My darling Norfolk, for we are still betrothed to marry, copies to me the playscript of the charade he must act. He has to make a complete submission to his cousin the queen, beg her pardon, assure her that he was entrapped into a betrothal with me under duress and as a fault of his own vanity. The copy that he sends me of his submission, for my approval, is so weepingly guilty, such a bathetic confession of a man unmanned, that I write in the margin that I cannot believe even Elizabeth will swallow it. But, as so often, I misjudge her vanity. She so longs to hear that he never loved me, that he is hers, all hers, that they are all of them, all her men, all of them in love with her, all of them besotted with her poor old painted face, her bewigged head, her wrinkled body, she will believe almost anything—even this mummery.
His groveling makes its own magic. She releases him, not to return to his great house in Norfolk, where they tell me that his tenants would rise up for him in a moment, but to his London palace. He writes to me that he loves this house, that he will improve and embellish it. He will build a new terrace and a tennis court, and I shall walk with him in the gardens when we pay our state visits as King Consort and Queen of Scotland. I know he thinks also of when we will inherit England. He will improve this great house so that it will be our London palace; we will rule England from it.
He writes to me that Roberto Ridolfi is thankfully spared and is to be found in the best houses in London again, knowing everyone, arranging loans, speaking in whispers of my cause. Ridolfi must have nine lives, like a cat. He crosses borders and carries gold and services plots and always escapes scot-free. He is a lucky man, and I like to have a lucky man in my service. He seems to have strolled through the recent troubles, though everyone else ended up in the Tower or exile. He went into hiding during the arrests of the Northern lords, and now, protected by his importance as a banker and his friendship with half the nobles of England, he is at liberty once more. Norfolk writes to me that he cannot like the man, however clever and eager. He fears Ridolfi is boastful and promises more than he can achieve, and that he is the very last visitor my betrothed wants at Howard House, which is almost certainly watched day and night by Cecil’s men.
I reply that we have to use the instruments that come to hand. John Lesley is faithful but not a man of action, and Ridolfi is the one who will travel the courts of Europe seeking allies and drawing the plots together. He may not be likable—personally, I have never even laid eyes on him—but he writes a persuasive letter and he has been tireless in my cause. He meets with all the greatest men of Christendom and goes from one to another and brings them into play.
Now he brings a new plan from Philip of Spain. If these present negotiations to return me to my throne break down again, then there is to be an uprising by all the English lords—not just those of the North. Ridolfi calculates that more than thirty peers are secret Papists—and who should know better than he who has the ear of the Pope? The Pope must have told him how many of Elizabeth’s court are secretly loyal to the old faith. Her situation is worse than I realized if more than thirty of her lords have secret priests hiding in their houses and take Mass! Ridolfi says they only need the word to rise, and King Philip has promised to provide an army and the money to pay them. We could take England within days. This is “the Great Enterprise of England” remade afresh, and though my betrothed does not like the man, he cannot help but be tempted by the plan.
“The Great Enterprise of England,” it makes me want to dance, just to hear it. What could be greater as an enterprise? What could be a more likely target than England? With the Pope and Philip of Spain, with the lords already on my side, we cannot fail. “The Great Enterprise,” “the Great Enterprise,” it has a ring to it which will peal down the centuries. In years to come men will know that it was this that set them free from the heresy of Lutheranism and the rule of a bastard usurper.
But we must move quickly. The same letter from Norfolk tells me the mortifying news that my family, my own family in France, have offered Elizabeth an alliance and a new suitor for her hand. They do not even insist on my release before her wedding. This is to betray me; I am betrayed by my own kin who should protect me. They have offered her Henri d’Anjou, which should be a joke, given that he is a malformed schoolboy and she an old lady, but for some reason, nobody is laughing and everyone is taking it seriously.
Her advisors are all so afraid of Elizabeth dying, and me inheriting, that they would rather marry her to a child and have her die in childbirth, old as she is, old enough to be a grandmother—as long as she leaves them with a Protestant son and heir.
I have to think that this is a cruel joke from my family on Elizabeth’s vanity and lust, but if they are sincere, and if she will go through with it, then they will have a French king on the throne of England, and I will be disinherited by their child. They will have left me in prison to rot and put a rival to me and mine on the English throne.
I am outraged, of course, but I recognize at once the thinking behind this strategy. This stinks of William Cecil. This will be Cecil’s plan: to split my family’s interests from mine, and to make Philip of Spain an enemy of England forever. It is a wicked way to carve up Christendom. Only a heretic like Cecil could have devised it, but only faithless kin like my own husband’s family are so wicked that they should fall in with him.
All this makes me determined that I must be freed before Elizabeth’s misbegotten marriage goes ahead, or if she does not free me, then Philip of Spain’s armada must sail before the betrothal and put me in my rightful place. Also, my own promised husband, Norfolk, must marry me and be crowned King of Scotland before his cousin Elizabeth, eager to clear the way for the French courtiers, throws him back in the Tower. Suddenly, we are all endangered by this new start of Elizabeth, by this new conspiracy of that archplotter Cecil. Altogether, this summer, which seemed so languid and easy, is suddenly filled with threat and urgency.