1569, DECEMBER, COVENTRY: GEORGE

Ishould be glad, I should be singing an anthem, but I cannot delight in her defeat. It is clear to me now that my heart has been divided in these hard days, and I cannot seem to be a whole man again. I should be as happy as the others: the relief in Bess is palpable; Hastings has cracked his hard face into a smile. Only I have to pretend to happiness. I don’t feel it. God forgive me, I feel such pity for her. I feel her defeat as if it were my own cause that is lost.


I go to her room and tap at the door. Mary Seton opens it and her eyes are red from weeping. I understand at once that the queen knows of her downfall; perhaps she knows more than I do. She has been receiving secret letters even here, even in Coventry, and I cannot blame her for that.


“You know, then,” I say simply. “It is over.”


She nods. “She will want to see you,” she says quietly and holds the door wide.


The queen is seated in her chair of state by the fireside; the cloth of estate is shining golden in the candlelight. She is as still as a painting as I come into the room, her profile outlined in gold by the glow from the fire. Her head is slightly bowed, her hands are clasped in her lap. She could be a gilded statue entitled “Sorrow.”


I step towards her. I don’t know what I can say to her or what hope I can give her. But as I move she turns her face up to me and rises to her feet in one graceful movement. Without words she comes to me, and I open my arms and hold her. That is all I can do: wordlessly hold her, and kiss her trembling head.

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