Witness in Death

CHAPTER EIGHT

"Weighing in Mira's profile of the killer, the scales drop on the side of a performer. An actor," Eve continued. "Or someone who wants or wanted to be one."

"Well, you got your headliners." Feeney stretched out his legs. "Your second string, your extras. Add them all up, you still got more than thirty potentials. You add the wanna-bes to that, and Christ knows."

"We divvy them up and cut them down. The same way Baxter should cut down audience members."

Feeney spread his lips in a grin. "We heard his whining all the way over in EDD."

"Then my job there is done. We factor in connections to the victim," Eve went on, "placement during the last act. We haul the most probables into Interview and start sweating them."

McNab shifted in his chair, lifted a finger. "It's still possible that the killer was someone in the audience. Somebody who knew Draco, had theater experience. Even working Baxter and whoever he drags into it with him twenty-four/seven on probabilities and backgrounds, it'll take weeks to eliminate."

"We don't have weeks," Eve shot back. "This is high profile. Pressure's going to build on The Tower," she said, referring to the office of the commissioner. "That means it's going to squeeze us, and squeeze us soon. We run the audience as Baxter passes on potentials, and keep running them until we whittle it down. Meantime, we focus on the stage."

She moved to the board where the stills of the murder scene, the body, the graphs and charts from the probability scans and background checks run to date were already tacked.

"This wasn't a spree killing. It wasn't an impulse. It was planned, staged. It was performed. And it was recorded. I've got copies of the discs for everyone. We're going to watch the play, each of us, study it until we know the lines, the moves, so well we could go on the road with it ourselves.

"It's about twisting the law," she murmured. "About playing with it. And in the end, it's about a kind of justice. The murderer might see Draco's death that way. A kind of justice."

Feeney rattled the sugared nuts in the bag in his pocket. "Nobody loved him."

"Then we figure out who hated him most."

The boy's name was Ralph, and he looked both terrified and excited. He wore a battered Yankees jacket over his dull brown janitorial uniform. He either had a very bad haircut or, Roarke supposed, was sporting some new fashion. Whichever, he was forced to blow, sweep, or shake the ragged streams of dark hair out of his eyes on a continual basis.

"I didn't think you'd come yourself, sir." Part of Ralph's panicked excitement came from the idea of speaking face-to-face with the legendary Roarke. Everybody knew the man was totally ice. "Orders are to report anything out of the ordinary to control, so when I saw how the stage door wasn't locked and coded, I figured how I should report it right off."

"That's right. Did you go inside?"

"Well, I…" Ralph didn't see any point in admitting his over-active imagination hadn't let him get two feet beyond the door. "I started to, you know. Then I saw how there were lights on that aren't supposed to be on. I thought it was smarter to stay out here and… be guarding the door, like."

"Good thinking." Roarke crouched down, studied the locks, glanced up idly at the security camera. Its indicator light was off, and it shouldn't have been. "Do you usually work alone?"

"Oh no, sir. But since, you know, the building's closed because of that guy getting dead and stuff, my super asked one of the cleaning crew to volunteer for light maintenance. With the whole deal on opening night, nobody ever got to cleaning the bathrooms and stuff. The super, he said how the cops gave us clearance to go back in since they got what they needed already."

"Yes." Roarke had been informed only that morning that certain areas of the building were not cleared.

"We're not supposed to pass the police barriers onstage or back. Super said they'll give you a bitch of a shock if you try to mess with them."

"Super is quite correct."

"So, I'm just supposed to deal with the bathrooms is all. I popped for it 'cause I can use the money, you know?"

"Yes." Roarke straightened, smiled at the boy. "I know very well. Well then, Ralph is it? We'll just go in and see what's what."

"Sure." There was an audible gulp as Ralph stepped inside behind Roarke. "You know, they say a murderer always returns, like, to the scene of his crime."

"Do they?" Roarke's voice was mild as he scanned the area. "You'll learn there's very little always in the world, Ralph. But it's possible they could be right this time around."

The rooms beyond the anteroom were dark, but there was a backwash of light shining up the stairs from the lower level. Roarke started down, tucked a hand in his pocket where he'd slipped a small, illegal-for-civilian-use stunner when he'd gotten the call of a potential break-in.

He followed the glow toward the under-stage area.

He smelled home brew, the just-going-sour punch of it, and a nasty undertone he recognized as death.

"Yes, I'm afraid they're right this time," he murmured, then turned the corner.

"Oh, shit. Oh, man." Ralph's voice jumped over the words, and his eyes goggled at the figure dangling from a stout length of rope. "Is that a guy?"

"It was. If you're going to be sick, there's no shame in it, but find another place."

"Huh?"

Roarke glanced back. The boy's face was sheet white, his eyes going glassy. To keep it simple, Roarke simply pressed a hand on Ralph's shoulder and lowered him to the floor. "Put your head down, take slow breaths. That's the way, son. You'll do fine."

Turning from the boy, Roarke walked to the hanged man. "Poor, stupid bastard," he thought aloud, and took out his palm 'link to call his wife.

"Dallas. What? Roarke, I can't talk to you now. I'm up to my neck here."

"Speaking of necks. I'm looking at one now that's been considerably stretched. You'll need to come to the theater, Lieutenant, lower level. I've found another body for you."

Death demanded routine, even if the primary investigator's husband discovered the body.

"Can you identify him?" she asked Roarke, and signaled for Peabody to record the scene.

"Quim. Linus Quim. I checked the employment records after I called you. Head stagehand. He was fiftysix. Divorced, no children. He lived on Seventh – alone, according to his file."

"Did you know him personally?"

"No."

"Okay, stand by. Peabody, get me a ladder. I don't want to use this one until we've done a full sweep. Who's the kid?" she asked Roarke.

"Ralph Biden. One of the janitorial team. He was going to work solo today, saw the stage door was unlocked, and called it in."

"Give me times," Eve demanded as she studied the angle of the fallen ladder, the pattern of shattered glass from the broken brew bottle.

After one long stare, Roarke took out his log. "He contacted maintenance control at eleven twenty-three. I was alerted six minutes later and arrived on-scene at noon, precisely. Is that exact enough to satisfy, Lieutenant?"

She knew the tone and couldn't help it if he decided to be annoyed. Still, she scowled at his back and he walked away to take a small stepladder from Peabody.

"Did you or the kid touch anything?"

"I know the routine." Roarke set the ladder under the body. "Nearly as well as you by now."

She merely grunted, shouldered her field kit, and started up the ladder.

Hanging is an unpleasant death, and the shell left behind reflects it. It bulges the eyes, purples the face. He hadn't weighed more than one-twenty, Eve thought. Not enough, not nearly enough for the weight to drop down fast and heavy and mercifully snap his neck.

Instead, he'd choked to death, slowly enough to be aware, to fight, to regret.

With hands coated with Seal-It, she tugged the single sheet of cheap recycled paper out of his belt. After a quick scan, she handed the paper down. "Bag it, Peabody."

"Yes, sir. Self-termination?"

"Cops who jump to conclusions trip over same and fall on their asses. Call for a Crime Scene team, alert the ME we have an unattended death."

Chastised, Peabody pulled out her communicator.

Eve logged time of death for the recorder and examined the very precise hangman's knot. "Why self-termination, Officer Peabody?"

"Ah… subject is found hanged to death, a traditional method of self-termination, in his place of employment. There is a signed suicide note, a broken bottle of home brew with a single glass. There are no apparent signs of struggle or violence."

"First, people have been hanged as an execution method for centuries. Second, we have no evidence at this time the subject wrote the note found on-scene. Last, until a full examination of the body is complete, we cannot determine if there are other marks of violence. Even if there are not," Eve continued, backing down the ladder, "a man can be coerced into a noose."

"Yes, sir."

"On. the surface, it looks like self-termination. It's not our job to stop at the surface and assume but to observe, record, gather evidence, and eventually conclude."

Eve stepped away, studied the scene. "Why would a man come here to an empty theater; sit and drink a glass of brew; write a brief note; fashion himself a nice, tidy noose; secure it; walk up a ladder; then step off?"

Since she understood she was expected to answer, Peabody gave it her best. "The theater is his workplace. Self-terminators often take this step in their place of employment."

"I'm talking about Quim, Linus. Specifics, Peabody, not generalities."

"Yes, sir. If he was responsible for Draco's death, which could be the meaning of the note, he may have been overcome by guilt, and he returned here, to where Draco was killed, balancing the scales by taking his own life under the stage."

"Think of the profile, Peabody. Think of the original crime and its method of execution. I find calculation, ruthlessness, and daring. Tell me, where do you find guilt?"

With this, Eve strode off to where Ralph was sitting, pale and silent in a corner.

"Screwed that up," Peabody muttered. "Big time." She blew out a breath, trying not to be embarrassed she'd had her wings pinned in front of Roarke. "She's pissed now."

"She's angry. Not at you, particularly," Roarke added, "nor at me." He looked back at the corpse, the pathetic waste of it, and understood his wife perfectly. "Death offends her. Each time. Every time she deals with it."

"She'll tell you that you can't take it personally."

"Yes." He watched Eve sit beside Ralph, automatically shielding his view of death with her body. "She'll tell you that."

He could be patient. Roarke knew how to wait, to choose his time and his place. Just as he knew that Eve would seek him out, would find him, if for no other reason than to assure herself he hadn't stuck his fingers too deeply into her work.

So he sat on the stage, still dressed with the final courtroom set. An odd place for a man with his background, he thought with some amusement, as he used his personal palm computer to scan updated stock reports and revise a departmental memo.

He'd turned the stage lights on, though that had simply been for convenience. When she tracked him down, he sat in the dock under a cool blue spot, and he looked as seductive as a condemned angel.

"They ever get you that far?"

"Hmm?" He glanced up. "You've seen my records. No arrests."

"I've seen what's left of your records after you played with them."

"Lieutenant, that's a serious accusation." Still, a smile flirted with his mouth. "But no, I've never had the pleasure of defending myself in a court of law on a criminal matter. How's the boy?"

"Who? Oh. Ralph. A little shaky." She climbed the stairs to the dock. "I had a couple of uniforms take him home. We shouldn't need to talk to him again. And after he recovers, he'll have all his pals buying him a beer to hear the story."

"Exactly so. You're a fine judge of human nature. And how's our Peabody?"

"What do you mean?"

"You're a good teacher, Lieutenant, but a fierce one. I wondered if she'd recovered from the bruising you gave her."

"She wants to make detective. She wants to work murders. First rule, you go on a scene, you don't bring anything with you. No preconceptions, no conclusions. And you don't take what you see at first glance on face value. You think Feeney didn't slap me upside the head with that a few times when he was my trainer?"

"I imagine he did and had plenty of bruises of his own when he hit the rock of it."

"If that's a fancy way of saying I'm hardheaded, it doesn't insult me. She'll learn, and she'll think more carefully next time. She hates screwing up."

He reached up idly to brush his knuckles over her cheek. "I thought the same myself. Now, why don't you think this is self-termination?"

"I didn't say I didn't. There are a number of tests to be run. The ME will make the call."

"I wasn't asking for the medical examiner's opinion but yours."

She started to speak, then set her teeth and jammed her hands in her pockets. "You know what that was down there? That was a fucking insult. That was a stage carefully set for my benefit. Somebody thinks I'm stupid."

Now he did smile. "No. Someone knows you're smart – very smart – and took great care, right down to the bottle of what will undoubtedly turn out to be Quim's own home brew."

"I've checked his locker. You can still smell the stuff. He kept a bottle in there, all right. What did he know?" she muttered. "Head stagehand? That means he'd have to know where everything needs to be and when. People, props, the works."

"Yes, I'd assume so."

"What did he know?" she said again. "What did he see, what did he think? What did he die for? He wrote down stuff in this little notebook. The handwriting on the death note looks like a match. If the ME doesn't find something off, he's likely to rule it self-termination."

Roarke rose. "You'll be working late."

"Yeah. Looks like."

"See that you eat something other than a candy bar."

Her mouth went grim. "Somebody stole my candy bars again."

"The bastard." He leaned down, kissed her lightly. "I'll see you at home."

If Eve's preconception that theater people led richly bohemian lives had taken a dent after a look at Michael Proctor's living quarters, it suffered a major blow when she reached Linus Quim's excuse for an apartment.

"One step up from street-sleeping." She shook her head as she took her first scan of the single, street-level room. The anti-burglar bars covering the two grimy, arrow-slot windows were coated with muck and caged out whatever pitiful sunlight might have struggled to fight its way into the gloom.

But bars and muck weren't enough to keep out the constant clamor of street traffic or the uneasy vibrations from the subway that ran directly under the ugly room.

"Lights on," she ordered and was rewarded with a flickering, hopeless yellow glow from the dusty ceiling unit.

Absently, she stuck her hands in her jacket pockets. It was colder inside than it was out in the frisky, late-winter wind. The entire place, such as it was, smelled of old sweat, older dust, and what she assumed was last night's dinner of hash and beans.

"What did you say this guy pulled down a year?" she asked Peabody.

Peabody pulled out her PPC, scanned. "Union scale for his position is eight hundred and fifty a show, with ascending hourly wage for put-ups, tear-downs, turnaround, and overtime pay. Union takes a twenty-five percent bite for dues, retirement, health plans, and blah-blah, but our guy still raked in about three hundred thousand annually."

"And chose to live like this. Well, he was either spending it or stashing it somewhere." She strode across the bare floor to the computer unit. "This piece of crap's older than the piece of crap I just got rid of. Computer on."

It coughed, wheezed, snorted, then emitted a sickly blue light. "Display financial records for Quim, Linus."

Password required for data display…

"I'll give you a password." Halfheartedly, she rapped the unit with her fist and recited her rank and badge number.

Privacy Act protects requested data. Password required…

"Peabody, deal with this thing." Eve turned her back on it and began riffling through the drawers in a cabinet that had the consistency of cardboard. "Arena ball programs," she announced while Peabody tried to reason with the computer. "And more notebooks. Our boy liked to bet on the games, which might explain where his salary went. He's got it all written down here, wins and losses. Mostly losses. Petty-ante stuff, though. Doesn't look like he was spine-cracker material."

She moved on to the next drawer. "Well, well, look at this. Brochures of tropical islands. Forget the financials, Peabody. See if he went searching for data on Tahiti."

She moved onto the closet, pushed through a handful of shirts, feeling the pockets, checking for hiding places in the two pairs of shoes.

As far as she could see, the guy had kept nothing – no mementos, no photographs, no personal discs. Just his notebooks.

He had a week's worth of clothes, obviously old, which included one wrinkled suit. His cupboards turned up several dehydrated single packs of hash, several bottles of brew, one jumbo bag of soy chips, as yet unopened.

She took the bag out, frowned over it. "Why does a man so obviously tight with his money spring for a jumbo bag of chips, then hang himself before he eats them?"

"Maybe he was too depressed. Some people can't eat when they're depressed. Me, I head right for the highest caloric content available."

"Looks to me like he ate last night and again this morning. Autopsy will confirm that, but his recycler's overstaffed." Wincing, she reached into the slot and pulled out an empty bag. "Soy chips. My guess is he finished them off yesterday and had his backup bag ready for his next nutritious meal. There's a half bottle of brew chilling in his friggie box, and two backups in the cupboard."

"Well, maybe… Good call on Tahiti, Dallas." Peabody straightened. "It was his last data search. We've got pictures, tourist data, climate scans." As she spoke, the machine began to play exotic music, heavy on the drums. "And half-naked dancing girls."

"Why does our urbanite do scans of faraway islands?" Eve walked back over, watched the native women shake impressively in some tribal dance. "Computer, replay most recent search for transpo choices and costs from New York City to Tahiti."

Working… Last search for transpo data initiated oh three thirty-five, twenty-eight March, 2059, by Quim, Linus. Data as follows: Roarke Airlines offers the most direct flights daily…

"Naturally," Eve said dryly. "Computer hold. Quim spent time just this morning researching flights to Tahiti. Doesn't sound like a guy suffering from guilt and depression. Computer, list Quim, Linus, passport and/or visa data."

Working… Quim, Linus: Request for passport initiated fourteen hundred hours, twenty-six March, 2059.

"Going on a trip, weren't you, Linus?" She stepped back. "What did you see, what did you know?" she murmured. "And who were you going to tap for the money to pay for your island vacation? Let's take this unit in to Feeney, Peabody."

Eliza Rothchild had made her debut on stage at the age of six months as a fretful baby causing her parents distress in a drawing room comedy. The play had flopped, but Eliza had been the critic's darling.

Her own mother had pushed her, pulled her, from audition to audition. By the age of ten, Eliza was a veteran of stage and screen. By twenty, she'd been a respected character actress, with a room full of awards, homes on three continents, and her first – and last – unhappy marriage behind her.

At forty, she'd been around so long no one wanted to see her, including producers. She claimed to be retired rather than used up, and had spent the next decade of her life traveling, throwing lavish parties, and fighting excruciating boredom.

When the opportunity arose to play the nagging nurse Miss Plimsoll in the stage production of Witness, she'd pretended reluctance, allowed herself to be wooed, and had privately wept copious tears of relief and gratitude.

She loved the theater more than she had ever loved any man or any woman.

Now, as her security screen announced the arrival of the police, she prepared to play her role with dignity and discretion.

She answered the door herself, a sternly attractive woman who didn't bother to disguise her age. Her hair was a rich auburn threaded with silver. The lines around her hazel eyes fanned out without apology. She wore a hip-skimming tunic and sweeping trousers over a short, sturdy body. She offered Eve a hand glittering with rings, smiled coolly, and stepped back.

"Good afternoon," she said in her smooth voice that held the granite of New England. "It's comforting to see the police are prompt."

"I appreciate your time, Ms. Rothchild."

"Well, I don't really have a choice, do I, but to give it to you."

"You're free to speak through or with a lawyer or representative."

"Of course. My lawyer is standing by, should I decide to do so." She gestured toward the living area. "I know your husband, Lieutenant. Quite the most fatally attractive man I've ever encountered. He may have told you I was reluctant to come out of retirement and accept the role of Miss Plimsoll. But quite frankly, I couldn't resist him."

She smiled again, sat in an elegant high-backed chair with a tapestry seat, rested her elbows on the wide arms, folded her hands. "Who could?"

"Roarke persuaded you to come out of retirement."

"Lieutenant, I'm sure you're aware there's nothing Roarke couldn't talk a woman into. Or out of."

Her eyes measured and judged Eve, then shifted idly to Peabody. "Still, you're not here to discuss Roarke but another fatally attractive man. Though, in my opinion, Richard lacked your husband's charm and underlying… we'll say decency, for lack of a better word."

"Were you and Richard Draco involved romantically?"

Eliza blinked several times, then laughed. The sound was a steady, bubbling gurgle. "Oh, my dear girl, should I be flattered or insulted? Oh me."

With a sigh, she patted her breast, as if the bout of humor had been a strain on the heart. "Let me say that Richard would never have wasted that particular area of his skills on me. Even when we were young, he considered me much too plain, too physically ordinary. 'Too intellectual,' I believe was one of his terms. He considered cultural intellect a flaw in a woman."

She paused, as if realizing she'd gone too far in the wrong direction, then opted to finish it out. "Gallantry was not one of his talents. He often made snide little jokes about my lack of appeal. I chose to be neither amused nor offended as what it came down to was simple. We were of an age, you see. Which meant I was years too old for his taste. And if I may say, several notches too self-reliant. He preferred the young and the vulnerable."

And that, Eve thought, had come out in a flood, as if it had been dammed up quite some time. "Then your relationship with him would have been strictly professional?"

"Yes. We certainly socialized. Theater people tend to be an incestuous little group – metaphorically, and literally as well, I suppose. We attended many of the same parties, performances, and benefits over the years. Never as a couple. We were civil enough, as we both knew he wasn't interested in me in a sexual manner, it took away that tension."

"Civil," Eve repeated. "But not friendly."

"No, I can't claim we were ever friendly."

"Can you tell me where you were on opening night, between the scenes that took place in the bar and the courtroom? The scene where Christine Vole is called back as a witness."

"Yes, of course, as it's as much a routine as what I do onstage. I went back to my dressing room to check my makeup. I prefer doing my own makeup, as most of us do. Then I was backstage for a time. My next scene has me in the balcony, watching the courtroom – and Sir Wilfred – along with the character of Diana and a number of extras."

"Did you see or speak with anyone between those scenes?"

"I'm sure I did." Eliza lifted her fingers, making a little steeple. Then collapsed them. "A number of the technical crew would have been backstage, and I might have exchanged a word or two. Carly and I passed each other."

"Passed each other?"

"Yes. As I was coming out of my dressing room, she was going toward hers. Hurriedly, as our cue was coming up shortly. Did we speak?"

She paused, pursing her lips, searching the ceiling as if for the memory. "I believe we did. She made some offhand complaint about Richard. I think she said he'd given her ass a bit of a pinch or pat. It annoyed her, as well it should, given his treatment of her."

She continued to sit, regally, her eyes bright and fixed on Eve's. "I find it hard to sympathize, as she's smart enough to know better than to get involved with a man of his nature. I believe I made just that sort of comment to Kenneth before I started up to the second level of the set to take my mark."

"You saw him as well."

"Yes, pacing about, muttering to himself. He often does so before a scene. I couldn't tell you if he heard me or noticed. Kenneth tries to stay in character and he works very hard to ignore Nurse Plimsoll."

"Anyone else?"

"Well, I… Yes, I saw Michael Proctor. He was in the wings. I'm sure he was dreaming of the night when he might have his chance to play Vole. Not that I believe for a moment he arranged to do so. He has such a helpless air, doesn't he? I can see this business devouring him whole in another year or so."

"And Areena Mansfield. Did you see her as well?"

"Certainly. She made the dash to her dressing room. She had a full costume and makeup change between those scenes. She raced right past me. But honestly, Lieutenant, if you want the positions and activities of the cast between scenes, you don't want to talk to one of us. You want Quim. He's head stagehand, a rumpled little man with sneaky eyes that miss little to nothing. He's everywhere."

"Not anymore," Eve said quietly. "Linus Quim was found hanged this morning in the theater. Lower level."

For the first time, Eliza's polished veneer cracked. Her hand went to her heart, trembled there. "Hanged?" The well-trained voice was husky on the single word. "Hanged?" she repeated. "There must be a mistake. Who would kill a harmless little toad like Quim?"

"It appeared to be self-termination."

"Nonsense." Eliza got to her feet. "Why, that's nonsense. It takes great bravery or great cowardice to end your own life. He had neither. He was just an irritating little man, one who did his job well and never seemed to enjoy it. If he's dead, someone killed him. That's two," she said almost to herself. "Two deaths in the theater. Tragedies come in threes. Who's next?"

She shuddered, lowered herself to her chair again. "Someone's killing us." The avid interest in her eyes was gone, the play of amusement around her mouth turned down to worry. "There's another play, Lieutenant Dallas, by the late Dame Christie. And Then There Were None. Ten people, subtly linked, who are murdered one at a time. I don't intend to have a role in it. You have to stop this."

"I intend to. Is there a reason anyone would wish you harm, Ms. Rothchild?"

"No. No. I have no enemies on the scope that leads to murder. But there will be at least one more. It's theater, and we're a superstitious lot. If there's two, there must be three. There will be three," she said. "Unless you do something about it."

She jolted when her security beeped. The lobby clerk's face came cheerfully on-screen. "Ms. Landsdowne is here to see you, Ms. Rothchild. Shall I send her up?"

"I'm engaged at the moment," she began, but Eve held up a hand.

"Please, have her come up."

"I – " Eliza lifted a hand to her hair, patted it. "Yes, yes, please send her up."

"Does Carly often drop by?" Eve asked.

"Not really. She's been here, of course. I enjoy entertaining. I don't recall her simply popping in this way. I'm really not up to chatting with her at the moment."

"That's all right. I am. I'll get the door," Eve said when the buzzer sounded.

Eve took a moment to study Carly's face on the security screen. Frantic would have been her description. She watched it change to shock, then smooth out quickly to careless curiosity after she opened the door.

"Lieutenant. I didn't realize you were here. Apparently I've chosen a bad time to pay a call on Eliza."

"Saves me tracking you down for a follow-up interview."

"Too bad I don't have my lawyer in my pocket." She stepped inside. "I was just out shopping and decided to drop by." She caught Eve's speculative look at her empty hands. "I had a few things sent on to my apartment. I do hate lugging parcels. Eliza."

Carly swept in, arms spread, and met Eliza in the center of the living area. They exchanged light hugs and double-cheeked air kisses. "I didn't realize you were entertaining the NYPSD. Shall I leave you alone?"

"No." Eliza gripped her arm. "Carly, the lieutenant's just told me Quim's dead. Linus Quim."

"I know." Turning, she linked arms with Eliza. "I caught the news on-screen."

"I thought you were shopping."

"I was." Carly nodded at Eve. "There was a young man entertaining himself with a palm unit while his young woman tried on half the wardrobe in sportswear and separates. I heard the name."

She lifted a hand, appeared to struggle with herself briefly. "It upset me – panicked me, frankly. I didn't know what to think when I heard the report. I was just a few blocks away, and I came here. I wanted to tell someone who'd understand."

"Understand what?" Eve prompted.

"The report said it's believed his death is linked to Richard's. I don't see how it could be. Richard never took notice of techs or crew. As far as he was concerned, the sets were dressed and changed by magic. Unless there was a problem. Then he'd abuse them verbally or physically. Quim never missed a cue, so Richard wouldn't have known he existed. How could there be a link?"

"But you noticed him?"

"Of course. Creepy little man." She gave a delicate shudder. "Eliza, I hate to impose, but I could really use a drink."

"I could use one myself," she decided and rang for a serving droid.

"Did you notice Quim on opening night?" Eve asked.

"Just that he was doing what he did in his usual silent, scowling way."

"Did you speak to him?"

"I may have. I don't recall. I'd like a vodka, rocks," Carly added when the droid appeared. "A double."

"You didn't appear this upset when Draco was killed, and in front of your eyes."

"I can think of a dozen reasons any number of people would want to kill Richard," Carly snapped back.

"Including yourself."

"Yes." She took the glass from the droid, took one quick sip. "Most definitely including myself. But Quim changes everything. If their deaths are connected, I want to know. Because the idea scares me."

"Tragedies happen in threes," Eliza stated, her voice round and full and passionate.

"Oh, thanks, darling. Just what I needed to hear." Carly lifted her glass, drained the contents.

"Weird. These people are fucking weird." Eve got in her vehicle and headed back to Central. "One of their associates gets stuck in the heart basically at their feet, and they're like – my goodness, would you look at that. A tech is hanged, and they fall apart."

She flipped on her car link and contacted Feeney.

"No home 'link calls in or out in a forty-eight-hour period," he reported. "No calls to anyone on your list, period. He had biweekly contact with a bookie for bets on arena ball, kept it under the legal limit."

"Tell me something interesting, I'm dozing off here."

"He put a hold on a royal-class ticket to Tahiti but didn't book it. One way, heading out a week from Tuesday. Also put a hold on a VIP suite at the Island Pleasure Resort. A full month's stay. Made some inquiries about real estate, looking into some cliff-side house in the neighborhood of two mil. The guy's financials add up to about a quarter of that. The ticket and the suite would have gobbled most of that up."

"So he was looking to come into a nice pile."

"Or he was a hell of a dreamer. Can't find anything on his unit to indicate he did previous scans, you know, like a hobby."

"Blackmailing a murderer might net you a nice pile."

"Or a noose," Feeney added.

"Yeah. I'm heading by the morgue to nag Morse."

"Nobody does it better," Feeney said before Eve cut him off.