peabody, Officer Delia, and Mira, Dr. Charlotte. Victim is Richard Draco, mixed race male, late forties to early fifties."

She tossed the Seal-It to Peabody. "Cause of death, stabbing, single wound. Visual exam and minimal amount of blood indicate a heart wound."

She crouched, and with her coated fingers picked up the knife. "Wound inflicted by what appears to be a common kitchen knife, serrated blade approximately eight inches in length."

"I'll measure and bag, Lieutenant."

"Not yet," Eve murmured. She examined the knife, dug out microgoggles, examined it again from hilt to tip. "Initial exam reveals no mechanism for retracting the blade on impact. This is no prop knife."

She shoved the goggles up so they rested on the top of her head. "No prop knife, no accident." She passed the knife to Peabody 's sealed hand. "It's homicide."